Los Angeles-based Italian photographer Guido Argentini produced a series of work called, "ARGENTUM " (Latin for silver), that will be released as both a fine art book and as a film that looks into the making and thinking behind the photographs. Each model -- all of which are professional performers -- was completely painted in a metallic body paint. The effect results in an interesting study of the human form (and, specifically, of the female form) in a way that is not sexual, but perhaps quite objective.
Photographer Jimmy Nelson is facing backlash over his portrayal of some indigenous people in his book, Before They Pass Away. The book (which is stunning to look at) portrays tribes and cultures supposedly untouched by the modern world. But some people are upset that the photos represent a stylized version of these cultures and are not a representation of how they actually appear today.
Through the Ground Glass is a beautiful short film by Taylor Hawkins that features large-format photographer, Joseph Allen Freeman as he — very candidly — talks about the process, frustrations, difficulties, and joys of shooting with large-format film. Even if this type of photography isn't your cup of tea, this video is worth a watch.
Warning: NSFW for language.
Thomas Dagg loves Star Wars. Each and every Star Wars figure and ship he owns, he can recall the name, where/how he got it, and their roll in his burgeoning imagination. His childhood wouldn't be the same without the galactic adventures, and as an adult he has paid tribute to the galaxy far, far away in photographs.
How do you make a photograph that sells for more than $100,000? Gregory Crewdson may not have the answer, and I suspect he probably doesn’t care, but that is what his prints will routinely fetch, if not more. What is it that allows him to create such staggeringly powerful works of art, and what are the struggles he endures through the creative process?
Sure it's easy to put off watching a video that isn't under five minutes long. Sometimes you just have to make an exception, and the weekend is the perfect time to do it. In this video, David Brommer talks about not only the rules of composition, but the theory behind the rules we all know and how they relate to our way of seeing. He takes us through the history of painting (which is the best possible thing to study for composition) and how it relates to every single image we take.
In conjunction with The Bubbler and the Diane Endres Ballweg Gallery of the Madison Public Library, Andy Adams of FlakPhoto has produced a new photo exhibition called the Midwest Print Show. The show features 41 photographers living and working in the Midwestern United States, and includes a variety of subject matter from across the region.
The show officially opened on September 26, 2014 and will continue through October 30, 2014. Given that the Society for Photographic Education Midwest Conference is set to happen in Madison this month, Adams decided to take advantage of the happenings and produce a show that celebrates photographic prints from Midwestern photographers.
All this week at the Photoville NYC festival, Tyler Stableford is hosting a gallery exhibition featuring his work from "The Farmers" project. This Saturday there is a reception which is free and open to the public if you'd like to check out some of the amazing prints from Tyler's latest passion project. This behind the scenes video gives you a look at the photography as well as the printing process involved in making this work come to life.
Social commentary showing up in the photography medium is hardly a new concept. But when photographer and retoucher Joel Parés set out to make a statement with his latest portrait series, he knew he wanted to showcase the images in a unique way. The shots, therefore, ended up being simple, two frame GIF animations, allowing you to absorb the initial impact first, and then its correspending follow up message for each image. And you know what? It works very well.
The old photographers’ saying, “It’s not the camera, it’s the photographer” sounds like a self-serving flattery when it comes out of the mouth of a photographer, yet has never been more accurate than today. Its ironic how, as a professional photographer, I posses the knowledge of manipulating the most sophisticated gear and cameras available, yet when I shoot an image on the iPhone the resulting image is an embarrassment. Rushing to my defense I’ll utter each time, “I’m a terrible iPhone photographer…” So when I see amazing images, shot with the iPhone, I’m impressed with what can be achieved.
If there is one medium that has been subject to the most censorship in society for well over a century, it's photography. Further, if there is one medium that has been responsible for the most heated debates about censorship, it's photography. For the most part, photographers decry and loathe censorship, whether it's because they capture nude figures, or create images with fictionalized depictions of violence, or perhaps - arguably the most important - they capture vital, photojournalistic visuals of the world around us which, let's face it, it's sometimes just plain scary. But consider this: Mainstream censorshop is not only necessary in photography, but it helps photography overall. No, really.
The most expensive and largest book project of the 20th century was Helmut Newton's SUMO, which sold out at $15,000 per copy, complete with its own book stand (the book is about as big as a medium-sized seven-year-old). Now, Annie Leibovitz' SUMO follows in its footsteps. At 476 pages, the Taschen-published art piece comes enveloped in your choice of four different dust jackets and is limited to 10,000 editioned copies, with the first 1000 coming in a leather-bound hardcover with a signed 20" x 20" archival pigment print and all four dust jackets.