To say New York City is a high-energy city would be a wholly plain and severely understated description of a city with which many have a deep loving, hateful, or love/hate relationship. The complexity of this relationship is further compounded by an unconditional love that many of its inhabitants feel, although that love might often be one born of a deep respect for its power to make or break those who hope to succeed within its confines. "F*cking New York" is a new photographic fine art book that expresses much of this tension, freedom, and energy through a visual exploration of a hypothetical "sexual relationship" with New York City.
Visiting an art museum is so interesting but also so intimidating for the non-expert public. Masterpieces can be seen as very ordinary work when the story behind it is left unknown or is misinterpreted. Fortunately enough, there is at least one curator per exhibition, and they are the persons you want to turn to to get the most out of your visit. A guided tour can offer you so much insight on an artist's work that it becomes an excellent opportunity to learn more about your craft.
As long as I can remember, I've adored summer and heat, and when the season comes, my head starts exploding with ideas that I can realize outdoors without the limitations the cold weather brings. The usual scenario is generating an idea and seeking locations to make it real, but my most outstanding shots were done when I got inspired by the location. I have already described how that inspiration happens in my previous post on my "unLimited" shoot. It was the same was with "Summertime." When my sister moved to her new apartment, I started looking around, and the moment I looked down from her balcony, located on the 5th floor, I knew something would happen there.
Four German body painters and photographers have teamed up to blend the human body and natural landscapes into an art project they call "Metamorphosis." Photographers Laila Pregizer and Uwe Schmida have been working with body painters Jörg Düsterwald and Léonie Gené since 2008 to integrate their subjects into various natural landscapes in all seasons. It's notable that the project does not rely on Photoshop to create the images, but rather on the skills of the artists.
Google's Cultural Institute was founded in 2011 with the goal of having "important cultural material available and accessible to everyone and to digitally preserve it to educate and inspire future generations." In their pursuit of said goal, Google has just announced their new Art Camera; a robotically controlled gigapixel camera specifically designed for photographing some of the finest works of art in existence.
I am a wide angle fanatic, especially when it comes to prime wide angles. I carry four lenses in my camera bag: two of them are prime wide angles, one prime nifty fifty, and one telephoto. Out of all these four, I found myself reaching just for one particular lens: the Sigma 24mm f/1.4 DG HSM Art. This came to substitute my old Canon EF 28mm f/1.8 USM lens which I adored, but it used to struggle a bit with chromatic aberrations and at times I craved for a wider view.
I surround myself with creative and inspiring visionaries. One of them is a conceptual photographer and illustrator named Elena Ohlander, whom I am happy to call my best friend. Her focus is in conceptual self-portraiture and illustration that deals with identity, gender issues, space, individuality, and pop culture. Her main influences are Taiyo Matsumoto, Gregory Crewdson, Paolo Roversi, Cindy Sherman, and Japanese aesthetic.
London-based Sports and Portrait Photographer Levon Biss wanted to see how he could take his commercial lighting techniques into the world of macro photography. After attaching a microscope assembly to the end of his DSLR lens and getting some samples from the Oxford University Museum of Natural History, Biss was able to achieve extremely detailed, high resolution three-meter prints of 10 mm insects.
Photography is one complex profession which requires many skills, from the technical to the psychological. We have all been faced with unpredictable scenarios which have put us or our clients/models in an awkward position ,or a state or panic. It can be anything: an insecure model, no time to set up your planned light, an equipment which breaks or malfunctions, a sudden rainfall, an unhappy bride, etc. Being well-equipped won’t always save the day. And if we lack self-control, good communication skills, and if we lose creative approach in stressful situations, we could just pack our gear and go home with an unhappy client glaring at our back. Being able to deal with these different scenarios might be surprisingly beneficial both for your photography and business.
New York City-based photographer Arne Svenson spent a lot of time in the news after he pointed his telephoto lens at his neighbors' windows and began photographing them for the sake of art. Understandably many of his subjects were outraged when they learned that they had been secretly photographed and put on display for Svenson's profit. The resulting lawsuits spanned two separate courts and several years, during which, Svenson had remained mostly silent.
Leaving the car, mountains, and solid ground behind, we get into a small airplane to do some landscape photography over Western Australia with International Fine Art Photographer of the Year Scott Jon McCook, not only to cover more ground while we’re at it, but to gain a rather unique perspective of the landscape and the story behind it.
Nicolas Vuignier has an amazing flare for the creative when it comes to documenting skiing. Working with Jules Guarneri in Crans-Montana over a year ago, the duo painted professional skiers with black ochre to create a strikingly unique contrast of seemingly silhouetted figures against stark white snow. The video is called “Nowness” and provides definitively artistic visuals and creative opacity blending to hit the mark of modern perspective.
Is Alexa Meade a painter or is she a photographer? Alexa's unique take on both mediums has completely blurred the idea of what is real and what is imagination. Traditional painting attempts to take a two dimensional medium and make it look 3D while photography does the opposite by capturing a 3D space and translating it to a 2D surface. Alexa's work throws both of these ideas into a blender and leaves the viewer wondering what is real and what is simply paint. The results are fascinating!