In today's carnival of conceit known as social media, the term selfie has come to be defined as a snapshot of oneself, almost always shot with a smartphone. Selfies have become synonymous with the millennial generation, and have been described as everything from harmless fun to wanton narcissism. But boudoir photographer Kara Marie Trombetta of Kara Marie Boudoir (formerly known as Click Chick Boudoir) has proposed a proper business purpose for selfies in her Business of Boudoir article entitled Selfies: Yes You Have To.
It takes a lot to motivate me to reach out to a photographer for permission to feature their work but a lot is exactly what Brisbane-based photographer and digital artist Jane Long provides with her latest series, "Dancing with Costică”. Colorizing, compositing and creating content for images she sources from the Costica Ascinte Archive, Jane is able to deliver beautiful, imaginative and surreal narratives to each of her final images.
Some photographers like that soft, ethereal feel as they specifically seek out types of plastic to stick in front of the lens, or even go so far as to buy defocus control lenses and LensBabies that will allow them to distort an otherwise true image. That has its value. But this isn’t for that. This is the new go-to guide for absolutely everything to know about how to get your images to be tack sharp. Get ready to dive in: this is a no-questions-left-behind study on sharpness.
Holy butts. Sometimes the fact that I'm an artist and I'm allowed to get weird slips my mind. I don't have a boss, I'm allowed to create what I want, I'm allowed to try new things for the sake of playing, and I'm even allowed to start a blog post by saying "Holy butts." That rocks.
Recently, Richmond Virginia-based wedding and portrait photographer Meagan Abell made a stunning find in a thrift-store box of old images. Among the half-century-old family snapshots she uncovered a set of jarringly beautiful transparencies (slide film) and a desire to find the women on them. The #FindTheGirlsOnTheNegatives campaign has, overnight, caught fire, garnering worldwide attention and press. Ms. Abell was kind enough to take a few minutes out of her schedule of NatGeo and BBC calls to chat with me for an exclusive interview.
Light painting is difficult. Trying to paint something you can’t see while racing the timer of your cameras shutter is no easy feat. Legibly writing your own name can take a decent amount of practice. Watch as Julian Breton takes this act to the next level as he turns the intricate art of calligraphy into light paintings.
What once was old and lost can be found new again, can’t it? That’s what photography is all about, after all. Sealing something in time. A visual tomb, preserved without the breeze of the next day to blow it along, but never suffocating. Alive. It's funny that this is how I felt when I stumbled across photographs from The National Gallery of Australia’s "Colour My World" exhibit.
Controlling your image is a valid quest for any photographer, as we all want to protect our brand. Seeing one’s work altered without permission can be frustrating, as can discovering your work on blogs that are void of any credit. The first response for most photographers is to watermark their images, ensuring that their logo or website graces every image that hits the internet. In today’s landscape, is watermarking your photographs the best way to protect them? Let's review both sides of this debate, and explore the current state of the watermark in photography.
Beth Moon is a photographer who specializes in classic black and white imagery. Over the last 14 years she has been traveling the world documenting the oldest and largest trees on the planet. To promote her new book "Ancient Trees: Portraits in Time," Moon has shared this behind-the-scenes video of her platinum printing darkroom process which is pretty interesting to watch. Platinum printing is viewed by many to be the absolute best form of archival printing, and Moon's results are absolutely gorgeous.
The fact of the matter is, my vlog installment today is discussing absolutely nothing new. It's the same stuff everyone in glamour photography knows about, and has known about for decades, but few from the photographer camp ever say anything about. Female models are far too often manipulated, insulted, used, abused and sometimes assaulted, and enough is enough. And before you get uppity about the fact that glamour models shoot sexualized photos and somehow or another deserve the harassment or attacks, you may want to check yourself.
For 68 years, Magnum has been considered home of the best documentary photographers in the world, as well as one of the most exclusive photo agencies in existence. Rarely opening it’s doors to more than one or two new members each year (and often times none at all) this year it added six to the roster. This is a sign that the agency is looking to inject new blood into the ranks.
Working with models can be an exciting part of photography, as each model can lend a different look and unique perspective to your vision. Casting a model appropriately for each project is an important part of a photographer’s job, as it speaks to their ability to manage their ideas and make them a reality. Just as a casting director will carefully select the best actors for appropriate roles, the same is true for casting the right model for the right photoshoot. Below we will review some guidelines for making the most out of working with models, in order to produce the best photographs...
Electrophotography is a medium that was never intended to be used for photography. Electrophotography, later changed to xerography, was originally intended for use as a photocopier. This video follows Tom Carpenter as he uses the electrophotography method to create a portrait. The results certainly won't be putting Canon out of business, but they are interesting from a creative and experimental photography standpoint.
The Shot on iPhone 6 World Gallery launched at the beginning of March and features some of Apple's favorite customer photos in a global outdoor and print campaign that spans 70 cities in 24 countries. It is a truly transformative year for videography and filmmaking, and we are now more than ever seeing more filmmakers achieve their vision by using the iPhone 6 as their weapon of choice to produce films. For example, "Modern Family" producer Steve Levitan shot an entire episode on iPhone and iPad earlier this year, opening the doors to more possibilities shooting with our mobile devices in a creative way.