Over a year ago, after having discovered his work a year before that, I felt it necessary to introduce Fstoppers' readers to photographer K. R. Whitley, the world traveling wilderness/landscape and urbex artist. Since then, Whitley has traveled even more and expanded his work in some bold, new directions. I brazenly invited him to an interview at my house, and thankfully he agreed.
I have been following and reporting on Vincent Laforet's "AIR" series since its first round was released. I came across an early printing of the book itself in the waiting area of San Francisco's Storehouse startup while I was about to take on another interview. I knew Storehouse and Laforet had a good working relationship, and I knew the images so well. But I didn't have time to look inside -- not that I felt I had to, however, since I knew the work inside and out. So when Laforet offered me a copy of the book to review, I simply had to say, "Of course," even if it was with mixed feelings. What could I, objectively speaking, really get out of it? Hadn't I seen it all?
Food is a part of our everyday lives and yet something a lot of people take for granted. How often do you stop and look at food, noticing how produce changes throughout the seasons? Not many of us do, unless you are a food photographer or have a chef in the family. Artists Caitlin Levin and Henry Hargreaves got up close and personal on their most recent collaboration, "Food Scans," cutting up produce to reveal its patterns and scanning them to create beautiful, intricate imagery.
As a part of the promotion for Photo London 2016, the exhibition team has put together a video with five fine art photographers who are interviewed about their love of photography. This short shows off some of their captivating work and really brings to light how many unique reasons there are to love the craft of taking photos.
Photography can easily be mistaken as a pastime or a profession where the greatest success is reserved for those with the eagle eyes, near super-human visual acuity, and a painfully sensitive awareness of the gradients of color around them. But the Seeing With Photography Collective flies in the face of such notions, and it’s a beautiful thing. A recently released documentary video shows the group collaborating and sharing their unique portraits, and it’s a must see.
There are a zillion photographers out there, but there aren’t a zillion clients. How do you make your work stand out? Success comes when a client will book you because it's you and not because you are just another good photographer. In the process, having a recognizable style might also make you a happier photographer. But how can you get there?
The world’s best photographers are defined by their styles. For example, you can instantly look at an image by Martin Schoeller or Annie Leibovitz and recognize what you’re seeing. Their work is distinctly theirs. I believe that a big part of a photographer's success lies in finding this style. It may not come easily to everyone, however.
Veterans Day comes and goes each year and for many of us, it doesn’t extend too far beyond Facebook shout-outs to our friends and family who have served in the military. Perhaps it’s the introverted nature of our times, but it does seem like an adequate show of support. Or does it?
Nevada-based Photographer Tim Conzachi showed us this week that photographers can be doing so much more.
Film photography has made a comeback! Some would argue that just like Dre, its been here the whole time. But over the past few years, the aesthetic and cache of film photography has made a strong presence in the zeitgeist of contemporary digital photography. In this entertaining short film by Maison Carnot called "Disassembly," we see how to take an old non-functioning film camera and bring it back to life through a complete disassembly and repurposing of the old gear.
While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.
A simple Google search will turn up millions of results on what photographers should do/not do when working with models. However, nine times out of ten, these articles are written from a photographer’s perspective, and the model’s voice is rarely heard. Well, today is your lucky day! I have jumped in to give you the model perspective! Whether you are shooting underwater, commercial, fashion, conceptual, etc., some of the same rules of etiquette apply across the board.
So you want to travel with a model? I've been shooting portraits for around four years now, and have started to (finally!) add more traveling to my life. Unintentionally, it turns out that my travel partner, my friend Victoria, also happens to be a model. In a relatively short span of time, Victoria and I have shot together in multiple countries and states, including Florida, North Carolina, New York City, Ireland, Italy, and France. In my career up until this point, I had worked with a variety of models, choosing them based on how they fit a location or look. Here are some of the pros and cons of the experience.
Making its start as a wildly popular Tumblr blog, the “Black Dogs Project” was created by Massachusetts-based portrait photographer Fred Levy. The goal of Levy’s project is to bring to light the reality of black dog syndrome, which is an observance that black dogs tend to always be adopted last from shelters. Now made into an inspiring hardbound photo book, I’d like to share some of my favorite cute doggy photos from “The Black Dogs Project” and give an overview of the charming stories within.
As some of the world's biggest auction houses gear up to offer photographic pieces this week, statistics show that photographs are consistently lesser valued than their artistic counterparts. Take a look at why photographs have yet to find the same financial footing as other works of art.