Freelance videomaker and visual artist Julianna Thomas did something unique recently: she shot an entire series of black and white subjects, but in color. As a response to one of her greatest pet peeves, Thomas created "Black & White In Color" as a "personal response to treating black and white as an editing afterthought."
Brooke Shaden is an undeniable force of photographic nature. Not only is she well regarded as a pioneer of modern fine art photography with her dream-like compositions and self portraits, she is often as focused with helping us develop our own work as she is with her own. This week, Brooke throws open the doors to her “Promoting Passion Convention”, which aims to more than your ‘typical’ photo workshop. If you’ve been looking to spread your creative wings and be inspired to create by learning from some of the best in the industry, this could be exactly what you’ve been waiting for.
Five years ago I filmed the iPhone Fashion Shoot, a 10-minute video in which I take professional looking images with the iPhone 3GS. That video was supposed to inspire photographers who assumed that their work was suffering because their gear wasn't ultra expensive. The video became extremely popular and became very polarizing. The majority of people thought my images looked good because I used fancy lights.
It's always impressive to see a subject that's shot so often used in a new and creative way. This conceptual shoot of the Milky Way by George Malamidis was beautifully conceived and executed. George picked two possible names for the image, both of which perfectly describe the outcome, "The Iris of God" or "The Peacock Milkyway." Want to know how he got the shot?
Recently, SmugMug featured the amazing artist Renee Robyn, based in Canada in a touching tribute video called "Dream Of A Digital Artist', and I recommend you take the 3 and a half minutes and check it out. If it doesn't leave you in awe and full of inspiration, then you must not have a pulse.
Markus Andersen, certainly one of the leading street and fine art photographers in Sydney, Australia, and known globally, has just released pre-orders for his first book – and it looks stunning. “Rage Against The Light” published by TG Publishing showcases his wonderful work around his home town of Sydney (and for the first 100 pre-orders, 42 remaining pre-orders, comes with a free print).
I'll preface this today by making it clear that I know very little to nothing about architectural retouching, landscape retouching, or product photography retouching. That said, I've dedicated the last two decades to Adobe Photoshop, and the last seven years specifically to portrait retouching. As such, I've come to realize one key thing: If your skin work is no good, everything else in your retouch just falls apart, if you will, as the basic foundation is already substandard.
In today's carnival of conceit known as social media, the term selfie has come to be defined as a snapshot of oneself, almost always shot with a smartphone. Selfies have become synonymous with the millennial generation, and have been described as everything from harmless fun to wanton narcissism. But boudoir photographer Kara Marie Trombetta of Kara Marie Boudoir (formerly known as Click Chick Boudoir) has proposed a proper business purpose for selfies in her Business of Boudoir article entitled Selfies: Yes You Have To.
It takes a lot to motivate me to reach out to a photographer for permission to feature their work but a lot is exactly what Brisbane-based photographer and digital artist Jane Long provides with her latest series, "Dancing with Costică”. Colorizing, compositing and creating content for images she sources from the Costica Ascinte Archive, Jane is able to deliver beautiful, imaginative and surreal narratives to each of her final images.
Some photographers like that soft, ethereal feel as they specifically seek out types of plastic to stick in front of the lens, or even go so far as to buy defocus control lenses and LensBabies that will allow them to distort an otherwise true image. That has its value. But this isn’t for that. This is the new go-to guide for absolutely everything to know about how to get your images to be tack sharp. Get ready to dive in: this is a no-questions-left-behind study on sharpness.
Holy butts. Sometimes the fact that I'm an artist and I'm allowed to get weird slips my mind. I don't have a boss, I'm allowed to create what I want, I'm allowed to try new things for the sake of playing, and I'm even allowed to start a blog post by saying "Holy butts." That rocks.
Recently, Richmond Virginia-based wedding and portrait photographer Meagan Abell made a stunning find in a thrift-store box of old images. Among the half-century-old family snapshots she uncovered a set of jarringly beautiful transparencies (slide film) and a desire to find the women on them. The #FindTheGirlsOnTheNegatives campaign has, overnight, caught fire, garnering worldwide attention and press. Ms. Abell was kind enough to take a few minutes out of her schedule of NatGeo and BBC calls to chat with me for an exclusive interview.
Light painting is difficult. Trying to paint something you can’t see while racing the timer of your cameras shutter is no easy feat. Legibly writing your own name can take a decent amount of practice. Watch as Julian Breton takes this act to the next level as he turns the intricate art of calligraphy into light paintings.
What once was old and lost can be found new again, can’t it? That’s what photography is all about, after all. Sealing something in time. A visual tomb, preserved without the breeze of the next day to blow it along, but never suffocating. Alive. It's funny that this is how I felt when I stumbled across photographs from The National Gallery of Australia’s "Colour My World" exhibit.
Controlling your image is a valid quest for any photographer, as we all want to protect our brand. Seeing one’s work altered without permission can be frustrating, as can discovering your work on blogs that are void of any credit. The first response for most photographers is to watermark their images, ensuring that their logo or website graces every image that hits the internet. In today’s landscape, is watermarking your photographs the best way to protect them? Let's review both sides of this debate, and explore the current state of the watermark in photography.
