If you work in a studio, it is not a big deal to have a lot of heavy gear, but if you are someone like a landscape photographer who is often hiking miles and miles with a bag of gear, every little ounce makes a big difference. This great video shows how one photographer majorly trimmed his bag while still carrying everything he needs to create.

You may have noticed that as you stop down your lens, your images become sharper at first, but after a certain point, they actually become softer. Here is why no matter what lens you use, eventually, you will experience softness issues as you use narrower apertures.

As your photography archive grows, so does the need to handle and protect that data. What happens if your computer doesn’t boot, or an image file won’t open? What if your home or studio gets robbed, or worse, catches fire? What if your backup drive fails, or your laptop gets stolen? These are all questions I ask myself when planning my backup strategy.

As photographers, our perception of the world around us is our most important tool, and our only interface to the visible world. There's much to be said about reducing screen-time, but it may not be practical for everyone. Instead, here's another way to relieve your eyes; with a simple daily routine.

Whether you're an established wedding photographer or aspiring to be, here are some truths about wedding photography that will make you say "yep" or "I had no idea!"

Learning how to properly and convincingly blend exposures will enable you to have much more versatility in your process, particularly when you are dealing with scenes with a high amount of dynamic range. This great video will show you how to use Lightroom for exposure blending and how to ensure your edits are smooth and convincing.

Choosing the optimal focal length is usually not that big of a problem for landscape photographers. Choosing what lenses to bring when you do not know what you need can be a problem.

If you've ever used Photoshop's Content Aware Tool, you know that it can either give borderline magical results or hilariously messed up miscues. With this quick trick, however, you can ensure you get helpful results more often.

This is the second part of The Ultimate Guide to the Dodge & Burn Technique. Check out Part 1, where I covered the fundamentals of light and shadow rendering in painting.

So, now that we understand that the shadows and highlights are what makes our 2-dimensional pictures appear to have more volume and dimensions, let's move on to the technical side of the Dodge & Burn implementation in retouching.

In this video, I show you you to use complementary colors to create a cinematic color grading feel for your photos. This technique is quick and easy and can usually be done in less than five minutes!

Throughout the course of my creative career, I’ve overdrawn my bank account a lot, shed tears over stress, and stared in the mirror for hours in dejection. I’ve made my share of professional and personal mistakes and certainly learned the hard way from all of those choices. I’ve lost, I’ve won, I’ve sacrificed, and I’m blessed to have earned.

The beauty of any artistic pursuit is that there is always room to grow creatively, to improve technically, and to learn something new. If you would like to improve your photography, check out this fantastic video tutorial that offers five useful tips sure to put you on the track to better images.

Holy butts. Sometimes the fact that I'm an artist and I'm allowed to get weird slips my mind. I don't have a boss, I'm allowed to create what I want, I'm allowed to try new things for the sake of playing, and I'm even allowed to start a blog post by saying "Holy butts." That rocks.

I think few people will deny that Ansel Adams was one of the most influential and important photographers ever, his work enduring as a portfolio of striking examples of mastery of the medium. This excellent documentary takes a deep look at his life and work.

I've bought many books on photography over the years. Most of them I only read partially because they were largely offering the exact same thing that so many other books had already offered, most of which, frankly, was already openly available online from sites like Fstoppers for free. I keep buying them, though, not because I'm a masochist that likes wasting money, but because every once in a while, I come across a book that breaks the trend and grabs hold of me from cover to cover, giving me a completely new perspective on my art. This list aggregates some of my favorites that I think you may really enjoy.

Do you hate using a tripod? Do you find it too cumbersome to use, heavy, and do you think it stands in the way of creative photography? You are not the only one. I meet a lot of photographers during my workshops and masterclasses that find the tripod a necessary evil. And most of the time, it is because they are using it the wrong way.

Are you up to a creative challenge today? No matter how many lights you have in your kit, I challenge you to shoot your next portrait or film using just one light.

Less can definitely be more when you're trying to create mood in glamour photography. I think you'd be surprised what sort of results can be achieved with compact lights and a little know-how.

As photographers, it seems that we were all prone to the same mistakes that we wish we would have been aware of sooner. This video not only identifies five issues that new photographers should be cautious of, but also offers a way to fix each one.

Are you struggling to find your style as a photographer? In teaching photography, I am often asked how you even know what your style should be. This is both the easiest and hardest question. Let me explain why.

When you're new to photography, one of the easiest things to overlook is how working distance affects the final look of your images. This great video will show you how to think about this when you're shooting portraits.

This is the second part of The Ultimate Guide to Composition. Part One can be found here.

Now that we’ve covered some of the more common rules/guidelines that are present in photography and painting, let’s move on to some of the more abstract concepts and theories including framing devices and the ways that our brain organizes how we see.

When you are working in a studio, you can have just about whatever lighting you want at your disposal, no matter how complex and cumbersome the setup. However, when you move to on-location shoots, simplicity and portability are the name of the game. This awesome video tutorial will show you an easy, compact, and effective lighting setup for on-location portraits.

Modern cameras offer a wide variety of settings to change the behavior and customize to your own preferences. There are also a lot of basic settings you choose once and forget about it. Did you know there are settings you can ignore completely? I found eight of those.

Having a new camera is exciting — playing around with settings and looking at the first results on your computer. It is very easy to set the exposure, and some basic settings are not difficult to find, but do you really take time to learn how your camera works?

Cameras have several different shooting modes. The two most common for landscape photography is aperture priority and manual. Which one is the better choice?

I am sure most of us look back on our lives and think, “You stupid idiot, what on earth possessed you to do/think/try that?” I am certainly no exception to this, especially in the professional arena. During my early years as a photographer, I made a heap of mistakes and I worried about all the wrong things.

Modern cameras are rather intricate machines with a bevy of features and settings, and as such, it is worth getting to know your camera well so you are not unpleasantly surprised by a setting that derails your ability to get the shot you want. This helpful video tutorial discusses seven fundamental settings you should consider changing to ensure you have the best chances of getting the photos you want.

As a studio owner I am privileged to see many different photographers working in my studio space. I have a chance to observe their individual working styles and to see what results in success. Over the past couple years I have noticed some rather interesting trends. Let me give you some insider tips after observing how some of the top photographers work.

Getting color consistency from your eye, to your camera, to your computer can be a real pain in the butt. Especially if you still haven't settled into a reliable, regular workflow. Color calibrating your monitor once a month and taking reference images with a gray card are invaluable when it comes to getting consistent color. If you are still struggling with getting your image colors to look right, then Freelance Photographer Gavin Hoey has the video for you. Watch as Gavin walks through a step-by-step process on how to achieve consistent color.