The time of year in which many of us pause, reflect, and consider the changes we wish to make for the year ahead has arrived. Resolution inquiries may excite you or fill you with dread as friends or family members begin asking you what you have planned for 2017. Myself, I am not a fan of resolutions set at New Year and forgotten a few weeks later. Some of us have likely abandoned several already. Research continues to show us that one thing is very clear, to be successful, you must have clear goals, but you must also become very intentional in your process toward that target. So here is a list of things you can change in your live today, that will benefit you greatly if you make them a part of your routine.

When saving layers into separate files using the in-built Photoshop script we always get this annoying string of numbers at the start before the filename. But now I'm going to show you how to make a quick tweak to change that forever.

If you’re interested in getting big budget looks in your low budget indie film, then you should be very familiar with the Shanks FX channel on YouTube. If you’re not, you should get acquainted with it… like now! Joe Schenkenberg aka Joey Shanks is the man with the know-how when it comes to creating Hollywood effects out of simple household items. He teamed up with PBS Digital Studios to bring you quality behind-the-scenes content online and has recently partnered with Red Giant to explain how he created a black hole effect very similar looking to the one in the recent movie Interstellar – all captured in-camera.

After yesterday's post, Lars Steenhoff sent us an updated, side-by-side comparison of video bitrates on the Nikon D800 at 3200 ISO with NikonHacker's new firmware. Steenhoff comments that the 64Mbps file has more noise as a result of less compression, but cleans up easily in a final file output that is cleaner with just a little noise reduction. For those interested, he has also made the original 64Mbps and 24Mpbs files downloadable on Dropbox, too.

Building an obsession with tiny drones over the past few months, it makes me so happy to see other people getting creative and modifying them to fly "better" cameras. Droneworks went to New York to put together another video with Casey Neistat, only this time with a much smaller drone than they had been using in the past.

The most stressful part of a photography trip starts before takeoff: booking and travel logistics. Since my first international trip 4 years ago, I’ve learned several booking strategies to minimize stress and maximize bang for buck.

Are you looking to get some new gear for cheaper prices? Here are some tips that can help you get better and safer deals anywhere.

When it comes to finding creative inspiration for shooting beautiful portraits in your own home, there are few better than photographer Irene Rudnyk. Here are ten fantastic ideas to boost your portraiture game.

New cars have cameras everywhere – in addition to the almost-ubiquitous backup cameras that will be required standard equipment on all new cars next year, newer cars have front-facing cameras that enable a host of safey-related features. But what if you could use that camera for photography? Turns out that you can, with a little bit of ingenuity and some hacking from Volvo engineers.

Back in the good old days of film photography, contact sheets or proof sheets were one of the best ways to view results from black and white or color negative film shoots. Printed on photographic paper, these sheets were exposed in a darkroom by laying a roll of negative film typically cut up and placed in transparent sleeves. They are a great way to see an entire roll of film in one glance. Web galleries and slide shows have all but replaced them in this digital age, but for those few who are still shooting the odd roll of film and don't have access to a darkroom, here's a film and digital solution for making contact sheets at home using a light table and a digital camera.

When I started photography, many people would tell me to shoot in manual mode only, and because of that, it took me a long time before I realized what the other modes on the camera were. In this video by Steve Mattheis, Steve goes through each mode in depth and explains how they can be used to suit your style of photography.

Caleb Pike released a string of interesting and fresh camera hacks over the past year. This time, he's tackling wireless monitoring; a problem that we all know can be expensive and time consuming. Does this leave you open to criticism before you've even finished the shot? Is it the equivalent to handing over raw images? Let's talk about how to do it, and why you should do it.

Bracketing your exposures and automatically blending them together in your preferred software is probably the handiest way to get the most dynamic range from your camera without introducing a load of noise. But how can you blend shots accurately when your subject is moving?

I started using Syrp for time-lapse and motion control almost a year ago and I find the system very good for what it is; a way for photographers to step into motion control at a relatively low price point. The first piece of Syrp kit I purchased was their Genie Mini and having the ability to pan was a way to add more interest in any time-lapse I wanted to create. After a month I went ahead and purchased the rest of their 3-axis kit including the Syrp 5.2' Magic Carpet Long Track Slider which has been great to use. The only issue is if you want a longer slider, Syrp doesn't make a way for you to connect two of their metal sliders together. With very little ingenuity, you can connect as many metal sliders together as you'd like at a relatively low cost.

With the amount of used camera gear I come across in my adventures across Southern California, I often run into pieces that invariably need some sort of minor repairs. The more labor intensive or skilled technician tasks get sent off to an appropriate repair-person. It sucks to eat that cost but reserving it for pieces that command a higher sales price means eating that cost is much more palatable.

Aside from 6K/24p, one of the most exciting selling points of the S1H that Panasonic launched back in May was its dual native ISO, a feature that allowed users to switch between ISO 640 and 4000 without changing the levels of noise. Strangely, it seems that this feature might also have quietly been included in the much cheaper S1.

What do you do when worst-case scenario hits? When even after doing your best to prepare for it, it cripples you, and you feel like you're stuck in a depressive "Groundhog's Day" of going through the motions?

Clean up clutter backdrops in macro photographs by recycling the trash into a beautiful close-up DIY backdrop.

If you've ever used a GoPro in the water, you know that just about as soon as you get in, the lens can start to fog up. This is because the air inside the GoPro is relatively warm and gets warmer when using the camera; thus, as soon as you combine this with a colder outside environment, such as water, the camera is cooled and water droplets begin to condense on the inside of the housing. While GoPro makes anti-fog inserts, they aren't exactly cheap at $15 per pack. In this video, Ho Stevie! shows you how to use a simple roll of paper towel to make anti fog inserts for your GoPro.

Different projects may require different things in the background to help sell the story we are trying to tell with our photos. Sometimes they can be as simple as using a window in the frame. What happens when you are shooting and there aren’t any windows that fit your vision, or any windows at all?

Videography, unsurprisingly, has the added element of needing to not only frame a shot but consider how a camera might move within the space for the duration of the video.

The show Stranger Things created a stunning way of representing the inner mind of the character Eleven, showing her in an endless black void and standing upon a reflective layer of water. How is this achieved, and how do you avoid electrocuting your cast in the process?

You spend a lot of time storyboarding, filming, editing, grading, sound designing, and polishing your next viral video before uploading it to YouTube. But how do you know if it will be good, great, or even flop? Well, it seems there's a game-changing tool on its way, and it's coming directly from YouTube.

Color grading your videos can be tricky, so it's best to have an arsenal of options when one doesn't work out right. In this tutorial from YouTuber photoshopCAFE, you'll learn how to use Photoshop to digitally enhance and correct your video works.

As many of you I'm sure, I have boxes full of various grip gear: magic arms, C-clamps, A-clamps, ball heads, Studs, and more. I love grip gear. I absolutely love the versatility and functionality each piece has both in its dedicated uses or how you can always come up with new and imaginative ways to solve any problem. There are a ton of items out there made specifically for photography and cinematography but some of my favorite lesser-known grip supports are Ram Mounts. Cheesycam.com seems to feel the same way in one of their newest videos.

I finally received my DJI Mic after pre-ordering it more than a month ago, and at first, I was disappointed. When I did the initial test with the DJI Receiver connected to my Canon R5, the audio I recorded was much noisier than what I was used to from my old setup, for which I used a Zoom H1 with a Rode Lavalier GO. But there's a solution to this problem, and in this article, I share it with you.

3D printers have recently become cheaper, more reliable, and more capable at the consumer level. On the same token, photographers constantly need all sorts of miscellaneous parts: adapters, clamps, rings, etc. It seems like now is the time for at-home 3D printing to take hold.

Do you ever shoot with seamless paper as the backdrop? If so, how do you use it? Don’t use it just as a plain background when you can get creative with it. If you're not sure what else you can do with seamless paper, here are 10 creative uses to give you some ideas.

Based in Zurich, Maya and Daniele used three separate lights to create white light. It’s not an easy thing to do, and this is a great example.

A pinhole camera is essentially a box with a piece of photo-sensitive paper on the inside and a tiny hole on the other side of the box. It's used by pointing the hole at a light source or reflected light, exposing the paper through the pinhole and then covering again. Simple. So, whats stopping us from doing it with our digital cameras? Nothing, that's what, so get up off your bum and start creating something different, like Blue Mantle Films just did.

As a YouTuber, I’m always looking at new ways and new techniques to improve my video quality. I’m very passionate about the content I create, and Peter McKinnon has been a huge influence on my channel. There are a number of reasons as to why he’s become such a massive presence on YouTube in a very short period of time, and a previous article on Fstoppers outlines it more effectively. The most obvious reasons are because of his entertainment value, but more importantly it’s the incredibly useful information he provides to his audience. In his latest video, McKinnon describes and demonstrates three subtle techniques that can give some much needed spice to your videos.

There are loads of articles and online tutorials showing you how to achieve certain looks or perfect a set technique. But more important than this, for me, is showing up.

“Memories are important, because with a terminal illness, you’re not going to live a full life,” explains James Dunn. Suffering from epidermolysis bullosa, a rare skin condition that causes blisters and extremely fragile skin, he can’t use a camera without assistance. However, that may now have changed.

Have you ever wanted to add a little something extra to a portrait or product shot, but just didn't know quite what would make the difference? Why not include some crazy cool smoke art to add another level of interest?

There are endless apps and web services available for small business owners to build a CRM database. For those not familiar with CRM, it stands for Customer Relationship Management. Basically, it's where you store, categorize, and update your customer’s information.

Car chase scenes in movies have come a long way since the early days of cinema. Let's dive into how things have changed from Buster Keaton movies, through the rear projection era, right up to modern purpose-built rigs for complex scenes in today's blockbusters.

Making your footage more cinematic doesn’t mean that you’re constantly trying to make your films look like a Hollywood movie, but it does mean that there are some tried and tested techniques for making your shots more interesting and aesthetically pleasing. Here are 10 great tips from experienced filmmaker Mark Bone.

Have you been wanting to achieve that trendy dreamy look in your photos and videos but hesitant to spend money on the filters to do so? This quick tutorial just might help you be able to try it out.

Camera trickery has been around since cameras were first invented. By using a technique to create a forced perspective, you can make everyday objects appear like they're part of the much larger world.

In the process of creating good content for their clients, creative professionals often have to use their knowledge and experience to come up with solutions to problems on set. But what if you don't have a set?

If you have aspirations of being a fashion photographer, London Fashion Week is about as big as it can get. It's one of the main fashion capitals of the world, and remains highly respected for both designers and the press.

As the 2019 year is gone, it's time to start setting goals and making this your best year to date. In this article, hear the most important piece of advice to creators in 2020 and learn how to maximize your creative growth.

Filmmaker and educator Caleb Pike has shot his fair share of video, and he’s put together a list of excellent hacks that he’s accumulated over the years that he is certain will make your life easier. Check out this short video, and harvest a few nuggets of wisdom.

Looking to add some vintage dust and grain look to your freshly taken digital photos? You know, that look when you come across some old polaroids or 4x6 prints that you dug up from an old photo album that's been packed away in some box… or possibly scrounged from your parents? Yeah, that look of slight imperfections where the ink has been scratched along with some dust that's hard to remove.

If you don’t have access to lots of fancy gear or just enjoy run-and-gun filming that’s super lightweight, getting stable footage can be a challenge. Fortunately, the duo at Mango Street has put together an excellent video to give you some tips on how to sure up your handheld shooting.

Working in film will often challenge your resourcefulness and creativity. While much of what we see on the silver screen these days is shot with a massive crew using huge green screen sets, and elaborate and expensive lighting, you don't need an elaborate production to create a film that's visually rich.

Low budget doesn't have to mean low quality. Here's a handy tip for keeping your backgrounds interesting.

Say what you want about the Nintendo Power Glove. Sure, it was terribly inaccurate. Sure, it had awful controls. But hey, if you were rocking one of these in 1989, you were riding the wave of the future. Now, one clever man has used a Power Glove to show off a capability that truly is futuristic: gestural drone control.

Wrapping up the shooting for your latest vlog is always a satisfying feeling but, of course, the work has only just begun. Cutting, editing, adding sound, text; the list of finishing touches for your vlog goes on. One way to speed up that workflow is to accomplish as much of the work as possible in camera, reducing your workload once you've uploaded your content to your computer. Daniel DeArco has put together a vlog showing off some really easy and effective transitions that will take your vlog from static to dynamic with minimal extra effort.

Setting up a rig to film a car being driven can be a huge job, but cheating it in studio can be equally complex. Filmmaker Mark Bone is an expert when it comes to making professional-looking footage on a shoestring budget, and in this great video, he runs through his process for making in-car footage that looks better than much of what you might see on Netflix.