One of the greatest ways to show the passage of time is with a time-lapse. A time-lapse is essentially a series of still images taken of a single subject over any given period of time (minutes, to hours, to even days), and then played back quickly to form a video. The usage of stills is really important. A common misconception is that a time-lapse is just sped-up video. While you could do this, there are issues with battery life, overheating, and storage space. With stills, you have the advantage of raw recording, better battery life, and far more storage space.
I love simple, easy to implement solutions to a common problem. The problem in this case, is using any sort of ND, polarizer, or other lens filter on wide-angle lenses that don't have filter threads. Sure, there are filter holder solutions but those can be a bit pricey for a hobbyist. In this video from MrCheesyCam, we're shown a simple way to DIY a filter onto a lens with some tape and card stock.
The DJI OSMO is a great tool for stabilizing your footage in a cinematic way. It is sure to increase your video’s production value. It can shoot 4K at 30fps, and you can even increase the frame rate to slow it down quite considerably. You can also shoot time-lapses or intervals, and if you move through an area while doing so, you will get the a very smooth, esthetically pleasing footage.
With the wedding season right around the corner, it is time to find a solution to improve last year’s workflow. Most event photographers complain about the same thing: culling. It can quickly become a very time-consuming task, and it is far from being the most interesting part of the job. Although, there are a few ways to help speed up the process while retaining a solid quality control.
We just can't seem to get enough of New York City-based Photographer David Bergman. Whether he's touring with Bon Jovi, shooting for Sports Illustrated, creating a 20,000-megapixel image, or just popping in with a quick tip from his "Two Minute Tips With David Bergman" series, David never fails to show us something worth our while. For his latest two-minute tip, he teaches us a quick and easy method for dealing with grey, overcast skies.
I've never been one for artificial light in my photography, and it's an issue that many photographers come across when leaving that oh, so beautiful natural light. The struggle of having a budget to put towards lighting equipment can be daunting but shouldn't limit you in finding the best way to create the shot. In this behind the scenes look, I will go into how I created a high-end product shot using light trails, all while on a budget. Remember, this can be recreated with any camera, including an iPhone, that allows for long exposures.
Retouching is a great tool, one that can save pictures in some situations. However, there are a couple of things that can be really time-consuming and annoying to correct in post, two of them being flyaway strands and chapped lips. I am sure those two have happened to any of you who shoot portraits, beauty, or fashion. However, no need to fear these anymore! Jordan Liberty gives us his tricks to avoid them.
Just like ever camera owner is a photographer, every person who owns an abundance of MAC products is a makeup artist. At least that is how it seems on Instagram these days. There are now more makeup artists on social media than ever, and finding the right ones to follow can be tricky. Following the best makeup artists can make a portrait photographer better. If you follow them closely, you can step up your game.
Creating a music video for a national act is one of the most intense tasks for a modern day filmmaker. Sure, the tools are more affordable, but declining budgets and insane turnaround times can turn your production into a sprint. Last month, my company, McFarland & Pecci, was tasked with creating two new music videos for the Grammy-nominated metal act, Killswitch Engage. My partner, Ian McFarland, and I drop everything when these guys call.
Every creative has at least once in his or her career hit a wall and felt down. Breaking through a creative slump isn't always easy. But sometimes, what feels like a creative burnout is actually an accumulation of unproductive bad habits. Creative Live has a way for you to get out of it.
If you look back to the beginning of photography, color didn’t exist. In fact, it didn’t exist for a long, long time. Even as 35mm film pioneered the way that photography was used and purchased, black and white was king. Slowly, as time progressed, color film began to take a foothold in the industry. Once legendary color films like Kodachrome and Kodacolor became widely available, black and white became far less popular for commercial use. Now, in the digital era, almost every digital camera records information in color. Why then, would I bother viewing my images in monochrome during my shoots, even if I know I’ll deliver them in color?
The DJI Osmo gimbal has been getting some pretty favorable reviews. It hits the sweet spot for a portable "run and gun" style gimbal when you consider many of its features and price point. That is not to say it has no downsides, and the audio quality just so happens to be one of them. Here is an easy way to add some good audio to your Osmo while still maintaining its portability.