I've never been one for artificial light in my photography, and it's an issue that many photographers come across when leaving that oh, so beautiful natural light. The struggle of having a budget to put towards lighting equipment can be daunting but shouldn't limit you in finding the best way to create the shot. In this behind the scenes look, I will go into how I created a high-end product shot using light trails, all while on a budget. Remember, this can be recreated with any camera, including an iPhone, that allows for long exposures.
Retouching is a great tool, one that can save pictures in some situations. However, there are a couple of things that can be really time-consuming and annoying to correct in post, two of them being flyaway strands and chapped lips. I am sure those two have happened to any of you who shoot portraits, beauty, or fashion. However, no need to fear these anymore! Jordan Liberty gives us his tricks to avoid them.
Just like ever camera owner is a photographer, every person who owns an abundance of MAC products is a makeup artist. At least that is how it seems on Instagram these days. There are now more makeup artists on social media than ever, and finding the right ones to follow can be tricky. Following the best makeup artists can make a portrait photographer better. If you follow them closely, you can step up your game.
Creating a music video for a national act is one of the most intense tasks for a modern day filmmaker. Sure, the tools are more affordable, but declining budgets and insane turnaround times can turn your production into a sprint. Last month, my company, McFarland & Pecci, was tasked with creating two new music videos for the Grammy-nominated metal act, Killswitch Engage. My partner, Ian McFarland, and I drop everything when these guys call.
Every creative has at least once in his or her career hit a wall and felt down. Breaking through a creative slump isn't always easy. But sometimes, what feels like a creative burnout is actually an accumulation of unproductive bad habits. Creative Live has a way for you to get out of it.
If you look back to the beginning of photography, color didn’t exist. In fact, it didn’t exist for a long, long time. Even as 35mm film pioneered the way that photography was used and purchased, black and white was king. Slowly, as time progressed, color film began to take a foothold in the industry. Once legendary color films like Kodachrome and Kodacolor became widely available, black and white became far less popular for commercial use. Now, in the digital era, almost every digital camera records information in color. Why then, would I bother viewing my images in monochrome during my shoots, even if I know I’ll deliver them in color?
The DJI Osmo gimbal has been getting some pretty favorable reviews. It hits the sweet spot for a portable "run and gun" style gimbal when you consider many of its features and price point. That is not to say it has no downsides, and the audio quality just so happens to be one of them. Here is an easy way to add some good audio to your Osmo while still maintaining its portability.
If you've ever used a GoPro in the water, you know that just about as soon as you get in, the lens can start to fog up. This is because the air inside the GoPro is relatively warm and gets warmer when using the camera; thus, as soon as you combine this with a colder outside environment, such as water, the camera is cooled and water droplets begin to condense on the inside of the housing. While GoPro makes anti-fog inserts, they aren't exactly cheap at $15 per pack. In this video, Ho Stevie! shows you how to use a simple roll of paper towel to make anti fog inserts for your GoPro.
At some point every photographer uses a backdrop of some sort. The problem is that they are usually large, heavy, and cumbersome. Hanging them can be a bit of a pain and mounting hardware can get pricey especially if you are dealing with multiple backdrops. Jay P. Morgan of the Slanted Lens offers up 3 simple DIY solutions for mounting backdrops that will save you time, money, and headaches.
Part of the allure of being a full-time freelance photographer is the ability to work for yourself and make your own schedule. That means no more nine to five and no more of the monotonous daily routine, right? Not necessarily. Your routine doesn't have to be monotonous but according to the seemingly always energetic artist, photographer, and entrepreneur Chase Jarvis, a solid morning routine can jump start your day.
The classic straw grid for speedlights; it might be one of the most attempted DIY photography projects. It's a popular project because it works well, it is cheap, and it is incredibly easy to make, but one clever photographer has found an even simpler way to make on of these popular modifiers. Check out this easy to follow video for step by step instructions.