We all know how highly respected the Pelican brand is when it comes to protecting your photography equipment. The case's waterproof qualities and seemingly indestructible nature make them the go to choice for many professionals. If you thought they were just for keeping your gear safe then think again, they actually have many more practical benefits than just the obvious.
For photographers just beginning to invest in studio equipment, a beauty dish probably isn’t too high on their wish list of light modifiers. They can be expensive, and are not as versatile as softboxes. In this video, Joe Edelman breaks down the beauty dish and shows how to create the beauty dish look on the cheap.
New cars have cameras everywhere – in addition to the almost-ubiquitous backup cameras that will be required standard equipment on all new cars next year, newer cars have front-facing cameras that enable a host of safey-related features. But what if you could use that camera for photography? Turns out that you can, with a little bit of ingenuity and some hacking from Volvo engineers.
Adobe and Panasonic are quickly gaining a reputation as the Simon and Garfunkel of the video industry. They need each other, but they just don’t get on. The latest release of Premiere Pro 2017.1.2 was announced with much fanfare of file handling for the problematic Panasonic GH5 10-bit 4:2:2 video files. Good news right? Think again.
Back in the good old days of film photography, contact sheets or proof sheets were one of the best ways to view results from black and white or color negative film shoots. Printed on photographic paper, these sheets were exposed in a darkroom by laying a roll of negative film typically cut up and placed in transparent sleeves. They are a great way to see an entire roll of film in one glance. Web galleries and slide shows have all but replaced them in this digital age, but for those few who are still shooting the odd roll of film and don't have access to a darkroom, here's a film and digital solution for making contact sheets at home using a light table and a digital camera.
Gear Acquisition Syndrome isn't just about camera bodies and lenses; it definitely extends to lighting as well. But sometimes, it's great to see someone go back to the bare basics of manipulating light. That's exactly what Daveed Benito does in this great video in which he uses only flashlights, and watching his process is a valuable lesson in lighting.
Working with a second shooter has a ton of advantages: you can cover more moments, you get different angles and perspective on the same moments, and they even allow you to try new things during the day that you normally couldn't afford to do. One of the more frustrating things about working with a second shooter though, is when you get back home to later find out that your cameras were not synced to the correct time. What you're left with is images from the reception all intermixed with images from getting ready.
Modern DSLR and mirrorless cameras are capable of shooting razor sharp footage in spectacular 4k 60fps and up. But how do you give your footage a cinematic feel without purchasing pricey anamorphic lenses and professional cinema cameras? Fstoppers is here to help with five great hacks to achieving a cinematic feel to your video without spending a small fortune.
The YouTube channel Rideable Entertainment may just have created the most impressive DIY camera slider I have ever seen. It's made partially of wood but not in a cheap way. It has more of a Steam Punk look to it with some effort put into the finishing. The most impressive part is that they even managed to make it motorized, something that a lot of affordable sliders in the early days couldn't even do.
DIY projects are in abundance on YouTube and I just can't get enough of them. Back in January I posted about YouTuber Matt Perks from DIYPerks and his amazing project building a 1,000 watt water-cooled LED lamp. Well he has a new DIY project that has me super excited to try and build my own. Perks' new video goes into great detail and lists all the parts needed to build a motorized desk partition that can be added to any existing desk. He calls his a "monitor lift" but the possibilities I've already imaged that I could use it for are even more useful. If you're like me and have a ton of things in and around your desk but very limited and cluttered desk space, then this could be a super easy build that might resolve some of your clutter in a really cool way.
Shooting suspended objects in your images can be done a few different ways, from the use of Photoshop to the simple and effective use of wire or fishing line. My first instinct would be to grab clear fishing line. Not having done any work with fishing line in suspending objects, I would not even have thought about getting brown or even a greenish tint line to use in the set, as Jay P. Morgan from The Slanted Lens packs in his fishing line kit box for various projects and scenes. In this video, he shares all his tips on this approach, including how he decides to use a certain color based on the background.