Every photographer would love to shoot at the lowest ISO their camera allows all the time to maintain the highest possible levels of detail and dynamic range. But sometimes, that just isn't possible; in fact, sometimes, you have to pump up the ISO quite high to get the shot. Do not be afraid to do that.

Many camera companies have tried and failed to introduce new, innovative technology to the camera market, but since the jump to mirrorless, have they finally figured out where things are heading?

Shock, dismay, joy, and envy. These emotions have been running wild since Sigma announced their new 18-35mm f/1.8 DC HSM lens. It’s the first lens in our modern age to maintain that open of an aperture through a zoom range and it’s also equipped with auto focus. This type of innovation has been unheard of from Sigma until recently, but now it’s almost expected. The main question I wanted to answer about this lens was: “Is this lens for real, or relying too heavily on the hyped, somewhat gimmicky nature of that innovation?”

Last week, I asked Fstoppers readers what their plans were for the inevitable moment when Canon and Nikon release professional-level full frame mirrorless cameras. I was genuinely surprised not only by how many readers responded, but where their opinions fell. Here are the results.

This tripod was so different from all others in the market when it was released four years ago. Now that it’s obvious that many other brands have copied its unique form factor one way or another, it definitely deserves a closer look.

If you struggle with getting sharp photos, this is for you, and even if you are experienced, there might be a tip or two to pick up.

I keep on wondering about the discussions of photographic enthusiast about camera technology and brands. Some enthusiasts even react very angrily at brands they used to have, or at other people when they mention some sort of shortcomings of their new camera. I would think a camera is just a tool… isn’t it?

As the market continues to swing towards mirrorless cameras, most people see it as a sign that DSLRs are on their way out. However, one camera company seems to believe that the mirrorless hype will be short-lived, with users flocking back to DSLRs in the near-future.

There are two new Canon APS-C mirrorless cameras available. There is the EOS R10, a relatively simple camera, and there is the EOS R7, a camera that promises a lot of things and also delivers a lot. Canon Netherlands gave me this camera for a week when I went on a holiday. These are my findings.

Debate among photographers about the best camera will rage unabated until the end is nigh. And there will likely never be universal agreement. Despite that, the best camera you will ever have is not a Canon, a Sony, a Nikon, or even a Hasselblad.

Nikon's Z 50 mirrorless camera has gained a fair bit of popularity by offering an affordable APS-C entry into the world of mirrorless cameras in a compact but capable body. The NIKKOR Z DX 18-140mm f/3.5-6.3 VR lens offers a huge range of focal lengths in a small body, making it a natural companion to the Z 50 for a wide gamut of uses. This excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.

It’s 2018 and drones are flying off the shelves. Before trying to stake your claim in this developing genre of aerial photography, still ripe with unexplored possibilities, listen to these sensible reasons why it might all just be a terrible, terrible idea.

I’m occasionally asked to recommend a camera to get into astrophotography. Of course, my first answer is to use the camera and lenses you already have. Beyond that, it’s difficult to recommend a specific brand and model because I don’t have every camera at my disposal, and we are blessed (cursed?) with a continuous stream of new and improved cameras. Here are some thoughts.

When it comes to portraits, two major factors determine how good a lens is for many photographers and they are focal length and aperture. Generally speaking, many photographers prefer to have a relatively long focal length with a wide aperture as this helps with both the framing of the shot and also the kind of background blur you can achieve.

During the previous years, many of my photographer friends and colleagues switched over to Sony, often for good reasons. I also considered a switchover, but I never did. Now, I am grateful I never did.

Canon fans have waited patiently for the Japanese manufacturer to release a solid mirrorless full frame camera that offers an obvious progression from the 5D Mark IV. As a stills shooter, how does the EOS R5 compare, and what changes will you notice most?

I have met a lot of photographers who are using an Olympus camera. They are often very enthusiastic about their gear. A lot of their functions cannot be found in other cameras, which makes Olympus quite unique. If these cameras are so unique, why aren’t these more popular? I tried an Olympus for a few weeks to find out.

I get it. f/1.4, f/1.2, and even f/0.95 are way more exciting and drool-worthy than f/1.8, but in an era of forever-bloating lens designs, perhaps f/1.8 is exactly what we need more of. Here are some of the reasons why I would love to see more f/1.8 lenses from various manufacturers.

The ever-increasing megapixel count in digital cameras is a trend that continues to shape the landscape of photography. While higher megapixels offer the potential for greater detail and flexibility in post-processing, they also introduce new challenges and considerations for photographers.

Tamron may be eyeing an ambitious new lens: a 200–800mm ultra-telephoto zoom for mirrorless cameras. A recently published patent in Japan reveals optical designs for a Tamron 200-800mm f/6.7 lens, as well as a companion 200-600mm f/5.6 design​.

Most landscape photographers turn to wide angle lenses for the majority of their work, but there is an entirely separate world of great images waiting to be made with telephoto lenses. That being said, telephoto lenses come with their own challenges and pitfalls, and this great video will show you some of the most common mistakes landscape photographers make with them and how to correct those errors.

Are you looking to buy a new camera this year? Perhaps you are hoping that the holiday season will bring you a fantastic new camera as a gift. I bet you already know which camera you would like to have next. But what is wrong with your current camera?

My career as an elitist prime glass snob has come to an end after real-world professional work using an unexpected lens choice showed me the error of my ways.

2022 has been quite the year for photo gear, with a huge range of impressive camera and lens releases. What has been your favorite? What failed to impress you? This hilarious video discusses the best and worst camera and lenses of the past year.

With a world full of options, why might you choose a cinema camera instead of opting for a mirrorless camera for video productions?

Being a Nikon DSLR landscape photographer who is anticipating the foreseeable demise of said cameras, I have been curious about the Nikon Z 7II. I wanted to see how one of these lighter, smaller mirrorless cameras functioned not only for landscapes but as a travel setup. Here are my initial thoughts.

Do medium format cameras have a specific look? Do Micro 4/3 camera take horrible still photos? You tell me.

Hasselblad has had a storied history in the camera business. Even today, they’re making some impressive cameras, such as the medium-format X1D II.

Every year, I compare the new iPhone to my professional camera, the Canon R5. Last year's iPhone 15 Pro had lackluster results, but I can confidently say this year's iPhone 16 Pro has much more to talk about, including a "secret" update that completely blew me away.

During the pandemic, I did some gear juggling. I'm a little embarrassed to admit I changed systems twice in the space of 12 months and even more so about the reasons I made the second switch – but I learned some surprising lessons along the way.