Looking at this list, I am paradoxically full of joy having made these gear additions, yet I also recall the pains of creating without them. Many of these upgrades are niceties, others you could argue are absolute necessities depending on what you are doing, especially if you are running a business around using a camera. I always try to gauge the opportunity cost of making an investment and try to maximize value, so there is something on this list that is relevant for every reader.

I think the only thing that has changed photography more than the invention of digital cameras is the ever-growing involvement of photography and social media. Sites like Instagram, Twitter, and Tumblr are the perfect platforms for sharing not only your work, but also behind-the-scenes images and other content that draws interest towards your brand. Today it is easier than ever to take advantage of this. Not only have mobile apps changed the shape of the industry, but they have changed the way that photographers can work. Apps like Snapseed, VSCO, and Lightroom Mobile have made it possible for aspiring artists, or even those in a hurry, to create incredible content with relative ease.

The Canon EOS R5 and R6 cameras have created a lot of excitement in the photography world, and for the tons of photographers who already have deep investments in the EF lens library, the question of whether adapted performance can keep up with professional demands looms large. This great video shows you the kind of performance you can expect in real-world usage.

Canon has announced their new top-tier 70-200mm telephoto lenses. The EF 70-200mm f/2.8L IS III and the EF 70-200mm f/4L IS II are finally here with their predecessors receiving updates eight and twelve years apart, respectively, but is the new flagship 70-200mm f/2.8 just a paint job?

While most professionals may have overlooked the latest DSLR to come out from Canon, the 80D, there are a few new features that are important to note. Whether you're a Canon shooter or not, keeping up with the featureset that's included with a modestly priced ($1200) compact camera is a good way to stay plugged in to where certain manufacturers are at, especially when it comes to having a lower-cost, backup camera. Here's a few videos that go in-depth with the 80D, and point out some of the more notable tricks this little camera has up it's sleeve.

A 35mm lens with a wide aperture has long been one of the most popular options for both photography and filmmaking, offering a wide but relatively neutral focal length that can cover everything from portraits to landscapes. There are a lot of 35mm lenses available to choose from, and this excellent video review takes a look at one of the most affordable options, the Viltrox 35mm f/1.8 AF.

Normally RED cameras can be purchased from the RED online store for $11,900 USD. However, due to a project where a large number of RED cameras were needed simultaneously for one shot, there are now a limited number of RED cameras that can be purchased at a $5K USD discount. They all have only a few minutes of footage that was ever shot on them. Talk about a deal!

Sony has announced what I would consider their first true bird photography lens, the FE 600mm f/4 GM OSS. Here are my initial thoughts and ramblings based on my hands-on experience.

The pictures you can make on the latest smartphones are starting to give regular cameras a run for their money. Combine these advancements with a multi-lens case and you might just be able to leave your regular camera at home.

Sharpness and image quality are always top of mind for photographers. How do we get the best quality image from the lenses we purchase? Whether the lens is a budget lens or a premium lens, there are always ways we can work to the lens's strengths. Learn how to maximize the capability of your lenses.

My passion is shooting outdoor lifestyle and documentary projects, and those shoots often require me to be on the go and in remote areas. Historically, getting an expensive jib or crane in those locations was not possible. With the Aviator Carbon Fiber Travel Jib, taking a jib into the field is not only possible, but easy for everyone.

Canon has a huge library of lenses, but some are more well known than others. There are a few hidden gems hiding among the more popular options, however, and this great video review takes a long-term look at one of them, the EF 100mm f/2.8L Macro IS USM.

Well, let’s open this huge can of worms and see what happens.

The long wait is over. Today, Nikon announced a major follow-up to its Z6 line of mirrorless cameras, the brand-new Z6 III.

In 2023, we seem to be bombarded with so many new cameras and tech throughout the year. It seems to kick up a notch every October when new releases intensify. However, just how relevant are all of these latest releases to us as individual users? Will they dramatically change how you take photos or even the results?

When people walk through my living room studio, they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment. I don’t have a giant bus to haul all of my studio gear, so it’s been a trying experience to find the right tools to efficiently pack and tote my mobile studio.

Without a doubt, one of the most popular and useful pieces of gear a photographer can own is the 70-200mm f/2.8 telephoto lens. This lens is so amazing that it has become a staple for photographers shooting wildlife, portraits, headshots, sports, weddings, events, and even landscape photography. With Nikon and Tamron both recently updating their version of this lens, we thought it would be a great time to review them side by side and definitively name one as the "best bang for the buck."

If there is one thing photographers are obsessed with it is lens bokeh. Even if you shoot landscapes or interiors at f/22, your mouth will surely drop the second someone pulls out a fast f/1.2 lens from their bag. One of the most sought after ultra-fast primes in the Nikon lineup is their manual focus 50mm f/1.2 lens. Can this 35-year-old design compete or even beat Nikon's newest 50mm f/1.4 lens in a studio setting? Today we find out.

Canon's announcement of their newest RF lens has pricked up a lot of ears in curiosity. Is this new lens going to be brilliant, or is it too niche to succeed?

Canon has the announcement of the new 100-500mm f/4.5-7.1L IS coming up in the very near future, but a couple of patents have emerged that might make sports and wildlife shooters particularly excited.

The discussion of what kind of glass is better for documentary photography has been around since the beginning of the genre itself over a century ago. Some swear by using primes only, while many prefer the versatility of a zoom. What are the benefits? What are the downsides? Let’s look at both!

Switching gears in the world of photography can often feel like a leap of faith. The high cost of doing so doesn’t help either. Therefore, the decision to switch from one camera system to another is not taken lightly.

How could you make photo editing more intuitive? Both working professional photographers and beginners would really benefit from a more intuitive, time-saving way of interacting with Adobe Lightroom. Dragging sliders and rating images can be, well, a drag sometimes. I’m actually surprised it took this long for a creative company to dream up a dedicated photo editing console for Adobe Lightroom. But the day has finally arrived. Loupedeck promises to change the way you work with Lightroom and shorten the amount of time you spend sitting at your computer. Loupedeck is here and we’re reviewing it.

I've been testing out the Centennial Tripod from Colorado Tripod Company and I love it. Buying US-made products is cool, but when those sellers offer top quality at a good price, it's even more awesome! Read on to see why I think your next tripod should be made in Colorado.

There is certainly no shortage of powerful and capable mirrorless cameras available today, and as such, it can be a little difficult to know which one is right for you. Three of the most well-balanced and reasonably priced options are the Sony a7 IV, Canon EOS R6, and Fujifilm X-H2, and this excellent video review compares the three to help you pick the best one.

The Sony A7s is making a lot of buzz on the internet right now for its insane ability to push ISO high and basically see in the dark! Sony released a demo video on the Youtube channel SonyHowTo for us all to watch. To be honest, the results are impressive.

Last summer I bought a super telephoto lens to capture wildlife in Alaska. After more than half a year of using it as a lens for landscape photography, was it worth it?

Late last year, I wrote here about choosing your next lens for photography. In the comments, I was asked to write a similar guide about cameras. So today, we will be discussing the important factors in choosing a new camera body, or if you are just getting into the world of interchangeable lens systems, your first camera body.

Sigma’s new 28-105mm f/2.8 DG DN Art is the latest addition to the Art lens series. It's a wide angle to medium telephoto lens, making it an ideal choice for a variety of shooting styles and genres. Thanks to its constant f/2.8 aperture, you’ll get consistent brightness no matter how much you zoom, offering both flexibility and great image quality. Whether you’re capturing sweeping landscapes, taking portraits with smooth background blur, or even shooting videos, this lens is built to perform.

In challenging environments like the mountains, versatility in your gear is key. A lens that can handle a wide range of focal lengths gives you the flexibility to capture diverse scenes, all without the hassle of constant lens changes.