It doesn't always have to be complicated. I remember that when I first started buying lenses to expand beyond a standard zoom, I was completely flummoxed by choice. While choice is a good thing in theory, it can overwhelm in practice. So here's a no-brainer of a choice for your first prime lens after you've kitted yourself out with a DSLR and the typical standard zoom and tele zoom set: pick the best, fast 35mm lens you can buy.

It’s no secret the camera industry is highly volatile, but the bigger story lies behind people still buying and using cameras in 2023. Whether you’re a pro or amateur photographer, the landscape is changing rapidly from year to year. As camera manufacturers increasingly prioritize video users, is the market starting to move away from photographers?

I am now well into my 30s, having started my photography career in my early twenties, here are a few gems that you have to look forward to.

For the past 2 years I refused to join Instagram. I just didn't think it was for me, I didn't believe I need it for my business and I just didn't like the idea of destroying my photos by cropping them and adding weird filters. So many people tried to convince me to join Instagram in the past year or two, and I always said "No chance!" But finally, after continuing insistence by friends, last month I decided to finally give it a try and just one week later, I got my first corporate client from it. Kind of crazy.

When shopping for lenses, you may notice that certain lenses are classified or even recommended for a certain genre of photography. You might see sports, travel, wedding, or even wildlife as the typical use of some lenses. What if you are looking to get into or already shoot food photography, what lenses should you be looking at?

The firmware update version 1.8.1 offered Canon EOS R5 users the ability to capture a stunning 400-megapixel image. You may ask yourself if this has any real benefit over the standard 45-megapixel resolution, but it’s nice to have. How useful is the option in real life? Let’s find out.

Having seen plenty of Apple iPhone 6s reviews and comparisons over the last few weeks, including the newly famed Lee Morris iPhone fashion shoot, it could be said we have had enough. Though as primarily a mobile shooter myself, I was looking for something a bit more in-depth and something that got down to the very details of the phone's camera capabilities. Thanks to the ever so talented travel photographer Austin Mann we have what I have been waiting for and it's the best iPhone review I have seen yet!

Photography is crazy hard to master. That difficulty becomes impossible when you start locking yourself behind walls of your own creation. Stop deluding yourself, those little restrictions that you keep using as crutches to excuse your lack of progress are only inhibiting your ability to grow. Shatter those internal lies so you can keep pushing your photography forward and become the photographer you dream of.

Composition is one of the first lessons most photographers take seriously and its power over the quality of your images is undeniable. However, the "one composition to rule them all" mindset that is prevalent in photography is both limiting and boring.

I take a trip to White Castle once a year, against my better judgment usually. This time, I tried (and Instagrammed) their new “Impossible Slider” which is a burger that isn’t made from animals, but tastes and looks like it came from something that mooed.

Every change that Instagram has introduced since it went mainstream has been a step backwards for photographers. It's reached the point that, although I still post a few times a week, my love for the platform died a long time ago, and watching it stumble towards nothing but selfies and adverts is heartbreaking. Here are my biggest gripes, in no particular order.

So a court recently decided that anyone can use your public Instagram images for free without having to notify you, much less pay you. Lots of photographers out there are outraged, but should you care?

The guys at Photo Rumors tested the new Canon EOS 7D Mark II and the DxOMark results are a bit haunting for Canon users. In the comparison charts below they found the highly anticipated Canon EOS 7D Mark II tests similar to the five year old Nikon 300s. Has Canon hit a plateau in meaningful updates to push themselves ahead of the rest of the pack? With comparisons to five year old Nikon systems, it could be the case.

Amidst the hustle and bustle of daily life, finding avenues for relaxation, exercise, and enjoyment is crucial for maintaining mental and physical well-being. Photography is a practice that can be more than just a hobby or a profession but also a therapeutic tool. This article discusses how photography can add value, peace, and well-being into your life.

If there was a camera that really got people talking in 2013, it was the Sony a7 and a7R. Hailed as a “game changer” and “camera of the year” by both PDN and PopPhoto, it’s gotten a lot of attention. A full frame, powerful and purportedly pro-level mirrorless compact, what’s not to love? Many Sony fans were quick to hail it as the beginning of the end for the DSLR, and even many DSLR shooters seemed ready to join them. I’ve been shooting with the a7R for a few weeks now, and it’s time I laid down my personal verdict on this camera.

Artificial intelligence is bringing incredible advances for photographers, from relighting portraits and making people smile, to cleaning up skin and swapping out skies. However, photographers everywhere would beg developers of photo-editing software to harness deep learning to create one simple tool.

After losing almost my entire photo kit due to blatant stupidity on my part (yay insurance), I was put in the unenviable position of rebuilding a camera system from scratch. Being a portrait photographer, I immediately gravitated towards full-frame bodies. I was close to pulling the trigger on one when it hit me: Why not try a crop sensor? I'm glad I did.

We've all bought things we either get buyer's remorse for, or somewhere down the line realize it wasn't a good investment. Here is one photographer and videographer's list of such regrets.

The logo. That simple stylized image that is supposed to help people to recognize you. It's one of the first marketing moves you do when you see yourself as a not-just-a-camera-owner-anymore. But why do you do it?

I use Lightroom, in some capacity, for everything I shoot. Without it, my workflow would be entirely different, and probably not for the better. While some of the recent feature updates have been fine, I still can’t believe these three features haven’t made it into the software after all this time.

I’ve learned a lot over the past 15 years as a professional artist. I’ve learned a lot about fear, failure, and success. I’ve been fortunate enough to mentor and educate thousands of photographers all over the world. Even as a young four-year photographer who many would still consider “green,” I’ve taught photographers from all walks of life, all levels of advancement, and even some who had reached a level of comfortable success.

There's something I've always loved about the photography community and in the age of the internet, it's nearly a unique quality: we give constructive feedback and rarely tear in to a photographer unprovoked. It is a welcoming environment that cultivates growth, for the most part. One particular area in which all previously mentioned qualities are magnified many times over, is young photographers. Their successes are fawned over and their mistakes excused, as they should be. Unless, of course, you're called Brooklyn Beckham.

The Internet has done a rather annoying job of trivializing the photo selection process. Culling images is a critical process in a photographer’s workflow that the client or model often wants to be a big part of. The majority of photographers I’ve asked address this by dumping all the photos into some sort of web-based proofing site and just send the link off to clients and let them make their choices.

Today, anyone may call themselves a professional photographer and practice photography. There is no degree that validates the use of the term "pro." So, why do we feel the need to specify that? What does it show about the way we see our work and our competition? Let’s put things in perspective.

Ash wants to take up photography. Never having owned a camera, besides the one on their phone, it’s something they have always had a hankering to do, especially after seeing all those great photos on Instagram. This is a cautionary tale, telling what can go horribly wrong for photographers.

Last summer, my friend Andy and I, and his six year-old son, were out location scouting. As we drove around, the three of us were playing a very intense game of word association. One of us would say a word, and the others would quickly say the first word that came to mind. As we neared a potential location, Andy called out, “Key West” to which I mindlessly responded, “Jimmy Buffett…” In that instant, I realized that everything I thought I knew about marketing myself as a photographer was completely and utterly wrong.

We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?

Nikon upset and confused some customers when they moved the overall size and filter thread of their 24-70mm f/2.8 follow-up to 82mm (up from the standard 77mm). While this would mean that those wanting the latest upgrade for their mid-range zoom would need to invest in new filters and lift heavier weights at the gym, the change allowed Nikon to introduce unprecedented image quality and, of course, vibration reduction. But what if that image quality wasn't unprecedented? What if it wasn't even better? What if, God forbid, it was worse?

The photography industry suffered a seismic shift with the advent of digital cameras, yet it may be the ubiquitous camera phone that sounds the death knell of the industry as we know it. Everywhere in every hand is instant access to high-quality image-making technology that has forever altered the landscape of photography from what it means to be a photographer to how the viewing public perceives the value of images and image creation. Are professional photographers aboard a sinking ship, or is it simply time for us to learn to swim on our own?