Learning how to work with artificial lighting is something every portrait photographer should learn, as it will free you of relying on certain locations, weather, and times of day and enable creative shots that would not be possible otherwise. If you would like to start learning, check out this fantastic video tutorial that will guide you through the process of lighting a portrait using a combination of a speedlight and natural light.

In addition to lifestyle, I have an affinity for shooting natural light portraits/beauty/headshots - whatever you want to call them. It's not something I shoot often, but when I do, I'm reminded of how much I love it. In fact, you may recall a few months ago, I wrote an article detailing my ideal natural light setup for the black and white portrait / headshot photos that I occasionally shoot. In the article,

For those of you who get into situations where you have limited time to set up, manually light and fine tune it to how you would like, well-known photographer Joe McNally shows how quick and easy using TTL can be when pairing an Air Remote with a Profoto B1 strobe unit. This would be great for event shooters, and setting up for quick portraits. Read on for two other videos on high speed sync and lighting ratios.

Spring is here, and that means that flowers are blooming everywhere you look, and they make for marvelous photo subjects. Of course, you can photograph them in a natural way that shows off the surrounding light and environment, but a black background can add a sense of drama and show off the vibrant, eye-catching colors of the blooms. It does not take that much equipment to do so either! This excellent video tutorial will show you what you need and how to go about doing it.

The classic straw grid for speedlights; it might be one of the most attempted DIY photography projects. It's a popular project because it works well, it is cheap, and it is incredibly easy to make, but one clever photographer has found an even simpler way to make on of these popular modifiers. Check out this easy to follow video for step by step instructions.

Recently I went to New York City to do a week of headshots. As many of you know, part of my cinematic style involves shooting outdoors, but flying from Los Angeles to New York City to put this on meant I couldn’t rely on the weather. Figuring out how to translate the look and feel of my style indoors was the only way to make it a success. As I’ve had many questions about how to make this look happen inside for those that can’t always be outside, I decided to share my own experience with you.

Exactly one year ago today MagMod flash modifiers launched their first Kickstarter project and quickly became a household name in the photo community. Photographers all over the world enjoyed the slick design, ease of use and ability to modify light from their flash using the MagMod grids and gels. Today, MagMod launched a new Kickstarter project introducing their new MagSphere and MagBounce flash diffusers.

Do you feel at a certain point, after making a long run of photoshoots, that you're hitting a wall with your creative side? Or have you "lost your touch" so to speak? This is also known as "Creative Burnout." As creatives, we've all been there before. At one point we all plateau and need to find a way to break the "funk" to get back of the swing of things. So how do we overcome this?

On location lighting can be tricky. Here's one easy three-light flash setup that you can use just about anywhere.

A dark background is a fantastic way to keep the focus on your subject, and all it takes is a little lighting know-how to make it happen. This great video will show you how it is done and how you can use it to create dramatic, vibrant images.

There is a common misconception about strobe lighting that might be holding back your images, and it's an easy one to make. Here is a concise and clear explanation of the problem.

As a headshot and portrait photographer, I'm always looking to streamline my process and create consistent results for my clients. With that in mind I want to share with you my "bread and butter," super-simple setup I've been using for the last two years.

When talking about bokeh, the majority of the photography community instantly thinks of those nice creamy out of focus backgrounds. This is because most of the photographs we see only involve a subject and a background. Once you start to incorporate foreground elements though, you will quickly see that bokeh in front of the subject can be just as important and impactful as having bokeh behind the subject.

Perhaps one of the key things that an aspiring photographer needs to learn is that the quality of light is one of the most important elements in making a great photo. Often, it's the light that makes or breaks the photo.

I always wanted to shoot the portraits of a classic Bharatanatyam dancer, but by adding a modern touch to the 2000-year-old traditional dance form. Here is how we created dramatic dancer portraits with a little technique and lots of imagination.

I’ve been a Profoto user for quite a while now, loving my B1s and B2s for wedding photography, and my D1s for studio photography. I’m a huge fan of off-camera flash, especially when it can be easily manipulated into looking like natural light when I need it to. After all, that’s what 99 percent of my wedding clients want: natural light and a golden-hour glow regardless if it’s raining or we’re shooting in noon-day sun. What I’ve been missing, however, is the portability of a small flash, and being able to use it on camera.

No doubt, any photographer who plans to work in a studio will need to learn proper artificial lighting techniques to realize their creative visions, but flash comes with its own pitfalls and challenges. If you are struggling or new to such techniques, this fantastic video will show you nine mistakes to avoid and how to fix them.

Most lighting modifiers come with diffusion panels that soften and even out the light emitted. Some even come with two panels. These panels can have a strong effect on your light, and it's well worth understanding exactly what to expect when you use them or leave them off. This helpful video gives you a comparison of all three situations.

Achieving soft, directional light outdoors can be difficult. Sure, you can use an overcast day for soft, natural light, but often, this will not give you the most flattering light on your subject's face. In this video, we use my largest light modifier to see how you can turn an overcast day into a professional looking catalog image.

Have you heard the buzz? Sony just unveiled the Sony a9 III, boasting the groundbreaking feature of being the first full frame camera equipped with a global shutter. This technological leap has sent shockwaves through the photography industry, but it's also sparked a flurry of questions, particularly regarding its compatibility with flash and whether it outperforms high-speed sync. But before we delve into that, let's demystify what a global shutter is and how it revolutionizes flash photography.

In Part 1 of our Dramatic Beauty Portrait Tutorial, we looked at the lighting setup, gear breakdown, and shooting of our dramatic beauty shoot. In Part 2 of the tutorial we will now look at two different ways of exporting and preparing your image for retouching. The first method involves creating versions in Lightroom and exporting directly to Photoshop. The other method utilizes Adobe Camera Raw and the ability to make variations within Photoshop. I will also discuss the overall goal of our pre-edit stage.