Ahead of Nikon’s unveiling of the D6 DSLR, the price of current model the D5 has dropped to its lowest retail price after retailers discounted $1,000 from its MSRP.
Lowepro’s Trekker series of camera bags have long been a staple for outdoor photographers who need to comfortably carry larger loads into the field. Check out these new updates to the Pro Trekker backpacks.
Laowa is a lens manufacturer that is making waves over and over again. I had a chance to use their newest macro lens and put it through its paces to see if it can really rival its counterparts.
Sigma's Art series of lenses has been a runaway hit, with the line continuing to expand to both new focal lengths and new mounts. One of the newest in the lineup is the 105mm f/1.4 DG HSM Art, and it has been lauded for being incredibly sharp even at its maximum aperture. Is it the right lens for you? This great video review will answer that question.
I’ve always passed on 35mm prime lenses. On paper, they always seemed too close to what I could already capture with my phones or what’s duplicated in my 24-70mm professional zoom lenses. It turns out, I didn’t know what I was missing until I tried out the Tamron SP 35mm f/1.4 Di USD lens.
You’ve done your research and looked at all the different options available and finally made a decision on which camera to buy. Then at the last minute you learn about something that’s an absolute deal breaker and you pull the plug. What is one thing that would stop you from buying a particular camera?
Aside from 6K/24p, one of the most exciting selling points of the S1H that Panasonic launched back in May was its dual native ISO, a feature that allowed users to switch between ISO 640 and 4000 without changing the levels of noise. Strangely, it seems that this feature might also have quietly been included in the much cheaper S1.
I've used older digital medium format cameras in the past but the FUJIFILM GFX 100 is the most powerful camera I've ever held in my hand.
Today, Westcott announced their new FJ400 battery-powered strobe. I've had an early review unit for a few days now, and Westcott seems to have done the impossible: they've overtaken the Godox AD400 Pro in its segment.
There is really no convincing professional reason to shoot portraits at a focal length of 900mm, and I am not going to sit here and try to convince you that there is. But sometimes, we do things for fun, just because we can. And that's exactly what happened when this photographer team decided to shoot portraits at such a crazy focal length.
Rumors emerging regarding the long-awaited Sony a7S III might blow you away: it’s thought that Sony’s forthcoming video-centric hybrid will contain a ventilation system, allowing it to shoot 4K 120p.
Despite heavily investing in new cameras over the last couple years, it is the still excellent Nikon D850, purchased two years ago, which has suddenly become brand new to me.
I was at Photokina when Fujifilm first announced the 33mm f/1.0 and I honestly didn't care. A few people were excited about it but it seemed like such a pointless lens to me at the time especially because it was probably going to be ridiculously huge. I'm elated at the fact that Fujifilm is now scrapping this lens in favor of a much more practical 50mm f/1.0
Palette Gear has announced new modular hardware controllers while rebranding to become Monogram. Cited as 40% slimmer compared to the original Palette, Monogram's new and re-engineered modules offer compact yet versatile control and backward compatibility with first-generation modules using the new Monogram core hub.
Brand new to the industry, Arizona-based OCLU has launched its first action cam offering a rather unique feature that allows you to delete unwanted clips in-camera, allowing users to avoid filling up memory cards with unnecessary footage.
Canon has come out of the gate firing on all cylinders when it comes to lenses for their mirrorless RF mount. One of the most interesting lenses in that lineup is undoubtedly the RF 85mm f/1.2L USM, the mirrorless version of one of the most popular portrait lenses of all time, the EF 85mm f/1.2L II USM. How does the mirrorless version compare to its DSLR predecessor? This helpful review will show you.
Aputure has revealed details and specifications of its latest release. Unveiled at IBC 2019, the LS 600d LED light is the company’s most powerful continuous light so far, in what they are calling “600 watts of raw LED power.”
And so with some sadness, tinged with a sense of relief, we reach the final letter of the alphabet. And what better way to finish than with a vastly successful company that has virtually spanned the lifetime of photography, along with some photographic input from yet another novelist.
The term “leaks” seems to be fairly inadequate when it comes to rumors about smartphones and tablets during the month of September, but it certainly gives the tech world a huge amount to write about. One that stood out from last week’s launch event is the prospect of an iPad Pro that features a triple camera.
Speculation surfaced a few months ago that Nikon might be about to announce an APS-C Z-mount mirrorless camera with no EVF. Further details have emerged and it seems that two are in the pipeline, and one of them might be packed with pro features.
Dynamic range is sort of like the new megapixels in 2019: it is the camera spec that a lot of photographers use as a benchmark to compare different bodies. But how much does it really matter when it comes down to it? This great video examines the concept and if it is something you should obsess about.
It’s been just over a year since Canon finally stepped into the world of mirrorless full-frame cameras. In this short video, Jared Polin offers some interesting thoughts on what Canon has achieved, where it has fallen short, and what the future holds for the Japanese manufacturer.
Tamron has been killing it with their lens releases in the last few years, undercutting the prices of first party manufacturers by significant amounts while still providing high optical quality and performance that have led to an increasing presence in the professional segment. This great review takes a look at the Tamron SP 35mm f/1.4 Di USD lens for Canon and Nikon DSLRs.
For photographers who love working in black and white, there are certain cameras that are really suited for the task. This interesting comparison compares two dedicated Leica monochrome digital cameras to a Fuji camera using a black and white profile and a classic Leica film camera.
Ricoh has announced the development of a new flagship APS-C Pentax DSLR to be launched in 2020, with a preview of the camera being shown soon at the Pentax Meeting 100th Anniversary Special in Japan.
Fans of Fujifilm will be pleased to know that the company has announced the development of the X-Pro3, the next in their line of rangefinder-style cameras. The camera will have some very unique features and upgrades; check them out here.
Fujifilm has been working on development of an extreme lens, a 33mm f/1.0, for its X-mount mirrorless cameras for a little while now. However, the company has announced that they have canceled development of the lens in favor of a new 50mm f/1 lens.
Tamron has been absolutely killing it with their highly lauded lenses for Sony's full frame cameras, the 28-75mm f/2.8 Di III RXD and 17-28mm f/2.8 Di III RXD. It seems the company is showing no signs of stopping, with an announcement of four brand new lenses on its way in October.
Nikon's Z 6 and Z 7 cameras are the first forays into the full frame mirrorless market for the company. As they continue to expand the offering for the new Z mount, rumors are coming out of the Z 8, including claims of ultra-high resolution and deep bit depth.
As you can likely tell from my recent posts, I’m a user and big fan of Profoto. I realize their products are expensive, but they work. In real life, they never let me down.
