Being involved in any creative industry usually guarantees one thing: we’re never happy with the work we produce. At least not for long. We’re constantly striving to better ourselves and the work we’re putting out. And in the age of the internet, we’re consuming more images from other photographers than ever, meaning that it’s all too easy to compare our work to that of our peers. For years I questioned my own shooting style, but here’s why I believe you should learn to love your photographic approach just the way it is.
Fstoppers is adding a little something extra to this week's episode of "Critique the Community." We are inviting everyone to submit your lifestyle photography images for review. This means your images shouldn't just be portraits of people, they need to be images of people in action or living some sort of life. Like we've done in the past, we will be choosing 20 images give our thoughts and feedback to. In addition to our normal critique, we will also be giving away two camera bags to two individuals who will be randomly chosen from the critiqued image pool. Submissions must be made by Sunday, December 13th.
For the last few years I have found many different ways to transfer photos from my DSLR straight to my iPhone for instant editing and sharing on social channels like my Instagram page. Now, thanks to a recent update to iOS 9.2 I am able to directly connect my favorite DSLR brand to my iPhone for fast and seamless photo transfer without draining my battery with Wi-Fi.
If you don't know Sigma's Art series lenses yet, you're missing out. Their well established 24mm, 35mm, 50mm, and zoom options in the Art lineup shine, but it's hard to believe it took this long for a wide-angle 20mm f/1.4 Art to make it out into the real world. But the moment I began shooting with this beauty is the moment of the past didn't matter anymore. We're in a new world: there's a 20mm to die for; and this is it.
Fashion photography is most probably one of the most desirable fields of photography. We are lured by the prospect of working with the hottest and trendiest people out there. That is where I come from and all I can say is: what does not kill you makes you stronger.
FotoClient is a new cloud based platform which aims to be a total business management solution for photographers and studios. From lead management to invoicing FotoClient wants to tackle it all. I put it to the test at my studio to see how it performs in the real world. Starting at just $10/month, could this be the solution you are looking for?
Last week, we asked the Fstoppers community to submit their best pictures of food to be reviewed by the Fstoppers team for our next episode of "Critique the Community." To change things up a little for this episode, we had a local commercial photographer, Andy Hagedon, join us to give some fresh perspective. A total of twenty images were selected to be reviewed. Check out the selections and add your thoughts and critiques in the comments below.
As a follow up to my most recent article about making a living using nothing more than an iPhone camera, I wanted to dig a little deeper into my entire gear setup. Yes, contrary to popular belief I do own more than just an iPhone, though as primarily a mobile photographer the limitation of the phone can be both a blessing and a curse. With just a few more pieces I have been able to absolutely perfect a minimalist photography setup for any all-around professional shooter.
Nikon upset and confused some customers when they moved the overall size and filter thread of their 24-70mm f/2.8 follow-up to 82mm (up from the standard 77mm). While this would mean that those wanting the latest upgrade for their mid-range zoom would need to invest in new filters and lift heavier weights at the gym, the change allowed Nikon to introduce unprecedented image quality and, of course, vibration reduction. But what if that image quality wasn't unprecedented? What if it wasn't even better? What if, God forbid, it was worse?
Seems like just a short few years ago, Sony DSLR's were the laughing stock, what with their proprietary this and convoluted that. Yet today, going into 2016, Sony has made a huge impact in the photography world with their hyper-techy mirrorless cameras almost out of nowhere. After much consideration (and provocation from Sony) I decided to try out some Sony gear in the most challenging way possible: on a client job. Nope, I had never worked with a Sony before. What could possibly go wrong?