Opinion

New York City-based photographer Arne Svenson spent a lot of time in the news after he pointed his telephoto lens at his neighbors' windows and began photographing them for the sake of art. Understandably many of his subjects were outraged when they learned that they had been secretly photographed and put on display for Svenson's profit. The resulting lawsuits spanned two separate courts and several years, during which, Svenson had remained mostly silent.

Do you spend more time researching photography gear than shooting? Do you believe that you can’t achieve a particular look without buying the latest shiny product? Then you might be suffering from G.A.S., also known as Gear Acquisition Syndrome. Step into my office and let me share some prescriptions that can help you cure this debilitating disease!

We are living in an era that everyone complains about their bulky camera gear and how hard it is to carry it all day. Many photographers are now switching to mirrorless cameras for this reason. But hey, there is another solution for that: You can minimize your lenses and other gear, rather than changing your main camera body. That's what I did.

I’m probably not going to be winning any friends by sticking up for the undercutters, but I just don’t think that they’re hurting you as much as you think they are. In fact, I think they might actually be helping you.

I recently posted an engagement photo in a Facebook group and immediately got a comment on it. The comment said: "Awful expression on her face... would not keep this picture." Although I have pretty thick skin when it comes to snide comments and CC on my images, this comment really got under my skin.

Conducting a smooth running photo shoot is a challenge. You need to create the right set conditions, manage the equipment, and deal with the models. Thankfully, there are several steps you can take in choosing the right models, while providing them with a relaxed and smooth-running environment. Having relaxed models can make or break a photo shoot because they’ll give you a more natural performance, which translates into memorable photos. Here are ten tips for working with models and managing the set in order run an efficient shoot and produce natural imagery:

COOPH Video Director, Matthew Rycroft, continues to make my job easier by sending me engaging content to share with the Fstoppers' community. Their latest video focuses on the ability, we all have as photographers, to capture unique, iconic, and fun moments. Watch "The Power of a Photograph," as it highlights twenty-two iconic photos that depict loss, depression, defiance, bravery, triumph, love and respect.

Canon has announced a hilariously boring and ambiguous camera, just in time for NAB: the ME200S-SH (catchy, right?). They want it to be an all-rounder, but it may just be subpar in every single category.

It's an unavoidable topic in American conversations. In the photography world, it seems to pop up on the forums and Facebook groups often enough to warrant further consideration: guns. Not necessarily in the heated, political debate sense, but to ask this question: In a world where carrying a concealed weapon has become more normalized and photographers spend more time in remote and urban locations, do firearms have a place in your business?

With great photography comes great responsibility. Taking photos can be fun, yet challenging at times, especially when you hit a creative rut. Remember, you don't need the most expensive camera or years of experience to have fun and create amazing images.

We love our images. We put our heart, soul, sweat, and tears into our work and we can't wait to share it with the world! But one of the more popular practices in the photography industry is watermarking. The concept behind watermarking is understandable and useful, but in reality, is it really a necessity? I will explain why for my third installment of my community discussions.

The previous article about the processed image ended with similar arguments both for and against digital manipulation, and the artist’s disclosure of such actions. But how does the motivation for creating art through both photography and creative editing arise? I’ve gathered a panel of fellow international landscape photographers to expatiate on the power of the processed image. Professional landscape photographers Ryan Dyar, Felipe Gómez, and Simon Roppel are here to help us understand why certain decisions in editing process are made, as well as in the field.

Human beings have rendered images of themselves in one form or another since the beginning of our species. The desire to try and capture the human essence in something that will outlast the physical body is universal; the need to encapsulate our understandings of “self” and “others” is found in every culture throughout the world. But have digital cameras, selfie sticks, iPhones, and Snapchat made such a pursuit so mind numbingly easy, that it has now completely lost it’s value?

In this series, I'm tying philosophy, post-processing and the nature of beauty together through the genre of landscape photography. We're going to take a closer look at what beauty actually is, before I propose a new definition for photography.

When we think what defines our brand as photographers, we think of our logo, website, and even the style of imagery we create. But, everything that is related and connected to us and our company is a representation of our brand — from the way we answer our emails, interact with our clients, down to the pants we wear, the bag we carry our gear in, and the overall way we present ourselves to the world. Every detail reflects back on our company and in the end reflects back on our bottom line.

As a studio owner I am privileged to see many different photographers working in my studio space. I have a chance to observe their individual working styles and to see what results in success. Over the past couple years I have noticed some rather interesting trends. Let me give you some insider tips after observing how some of the top photographers work.

It's true that doubt can be so bad it’ll make you want to stop creating or showing your work to the world. But if you flip it on its head, it can actually help you become a better photographer.

You might find today very interesting for Instagram. It seems like everyone on your feed is posting a hefty range of different photos telling you to "turn on notifications" on their feed. If you missed Andrew's regarding Instagram changes, check it out to find out the latest on how Instagram handles feeds. Changes will definitely be happening whether you like it or not. But is that something to worry about?

The processed photograph is growing more popular. Whether that has to do with the technology involved in image processing becoming more accessible to many is up for debate. Maybe it is a gradual shift of the human perception of what we call the art of photography. I have asked a handful of professional landscape photographers to contribute to the case of the processed photograph, making this second part in this series more practical than the rather philosophical first article.

A few weeks ago, we asked the Fstoppers Community to submit their best Concert Photography, you all rocked out! It took us a little longer to get the Critique back in front of your eyes with Lee Morris' wedding and finishing up the new Joey Wright Swimwear tutorial, but we finally have it ready for you. We selected twenty of our favorite images to review. Take a look at the selections and add your thoughts in the comments below!

A lot of photographers are afraid to put their work out into the public eye for fear that its not perfect. A lot of work goes unseen because the photographer wasn't comfortable enough to show what they created. Chase Jarvis interviews Austin Kleon, the author of the book Show Your Work!: 10 Ways To Share Your Creativity And Get Discovered, and delves in 3 reasons not showing your work is a bad idea.

As many of you have seen and made clear on your feeds across various social networks this week, Instagram is changing its algorithm and from the looks of it, possibly for the worse. Chronological feed to curated feed is the proposed plan for the Instagram team in hopes "to show the moments we believe you will care about the most." How exactly will they know what I want? Facebook seems to do pretty well in retaining users so they must be doing something right for the majority. Now what does that mean for us photographers and professionals? Who knows but change will come so adapt and get over it!

Helped by great design, marketing, and a superb product to boot, Syrp’s motorized time-lapse aid, the Genie, became incredibly popular with photographers. As the product that launched the company on Kickstarter three years ago, it was a premium offering, though. And sometimes, it’s useful to have something fantastic in a “light” version. Enter the Genie Mini.

Let's take a step back and talk about the growing popularity of the processed photograph. Apart from some rather technical post-processing jibber-jabber, we’ll dabble in philosophy, astronomy, and the evolution of the human species. We will meet strange creatures along the way that see many more colors than we do, as we conclude this with a moral question in photography.

Instagram has continued to transcend the way we share our work, our brand, and lives through our mobile devices. It's safe to say that it has taken over Facebook as the preferred mainstream social media platform to share our work. Fellow Writer Ryan Cooper recently put a great article together about features that could use overhauls and improvements. I decided to add some issues that I've run into time and time again and put together an Instagram suggestion box for the Fstoppers community.

As someone who makes a full time living working as a photographer I am often asked for advice on how to get started and how to make it in this career. Despite the seemingly impossible odds, it is in fact quite possible to make a fantastic living in this industry. Former assistant to Mario Testino, Alexi Lubomirski, has created one of the best videos I've seen describing the persistence and tenacity required to succeed. If you are looking for a dose of motivation I highly recommend giving this a watch.

Owning and operating a photography business can be a lonely task. Most hours of the day are spent at a computer with no one to talk to, no one to bounce ideas off of, and no one to help you when you struggle. Most photographers turn to Internet forums and Facebook groups, and these definitely have their place. But what if you could have all the benefits of online communication with the added bonus of working with local professionals that are in the same industry?

The sheer volume of photographs being produced has reached unforeseen levels. We take photographs almost without thinking now; any vaguely noteworthy event garners a veritable mass of cameras and cameraphones. But quantity does not necessarily beget quality, nor does it necessarily enable the photographic eye to sharpen itself. In fact, the digital age has (to a degree) destroyed appreciation for process, thereby relegating craft to an anachronism, a relic of a time when the process of making pictures forced a certain deliberateness in their creation.

I love to shoot tethered whenever I can. It’s the most successful way to create real collaboration on set, and clients are more engaged when they can see what’s happening on a big screen. Depending on the environment and the demands of the production, I’ll choose between a couple of tethering approaches.

Being creative or simply having the ability to create on demand is one of the biggest assets you can have in this era. The question is "how do we unlock or keep creativity flowing?" The main steps you need to keep in mind are simple.

Professional photographers understand the quality of imagery that can come from a camera phone will never contend with the pictures and video you can capture with your DSLR. Phones will likely always have an innate handicap with sensor size, which leaves it's images lacking. That said, it would be quite unwise for photographers to neglect the most recent developments in camera phone technology. The ease of use, accessibility, and ability to quickly share your imagery can make your phone one the most important pieces of gear in your business. So, when phones like the new Asus ZenFone Zoom come out with a 3X optical zoom, it's best to pay attention.

Recently, a rather scathing article went up on Resource Mag’s website discussing the toxic behavior of a certain photographer. You can feel free to read the article. I, however, won’t mention him here other than to say that he is the sort of person who claims to be a teacher, but instead uses his fame to attack and belittle other, less experienced, photographers. He has made a hobby of robbing others of their love and passion for his own selfish delight.

Music concerts are often a wide mix of sensory input, and a good concert photographer must figure out a way to capture the full scope of a concert experience in a single image. How well are your images accomplishing this difficult task? Submit your best concert photos to our next episode of Critique the Community! Please follow the guidelines for submissions below to ensure eligibility for your image to be chosen. We will be accepting submissions through Sunday night, February 28th, and will be offering feedback to a total of 20 pictures.

As we all know, photography is ludicrously expensive. Even entry level DSLRs are a few hundred dollars these days; some point and shoots hit close to $1,000. This can be daunting to anyone looking to get into photography, as the sticker shock may drive them away. For working professionals, the price tags get higher and higher as apertures are larger, build quality is higher, and resolution jumps to ridiculous levels. There is, however, an alternative. It’s something that people fear, swear off, and curse because they got bit by a sketchy dude on eBay: buying used gear.

Keyboard warriors, draw your swords! That fool just suggested that gear is actually a really important aspect of photography! He is breaking all the conventional narratives. Fire up the torches and roast him alive!

Do you feel at a certain point, after making a long run of photoshoots, that you're hitting a wall with your creative side? Or have you "lost your touch" so to speak? This is also known as "Creative Burnout." As creatives, we've all been there before. At one point we all plateau and need to find a way to break the "funk" to get back of the swing of things. So how do we overcome this?

For an instant, she stares blankly out into the distance as she would for any photograph. But almost immediately, she takes notice. You're there. She turns her head, looks over, and then slowly turns back, looking down at her outstretched legs. Her eyes move slowly, looking down, as her chin lifts her gaze from the top of her legs to her feet. She's admiring herself — for you. She even starts crawling toward you. You turn your head to look around ("Toward me?," you think, but no one else is there). You turn back to her. The clip is over. You can take off your Google Cardboard viewer and go back to flipping channels on your living room TV.

Last week, we asked the Fstoppers Community to submit their best sports images to be critiqued by the Fstoppers team. We had a fantastic variety of images to choose from with over 250 entries. To keep in theme with this episode, we decided to film it during a recent ski trip. Lee and Patrick gave feedback to twenty images chosen from the submissions. Check out the selections and add your feedback and thoughts to the comments.

Are you proud of every commercial photo or corporate video production you’ve done? Have you ever found yourself explaining to someone, maybe even a client, about how a project you worked on could have been better, but you were held back by the lack of a big budget? That’s understandable to a point, but I think there has to be a certain standard of quality with any production, regardless of budget.

It happens at basically every wedding I shoot. I walk into the room to start taking images of the bride getting ready, and the bride offers me a mimosa. After I leave to take images of the guys getting ready, I walk in and the groom offers me a beer. Then, the ceremony is about to start, and a groomsman offers me a shot out of the flask he has in his jacket. Lastly, we are at the reception and both sets of parents and the entire wedding party are offering drinks. I have to assume that most wedding photographers are faced with at least one of these events at every job. So, the question is: do you accept?

I took a two-week trip to Hawaii last month with the intentions of not bringing along a bunch of camera gear. That was a fine thought in and of itself, but now I’m wondering if I could have mustered the courage to take an extended trip to a picturesque location without bringing a real camera at all?

This week, Instagram awed us all by rolling out one of the simplest and most obvious features that we had all been clamoring for for years. OK, maybe I wasn't awed, but boy does multiple account support make my life so much easier. I’m no longer typing in my Instagram passwords 30 times per day, which got me to thinking: as a platform, Instagram is pretty good, but its features are still notoriously primitive. Here are a few features I think they should add that would make my life much easier.

When Pixellu came out with its too easy to believe drag and drop album creator that synced with every popular album company's layouts, those who were not Mac users were certainly bummed to hear they would be missing out. But today, after Pixellu released SmartAlbums 2 for Mac, the SmartAlbums version for Windows is here and it comes at a generous $50 discount for those who have waited so patiently.

To follow my previous article which stirred a healthy discussion about sharpness and whether that it's vital or not, it inspired to me to ask my fellow peers another question. Are the amount of megapixels on your camera crucial, or do other factors and features hold more value when purchasing a camera? Here are my thoughts.

If you ran a poll to find out what are some of the biggest pet peeves that a photographer experiences when dealing with clients, undoubtedly, requests for all raw files from a photoshoot would be up there on the list. Many newer photographers cave in to the pressure of trying to appease their clients but the reality is that this is, in most circumstances, an unfair request that could do more harm than good. Fellow photographer Jessica Kobeissi explains why in this video.

Let us venture back in time for a minute. 35mm film was always considered small. In fact, it was developed in the early 1900s as a means to make high-volume shooting and consumer photography possible. If you were a working professional, you were shooting at least medium format (6x4.5-6x19 cm) or even more likely, large format, like 4”x5” or 8x10”. The idea is that the larger the format, the more detail you can see. As we fast forward to digital, full-frame is the ideal format for many working pros in a variety of genres. While full-frame can be expensive and yields incredible image quality, there is something more.

The world wide web was set ablaze this week by the photography community when Brides.com published an article telling prospective brides which vendors they should and shouldn't be feeding, and this advice strongly suggested photographers should not be fed. Of course, anger ensued. Surely, in this day and age, the author would have crafted a rebuttal or an apology to the legion of photographers in the trenches that she had scorned. Nope. They silently covered it up.

Glamour photography, fine art nude photography, lingerie photography, swimwear photography — all of the above involve nudity. Sex sells — no explanation needed here. Or, at the very least, it will get you more likes on your page or your Instagram account. Is the sexiness in itself a problem? This is a recurrent debate. The #WomenNotObjects campaign, launched by Advertising Executive Madonna Badger, is calling on the advertising industry to put a stop to objectifying women for marketing purposes. As photographers, do we have a responsibility in this controversy?

Fstoppers is happy to announce the next round of Critique the Community. We invite everyone to submit your best sports image to be critiqued by the Fstoppers team. The image doesn't have to have any particular style but it must be related to sports and action, incorporating a human element (not just products or sports equipment). Please follow the guidelines for submissions below to ensure eligibility for your image to be chosen. We will be accepting submissions through Sunday night, February 7th and will be offering feedback to a total of 20 pictures.

Everyone wants to win the lottery. In this day and age winning the lottery can mean many things, one of which is hitting it big on social media. Creating a body of work, an brand image, and a following so massive it creates clout behind your name so high, it is easily seen by everyone as the best in the business. For photographers and creative alike, achieving something like that can easily be seen as difficult, but in reality for some it was outrageously easy and can still be done thanks to Instagram.