What Was the Last Photo You Took That Mattered?
Whether you've just bought your first camera, or you've been taking pictures for decades, taking a picture that matters, matters. So, what was your last creation that did?
Whether you've just bought your first camera, or you've been taking pictures for decades, taking a picture that matters, matters. So, what was your last creation that did?
A recent spate of camera purchases has indeed improved my photographic skill, but perhaps not in the way you may be thinking.
Documentary movies and photography aim at creating plausible images of certain events and phenomena. But what is plausible? Can we even catch an unaltered scene?
One of the best ways to get better as a photographer is to watch good movies. While the aspect ratio might be different, the same rules of composition and style apply. Here are some of my favorite films that will make you a better photographer to get you started.
Steven Holleran has been interviewed for the Fstoppers before … twice, actually. But, with good reason: His approach to cinematography and his work behind the lens is constantly pushing the boundaries of creative, thoughtful filmmaking. Read more to learn of Holleran’s most recent accomplishment.
A brief personal recollection of a powerful influence in the world of photography.
During the past decade, the world economy has experienced steady, gradual expansion. But what goes up must come down, and the question photographers are wise to consider is: "how will the next recession affect me?"
The days of growing a social media following by simply posting quality content regularly are gone. Without some kind of push to get ahead, you might as well enjoy the exercise on your hamster wheel.
Lightroom isn’t a perfect tool. However, for some users, it is a perfect fit. If you are just getting into editing tools, left Lightroom during the change to Adobe Cloud, or practice photography professionally, there’s a number of reasons Lightroom might be a perfect fit for you.
I’ll admit it, I’ve jumped on the MacBook Pro bandwagon a lot later than most. Just a couple of years ago I was beating the drum about how great the old Macbook Air was for photographers. The thing is, after a few weeks with the 13” MacBook Pro, in some ways, I still feel that way.
Taking a peek into the daily routine of a professional, photographer or otherwise, can produce some interesting sights. Every photographer’s professional life is unique, yet most of us face similar daily challenges and strive for similar successes.
A few weeks ago, an online mob doxed a street photographer for taking candid images at a county fair. The incident raises questions about where we draw the line when it comes to invading someone’s privacy in a public space.
Just back in town after three consecutive assignments, I decided to take advantage of a lazy weekend to test out a few theories about my cameras.
Making decisions about cameras and lenses is always difficult. Most of the time, we have to compromise. Finding out what you love about photography helps you making a better choice regarding your photography gear.
One of the current cool types of shots are the so called "cinematic photographs." It's not the software filter that makes the photo cinematic or the black bars. Something else does it.
In the world of photography, certain realms develop in popularity at certain times. They typically involve areas of popular photography whose impact and significance come to attract more attention to compelling subjects, as well as more expertise.
An interesting debate around word choice among photographers is the question of whether one "takes" or "makes" photographs. There are compelling arguments behind both choices. But which is correct?
Let's pretend for a moment that you've found a magic lamp, and it's going to grant you one and only one Instagram-related wish. I can think of what I'd wish for. Can you?
I have a large and relatively heavy Gitzo tripod that can carry as much as a small elephant. But I also bought an expensive Gitzo traveler tripod because sometimes I want to travel light. The question is, was it worth the money?
It’s imperative for a photographer to love their own work. You wouldn’t ever progress in the craft if you didn’t.
In the world of professional photography, the value of our work doesn’t always line up with our client’s budgets. But as tempting as it is to take the money and run, holding firm can often be more profitable in the end.
Creative blocks can be a great cause of anxiety and/or frustration for many of us. And, while a creative rut might seem inescapable when you're on the inside, looking out; actually freeing yourself from this oppressive, suffocating feeling may be a lot easier then you think. So, why do creative blocks happen — at least, in a theoretical sense — and how do we remove these blocks?
It seems each recent camera announcement has brought a higher megapixel count — including Sony's latest 60mp+ release. But whether you're shooting on 24mp APS-C, 50mp full frame, or 100mp medium format, you might not be getting all the resolution you paid for. Check out this list for 3 clarity-robbing problems and their fixes.
I recently outlined seven reasons why I was excited to go to Sony Kando 3.0, but now that I’ve been, there was so much more to it than I initially thought.
Photography is a secretive business, but in this video I show you exactly what equipment I use as a professional food photographer.
Instagram appears to be in the process of rolling out a surprising change to its platform: hiding the number of times that a post has been liked. While the internet giant claims that it’s making the change in to help us focus on the thing we love, the truth is different. If it really wants to improve things, it should go one step further and hide follower counts too. You can be sure, however, that it never will.
There is an abundance of books on making business. They cover a lot of ground, mostly emphasizing marketing and selling, especially the latter. How practical is their advice to you as an artist?
Recently, a special delivery unexpectedly arrived for me. It was a trophy from the Telly Awards for a Cape Town guide that I filmed for Expedia. Winning awards has never been a motivation for me, but this one felt really good. It made me consider all the different forms of payment we can get from photography.
On a day-to-day basis, we go through hundreds or even thousands of photographs mainly through social media. Especially for people with many photographer friends, every scroll is a stroll through a usually poorly curated gallery. If you stop and take a close look at most of the photographs, chances are that you will see certain instances where the photographer has "stopped seeing" somewhere in their creative process.
I'm the first to admit I love Lightroom. Sure, it has its issues, like occasionally slow performance on good hardware and an admittedly aging interface, but I'm comfortable with it. There are a number of tasks, though, that you just shouldn't be using Lightroom for. Want to know what they are?