It's a slightly uncomfortable question when said directly, but it's one you ought to answer. If you want any significant improvement in your work, being happy just taking pictures isn't enough.
It seems as if the world of photography is currently turning all around this topic: Is the time of DSLR over? On the web, people get into heated discussions about this issue. Should you join in?
With every new camera, new options and enhanced features are introduced, sometimes small and perhaps even insignificant, sometimes groundbreaking. The end result is never perfect, but what if you could design one yourself?
Fujifilm’s introduction of the X-Pro3 has continued their trend of quirky design choices, but has also raised the question of whether bucking the trend is actually making for a better experience for photographers.
I'm going to let you in on a little secret, one that lots of people know, but for some reason, not that many people talk about. You're allowed to take bad photos; it's alright, and your world won't come crashing down.
The best camera is the right one for your particular job. But what are some of the less than obvious reasons why we pick up one camera instead of another?
Canon’s announcement of the 1D X Mark III has inevitably set the camera world chattering, confirming some rumors (raw video) and debunking others (there is no new battery with a secret new feature). Among the specifications, it’s interesting to see what’s been left out and how this compares to Nikon’s own “announcement” last month, not to mention the Sony a9 II.
As technology advances, the tools photographers can use to create their visions are more accessible, varied, and intuitive than ever before. I have a feeling this means our definition of photography and our uses for it are going to expand like crazy. It may also mean a photographic renaissance.
Recently, there was a comment by renowned director Martin Scorsese about Marvel movies. He doesn't think they fit into the "cinema" world. Could that be just an opinion from an old-school director or does have a valid point?
The combination of modern sensors that produce raw files with lots of latitude and advanced post-processing software with powerful capabilities has given photographers more and more ability to push their images to more extreme edits than ever before. So, where is the line when it comes to editing images? This thoughtful video discusses the topic.
If you have worked in this industry for at least a couple of years you will have more than likely come across a whole plethora of interesting and curious characters whilst on shoots or at networking events.
Have you ever heard the argument that photography isn’t art, because everyone can do it? That’s bull. All forms of photography need artistic thinking to some extent.
Transitioning from hobbyist to professional is daunting, but what are good and bad signs for someone looking to make the leap? And what "signs" aren't really signs at all?
Among all of the major manufacturers currently operating in the photography industry, Nikon seems not to be in the strongest position. The battle for the number one position seems to be taking place between Canon and Sony, with Nikon destined for third place. Is Nikon falling behind because it's been making all the wrong decisions?
Portrait photographers know how overwhelming it can feel to create work that depends on collaboration with a complete stranger. With this in mind, I asked five professional photographers in central Texas for their top portrait photography tips.
This is a short story about a brief moment and the significance of a photograph.
If you think you know all there is to know about filmmaking, you can still take some time and see if indeed Hollywood director David F. Sandberg knows less than you. Otherwise just watch this.
The targets of many aspiring artists and models have shifted since the rise of social media, and not necessarily for the better.
One of the things that I've noticed over the last year on Instagram is just how little of an effect most of my efforts make. A few years ago, we were quite literally receiving thousands of likes and hundreds of new followers daily. Today, I'm lucky if I get anywhere near a hundred likes on new posts, and my follower count remains pretty stagnant.
iPhone 11 Pro steps in the ring against Fuji GFX 100 in the other corner. David versus Goliath. Can you guess which of the images is shot on a mobile phone? No, it's not a trick question.
Today, cameras are easy to use. The skill of photographers has shifted from learning how to handle a camera to learning how to handle what happens in front of it. Do you have this skill?
The death of the DSLR has been predicted for years. With each new mirrorless camera model brought to market someone on the internet is playing TAPS for the DSLR camera format. But what is meant by DSLRs are dead?
"Video quality is powerful but it's not the whole thing." Paul Xavier speaks about how the message of your video is more important than the gear you are using.
I've seen a lot of changes to cameras since I picked up my first, but one stands far above the rest for me.
What do Monet, Van Gogh, and Manet have in common? They were all underappreciated in their time, thus struggling with the poverty endured by so many creative artists. Why do such geniuses of visual craft have to cope with rejection and low sales of their work?
The eternal debate: to prime or not to prime. Here are a few thoughts on why less can often be more.
If you have ever wanted to start a YouTube channel, here is my experience of setting up a new channel and giving it a real go for 30 days.
Sony has established the era of the incremental update, offering new bodies at an alarming rate that are putting the old guard to shame. Where flagships used to be replaced every four to five years, Sony has just announced its ultimate camera after the first iteration has been on the market for a mere two-and-a-half. Is this what customers want, and is the a9 II a big disappointment?
Do you believe that your images are objective representations of reality? You might be mistaken. Here are a few arguments why.
I am lucky enough to have hosted or been a part of workshops around the world. One thing I teach in my workshops is that photographers should not look at other photography to be inspired.
