Is Future Proofing Obsolete? Apple Adopts New USB Port

From 3 megapixels to 10 megapixels to 50 megapixels, the world of photography has changed significantly over the last 10 years. With the changes in technology, we're always in battle to keep our work and data on the most current iteration. With the rumors of the next Apple MacBook Air, it seems that the USB port is under attack, making photographers everywhere questions how they can keep their work on the most recent format.

Waging War with VSCO - Why I Hate Simple Preset Systems

VSCO, Mastin Lab Presets, Florabella, and Pretty Presets. If you've looked for advice on retouching in the last few years, you've probably been recommended one of these preset and action systems at least once. They're designed to give you beautiful film simulation and color tones to make your images look great using a single click of the mouse - and I hate them all.

A Quick Tip to Improve Your Final Image

As a family photographer, I often find myself pushing the limits with how fast I'm moving. Sometimes I'm trying to get a shot before the 2-year-old child decides he hates what is happening, and other times I'm rushing to make sure I accomplish everything the family wanted to get. It doesn't matter what situation I'm in. Anytime I'm rushing, my images suffer. Last year at WPPI while attending one of Jerry Ghionis' classes, he said something that really stuck with me, and helped improve my photography. Ghionis said to slow down.

Working With a Muse: Is the Search for a Creative Soulmate Worth the Trouble?

Having your own muse, a person on call who is willing and able to bring your creative ideas to life, is a gift. Traditionally female, muses have been the source of many artistic inspirations and great works of art, due to their beauty, character, or some other mysterious quality. Problem is, these collaborations can become murky as conflicting goals, crossed boundaries, and trust issues seep into what was “a good thing.” How can working with a muse revolutionize your work? Are the benefits of finding one worth the trouble?

Is It Possible To Produce High End Video With A $600 Point & Shoot?

If you’d asked me this question last week, I would have said no. What a difference a few days makes. Ruslan Pelykh, a New York City-based videographer and photographer, is creating outstanding video with a Leica D Lux 6, a 10 megapixel, $600 point and shoot. This post is a kick up the butt for anyone hanging on for a piece of gear as being the reason they can’t create with what they have. Welcome to creating more, with less.

Preparing and Packing A Portable Studio Efficiently

When people walk through my living room studio, they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment. I don’t have a giant bus to haul all of my studio gear, so it’s been a trying experience to find the right tools to efficiently pack and tote my mobile studio.

Why I Can't Stand the Photography Community

In three years of working in photography, I've shot roughly 1,500 family sessions. I've dedicated all my time to growing my photography skills whether it be watching online tutorials, going to WPPI, reading articles, and reaching out to fellow photographers. In my time spent doing this, I've come to one major realization; photographers seem very guarded, opinionated, and close-minded. I've tried to understand what it is that stops us from helping one another? Is it the fear that we are training our competitors, are we bitter that we may have had to learn the hard way, or is it the fact that we are too proud to admit when someone is better than us?

How The Film ‘Anomaly’ Is Changing The Game For Us All (BTS And Interview With Co-Director Salomon Ligthelm)

Last week saw the release of ‘Anomaly’, a film that is redefining the approach and model for independent, narrative film making. Co-Director Salomon Ligthelm outlines how he managed the project as it grew from “a 2 minute art film” into the astonishing 38 minute-long final masterpiece, and provides key takeaways for all of us that we can apply to our own stills or motion projects. If you have any interest in what's coming over the horizon for cutting edge, independent, visual media production, this is for you.

5 Tips For Making New Years Resolutions Like A Real Business

With the year drawing to a close, and the new one just around the corner, it is at this time many of us reflect on what has happened and what we plan to achieve. Year after year it is the same story. We make a couple resolutions, we give it a good go for a few weeks, and then we fall back into some old routines that keep us from making progress. Here’s how I like to tackle my resolutions and keep myself on track each and every year!

How 12 Images Changed My Life Forever

We all have those pivotal moments in our lives where a single decision changes everything. When I picked up a camera about five years ago I quickly became obsessed with composites. In the beginning, I honestly had no idea where to even begin learning how to create these marvelous hybrids of photography and digital art. I had to learn how to create composite images! I knew if I could get to a point where I could create what I saw in my head, I could change the path of my career. Little did I know composite photography would change my life forever.

Setting Up a Successful Headshot Session: Part 1

When I first began shooting headshots, it was a daunting task. Figuring out a rhythm for how a headshot session should go felt like an overwhelming problem. I slowly began to solve the problem through trial and error. It was when I began to realize that we have no control over almost anything in life that I began to find my own rhythm in this crazy photography business.