Opinion

Photographing skylines and cityscapes takes a lot of technical ability, both in knowing what gear to bring and how to capture a variety of lighting conditions. Many photographers have made careers out of perfecting this genre, taking it even further by mixing in astrophotography, light painting, and even motion. Whether you're looking to explore your own backyard or get more out of traveling, shooting skylines can open your eyes to new possibilities no matter what type of photography you shoot.

There is one versatile and affordable modifier called 5-in-1 collapsible reflector kit that practically every photographer owns. As the name implies, it can be put to use five ways, but have you ever tried all the possible usage variations of this babe? Usually, it is a double-sided material with four different finishes: gold, silver, black, and white, which is zipped around a white scrim frame. We are going to analyze the characteristics of each side and see how and when to use them to our advantage, and trust me it is going to be more than five usage tips.

Photography and critiques seem to go hand in hand. If you've spent any time on social media you know exactly what I mean. Critiques can provide valuable insight into your work but that of course depends on the source. What if that source was a computer? Meet Keegan, the artificial intelligence photo critic that aims to be your personal photo coach.

Background blur has been the mark of the pro almost exclusively since the digital revolution began in the early 2000s. That polished and premium look is now coming to the world's most popular camera, which until now has been beholden to the physics of tiny sensors. Professional photographers may have more to fear than just fear itself.

Photography as a sector has been affected by shifting technology as much as – if not more than – any other industry. The biggest change is undoubtedly the availability of cameras compared to 50 years ago, with almost every human in the Western world having a camera within arm’s reach every waking second. This is met with nothing but doom and gloom by the commentators on the professional photography industry, but is all that negativity justified?

One of the biggest complaints I've heard about Fuji's new medium format camera, the GFX 50S, is that there are no leaf shutter lenses. Leaf shutters have long been a staple in some medium format systems, enabling flash sync at faster shutter speeds than we are used to with focal plane shutters. But, here's the thing: It doesn't make sense for the GFX 50S to support them. Here's my reasoning why.

Since the days of film, medium format has been far from reach for many photographers. Even working professionals can have trouble justifying the high price point of these systems: when used, they can be $8,000-10,000. Medium format film bodies, while cheap now, were always several thousand away from even the most exorbitantly priced 35mm bodies. Factor in the inconvenient size of just about every medium format camera ever, and it's easy to put the idea of working with these monsters far from mind.

Recently I found myself going through Facebook when I came across one of Benjamin Von Wong's videos. After watching the video by Empty Duck Digital, I felt like he hit the nail right on the head with his response to people's common questions of “What preset do you use? What equipment do you use to make that happen?” Like he states, people are always searching for the fastest and easiest steps to speed up their workflow. I understand why, but at the same time, most of it can’t be done. “Time and hard work” are his answers, and I completely agree.

Love him or hate him, it is hard to ignore the impact that Kanye West has made over the past decade and beyond in the creative world. He has left his fingerprints all over the industry whether it's as a recording artist, songwriter, fashion designer, or an entrepreneur. He has slivered his way into a category that he has actually created; it is hard to define or even completely understand his genre. And that's why it can be very inspiring to listen to him explain what goes on in his mind when the lights are dim and his guard is down. As a creative with your opinions of him aside, this two minute monologue makes you think.

Earlier today, DxOMark released their evaluation of the Canon 5D Mark IV, concluding that it has made notable strides in sensor performance. Anecdotally speaking, I can corroborate their results based on my time with Canon's latest generation of bodies. For years, many have bemoaned the company's sensors as lacking in dynamic range and being generations behind those of Nikon and Sony, but it seems now that they have essentially caught up to their rivals. However, for the everyday work of photographers, the story is a bit more complicated.

Some things are too good to be true. But every now and again, the world offers you an opportunity to feel like you got the lucky ticket for two on an all-expenses paid vacation to Disneyland. This isn’t quite that good, but I don’t know many people who would say, “No,” to a free iPhone, let alone one that can make you money. Here’s how you can have cash left over after upgrading to an iPhone 7…

Leo Babauta, the creator of Zen Habits, touched upon a deep-rooted aspect of our daily lives in this short story. As he hiked across the Sierra Nevada and came across a scene of great beauty, he found himself wanting to share what he saw. So what is this urge to share and does it add value to our life? Are we better off without it?

Peak Design’s last Kickstarter for the Everyday Messenger was the most successfully funded photography product on the crowd-funding platform. With two days to go, its latest for the Everyday Backpack, Tote, and Sling just beat that record with nearly $5 million in pre-orders. These are my first impressions after a week with a pre-production version of the highly anticipated Everyday Backpack.

DSLR makers have developed a rather interesting propensity to focus their R&D budgets on creating the fanciest, most marketable sensors possible. A camera, however, isn't just limited to the scope of its sensor. There are so many other upgrades that could be made that have nothing to do with megapixel numbers. Below are a few straight out of my dream list that likely would be pretty difficult to make work.

Although its business practices have shifted more than once since the Facebook takeover, most of us still love Instagram for its ease of use, reach, and simplicity. But today's app update makes little sense... today. On one hand, the new pinch-to-zoom update is extremely late. The iPhone had this feature since inception (granted, cell phone photos were hardly a thing prior to 2007). On the other hand however, Instagram’s linear photo resolution of 1,200 pixels already comes rather close to the native horizontal resolution of larger phones like the iPhone 6 Plus. Zooming into these photos optimized (read: downsized) for these displays looks absolutely dreadful. What are they thinking?

Sony has created a few gems when it comes to lenses in the past few years, with the 90mm Macro and 16-35mm f/4 potentially being some of the best in their class. 50mm for some reason seems to be their favorite focal length to produce, seeing as they now have seven different "normal" lenses with the release of their new 50mm Macro this morning.

One of the most common questions photographers have is about how to effectively price their work. Rates vary so widely based on location and skill level that many are left scratching their heads as to what is fair. This has led to the common mantra stating “ask for the clients budget.” Here is why I think that's a ridiculous way to price yourself and a horrible piece of advice.

When you're shooting film, especially large format film, you have a lot of time to think. When your hands are in a bag and you're loading or unloading many sheets of film, the mind tends to wander and probably the subject that crosses my mind the most is "why?" Shooting digitally would be so much faster. I could be out having a beer somewhere! I could be editing some images in Photoshop from an editorial gig that I've been putting off. Hell, I could be practicing my juggling skills (or learning to juggle). So, why am I instead up to my elbows in this bag, enduring the necessary tedium of film life? Here are some common doubts I have and the reasons I push past them!

That title might sound a little bit backwards to most of you, but it is not. I know many professionals feel you shouldn't do any photography for free, especially after you have worked your tail off to get to a point where people will pay you to make images. However, even as a full time professional photographer, I actually do a lot of free work. But I do it only on my owns terms, and do turn down many offers.

It's been going on for decades. Film chemicals that coat the film and react with the various colors coming through the lens weren't made to cope with a diverse set of skin tones.

A little while back, I wrote an article called, “The Power of Overshooting,” where I explained how it can never hurt to take more photos than you need to. Now this article got plenty of hate from all the people who love film out there, but the article wasn’t written to bash the people who put time and effort into shooting their photos.

I haven’t seen much on this topic, but a brief conversation with another photographer recently illuminated to me the fact that photographer anxiety is not at all uncommon. One of the reasons I believe it isn’t discussed a great deal is the general image of today’s top photographers.

As the curator for the Fstoppers Photo of the Day and our Instagram feed, I happen to read a lot of comments and criticisms thrown out at images by semi-anonymous people from all over the world. One thing I can be sure of is that when I post an image that is a composite or incorporates some sort of digital art, some people get offended. This is ridiculous and needs to end for photography to continue growing.

The search for a good deal in camera equipment can be both rewarding and painful. Nobody is as much of a proponent of finding good, used equipment as I am, but I've definitely been burned before. Just this past week I had a good reminder of why it pays to be cautious in picking up used, and more particularly, discontinued, gear.

Something that happened last week really hit home for me. Everyone probably already has heard, as it has been reported by almost every single news agency in the world; Australian photographer Brett Costello was robbed of $40,000 of camera gear in Rio de Janeiro, Brazil last week while in town to cover the Olympics. However, this article isn't about him specifically.

To preface, most professional photographers are of course only doing their best to help others when they speak from past personal experiences and while giving advice. However, even the most well-intentioned words from somebody may create negative consequences for the listener. Sometimes it’s not even in the words, but the examples they tell through their actions. When it comes down to it though, you must always remember: Don’t let anyone — even the professionals — ever give the final say in how you do your photography or run your business.

As a photographer who shoots primarily on location, I have a lot of stuff to haul. I shoot both film and digital and frequently I'm bringing a small lighting kit as well. I also tend to go it alone, especially when I'm shooting personal work. Up until recently, I've been doing it the hard way, taking multiple trips back and forth to my car, in order to get the shot set up at my chosen spot. And of course, the best spots are nowhere near the car. My deodorant is doing overtime before I've even squeezed off the first shot. Being a sweaty mess while shooting is no fun, especially when you're shooting people. I'd rather not be known as "Hans, you know, that one photographer with the pit stains."

Being involved with online photography forums on a regular basis, I constantly see people asking that very question. I also get asked personally from time to time. It's usually something like: ''I'm taking a trip to Italy next month. What lenses do you recommend I bring?'' Or: ''I'm going to McDonalds tomorrow for brunch, should I bring my Canon 800mm or my Canon 11-24mm lens?'' So, being I was faced with this very decision myself recently, I wanted to share with you what lens I brought with me and my thoughts.

Virtual war. That's what Instagram declared yesterday when the Facebook-owned social media giant rolled out their latest update sharing an all too familiar user experience touted by rival platform, Snapchat. What are they doing? How could this happen? Why are they doing this? After turning over a few stones, we saw this coming from a mile away. Facebook and Instagram ultimately decided that if you can't buy them, become them.

As photographers we often get our visual references from film, and our ideas can originate from a single scene in a movie that blew you away. It's the combination of sounds, the anticipation and fear, and all the emotions that the director gets to capture and convey for the viewer to experience. But, it's also worth noting that most movies and series have visual cues that originate from older, classic movies too.