Do you feel at a certain point, after making a long run of photoshoots, that you're hitting a wall with your creative side? Or have you "lost your touch" so to speak? This is also known as "Creative Burnout." As creatives, we've all been there before. At one point we all plateau and need to find a way to break the "funk" to get back of the swing of things. So how do we overcome this?
For an instant, she stares blankly out into the distance as she would for any photograph. But almost immediately, she takes notice. You're there. She turns her head, looks over, and then slowly turns back, looking down at her outstretched legs. Her eyes move slowly, looking down, as her chin lifts her gaze from the top of her legs to her feet. She's admiring herself — for you. She even starts crawling toward you. You turn your head to look around ("Toward me?," you think, but no one else is there). You turn back to her. The clip is over. You can take off your Google Cardboard viewer and go back to flipping channels on your living room TV.
Last week, we asked the Fstoppers Community to submit their best sports images to be critiqued by the Fstoppers team. We had a fantastic variety of images to choose from with over 250 entries. To keep in theme with this episode, we decided to film it during a recent ski trip. Lee and Patrick gave feedback to twenty images chosen from the submissions. Check out the selections and add your feedback and thoughts to the comments.
Are you proud of every commercial photo or corporate video production you’ve done? Have you ever found yourself explaining to someone, maybe even a client, about how a project you worked on could have been better, but you were held back by the lack of a big budget? That’s understandable to a point, but I think there has to be a certain standard of quality with any production, regardless of budget.
It happens at basically every wedding I shoot. I walk into the room to start taking images of the bride getting ready, and the bride offers me a mimosa. After I leave to take images of the guys getting ready, I walk in and the groom offers me a beer. Then, the ceremony is about to start, and a groomsman offers me a shot out of the flask he has in his jacket. Lastly, we are at the reception and both sets of parents and the entire wedding party are offering drinks. I have to assume that most wedding photographers are faced with at least one of these events at every job. So, the question is: do you accept?
I took a two-week trip to Hawaii last month with the intentions of not bringing along a bunch of camera gear. That was a fine thought in and of itself, but now I’m wondering if I could have mustered the courage to take an extended trip to a picturesque location without bringing a real camera at all?
This week, Instagram awed us all by rolling out one of the simplest and most obvious features that we had all been clamoring for for years. OK, maybe I wasn't awed, but boy does multiple account support make my life so much easier. I’m no longer typing in my Instagram passwords 30 times per day, which got me to thinking: as a platform, Instagram is pretty good, but its features are still notoriously primitive. Here are a few features I think they should add that would make my life much easier.
When Pixellu came out with its too easy to believe drag and drop album creator that synced with every popular album company's layouts, those who were not Mac users were certainly bummed to hear they would be missing out. But today, after Pixellu released SmartAlbums 2 for Mac, the SmartAlbums version for Windows is here and it comes at a generous $50 discount for those who have waited so patiently.
To follow my previous article which stirred a healthy discussion about sharpness and whether that it's vital or not, it inspired to me to ask my fellow peers another question. Are the amount of megapixels on your camera crucial, or do other factors and features hold more value when purchasing a camera? Here are my thoughts.
If you ran a poll to find out what are some of the biggest pet peeves that a photographer experiences when dealing with clients, undoubtedly, requests for all raw files from a photoshoot would be up there on the list. Many newer photographers cave in to the pressure of trying to appease their clients but the reality is that this is, in most circumstances, an unfair request that could do more harm than good. Fellow photographer Jessica Kobeissi explains why in this video.
Let us venture back in time for a minute. 35mm film was always considered small. In fact, it was developed in the early 1900s as a means to make high-volume shooting and consumer photography possible. If you were a working professional, you were shooting at least medium format (6x4.5-6x19 cm) or even more likely, large format, like 4”x5” or 8x10”. The idea is that the larger the format, the more detail you can see. As we fast forward to digital, full-frame is the ideal format for many working pros in a variety of genres. While full-frame can be expensive and yields incredible image quality, there is something more.
The world wide web was set ablaze this week by the photography community when Brides.com published an article telling prospective brides which vendors they should and shouldn't be feeding, and this advice strongly suggested photographers should not be fed. Of course, anger ensued. Surely, in this day and age, the author would have crafted a rebuttal or an apology to the legion of photographers in the trenches that she had scorned. Nope. They silently covered it up.
Despite having grown up around photography all my life (thanks, dad) and then starting my own commercial portrait business in 2009, there is one small little thing I'd never done before, silly as it sounds. I have never, ever shot in snow. Born in the Caribbean in 1975, then briefly living in Miami before settling down in Houston in 1979, I have truly never experienced real snow. But all that changed for me recently in Salt Lake City and Albuquerque - in January.
Glamour photography, fine art nude photography, lingerie photography, swimwear photography — all of the above involve nudity. Sex sells — no explanation needed here. Or, at the very least, it will get you more likes on your page or your Instagram account. Is the sexiness in itself a problem? This is a recurrent debate. The #WomenNotObjects campaign, launched by Advertising Executive Madonna Badger, is calling on the advertising industry to put a stop to objectifying women for marketing purposes. As photographers, do we have a responsibility in this controversy?