What Can Happen If You Don't Prepare Your Eyes for Editing
Recently I put my eyes under a lot of pressure. There are habits that anybody should abide by, but sometimes it's not always easy to stick with them. What's the worst that can happen?
Recently I put my eyes under a lot of pressure. There are habits that anybody should abide by, but sometimes it's not always easy to stick with them. What's the worst that can happen?
While many of us have grown to love the services offered by the web giant Squarespace, their e-commerce options have been seriously lacking one important feature needed for professional photographers. In this candid letter to Squarespace, I pose a couple of questions that I feel the company may not be listening to.
Post-processing at the computer for hours on end often leaves me feeling nostalgic. Maybe there’s something tangible to film photography that I’m overlooking. After seeing a fellow landscape photographer working his 4x5 near a tree in the local dunes, his approach to our hobby had me contemplating my choice of hardware. There are so many analog-inspired pictures circling the web, that it’s obvious that I’m not the only one. Today, I want to share my thoughts on film photography with you.
Have you ever considered the responsibilities we bear as photographers? Without wishing to get too dramatic, in many ways, we photographers are the guardians of history. Just as our knowledge of history has been shaped by the paintings and drawings of our ancestors, the photographs we capture today may well shape the knowledge of future generations as they endeavor to understand our society today.
One lens that is a staple in almost all camera bags of professional photographers is a fast, ultra-wide-angle zoom. Being a Canon shooter, the Canon 16-35mm f/2.8 II found a place in my bag when I purchased it back in 2008, and I have been using it constantly for work ever since. However, it also was the weakest lens in my kit from a sharpness standpoint. But if I needed 16mm and f/2.8, it was what I had to grab. Until recently, there simply wasn't a sharper option available.
The fallout from the recent election has been tantamount to a natural disaster and shows no signs of slowing down quite yet. To say that Donald Trump has had a mixed reception would be somewhat of an understatement, but as a positive person -- whose vote didn't see them on the winning side -- one might feel compelled to initiate Operation Silver Lining. In the face of adversity there is usually one opportunity for the (hardened) photographer: journalistic coverage of events.
The X-Pro2 and X-T2 are the most recent flagship models from Fujifilm and on paper, they seem very similar. They both have the same sensor, processor, auto focus frame, etc. So it makes sense that a lot of people want to know which one to get. While each camera has its obvious differences, there are also some little things that could have you lean one way or the other.
Now I'm not sure about the rest of you, but the art of responding to a new lead is an ever shifting task for me and my photography business. We all do our best to stay on top of the trends, by researching our genre of photography to better understand our perspective clients and keep our responses fresh and interesting. However, just how often should we re-evaluate our approach?
It did not dawn on me until I was watching the first episode of "Top Photographer with Niger Barker" that some photographers do not actually take time to talk to their clients in order to get to know them better. It may seem insignificant, but let me tell you why it matters.
A few months from now, Donald J. Trump will be sworn in as the 45th President of the United States of America. Who saw that coming? A year ago almost nobody on the planet (whose last name wasn’t Trump) could have imagined it to be even a remote possibility. It goes to show, you can never assume anything, and if this historic event has taught us anything, it is that we are living in a brand new age where the old rules simply no longer apply. And that got me thinking, if all this is possible, what else could come true in these topsy-turvy times we are living in? And so, here are my five predictions of things which might have previously been thought ridiculous, but could now actually come true, if we only dare to dream?
Some of you might not consider what you do as art, but as a photographer, you're an artist. A lot of small pieces and parts come together to make your images what they are, and that process of deciding everything from the model, to the clothing, the lens choice, to the lighting, is an artistic one. Many genres of photography are heavily dependent on other artists; portrait photographers need models and more than likely a makeup artist and stylist to bring their vision to life. Networking is key to our work in order to meet people that we trust to help us craft our images.
I wanted to share two things specifically with everyone in respect to my personal experiences with the highly regarded Sigma 50mm Art lens, after using it now extensively over the past two years. I want to address how it has held up for me, as far as a durability stand point, which was one of my biggest concerns. And I would like to let you know if I have any regrets ditching my Canon 50mm f/1.2 L lens for the Sigma glass.
The photography industry has made one error over and over again. It is expressed in the assumption that since the march of technology makes it possible to achieve something with less effort, photographers will be happy to accept the current standard and pay extra for more convenient ways of achieving it. Instead, photographers have consistently chosen lower quality in exchange for convenience or asked for higher quality while keeping the process much the same.
The logo. That simple stylized image that is supposed to help people to recognize you. It's one of the first marketing moves you do when you see yourself as a not-just-a-camera-owner-anymore. But why do you do it?
Most of us in the photography and videography world have seen, used, or at least heard of Yongnuo flashes, wireless transmitters, and even those handy little video LED lights and light bars. Well Yongnuo is slowly making their mark in the camera lens world as well with their already released 50mm f/1.8 and 35mm f/2 for both Canon and Nikon. Newly spotted at the Photokina Expo is the upcoming Yongnuo 100mm f/2. Yes, the price-cutting camera accessory makers are currently in preproduction of a 100mm f/2 lens that will have a version compatible with only Canon cameras for now.
Last weekend was PDN’s Photo Plus Expo, and like a lot of east coast photographers I was in attendance. It seems like every year photo conferences get bigger and better drawing in massive crowds and yet there are still photographers who don't see any value in them. It makes me wonder if people understand and are taking full advantage of these events.
On one hand, it’s understandable to be territorial over the features in our technology and sensitive to change. But technology inherently demands change — and that change is demanded at the fastest rate possible. We can complain about it all day long, but if we stop complaining at the whims of our feelings and start thinking logically, we can and should start to feel better as we realize the true nature of our so-called upgrade-cycle and innovation-searching frustrations. In reality, the only thing lacking innovation is our expectation.
I recently earned my Remote Pilot Certification, which allows me to fly a small UAS (drone) for paid photo and video work in the USA, under the FAA’s Part 107 rule. With no background in aviation, passing the test was no easy feat for me. If you’re considering taking the test yourself, read about my experiences to make sure you’re well prepared.
A lot of us have been there, especially when we're first trying to build our businesses in the beginning. A job lands that you feel like you can pull off really well, and you quote accordingly. The client then comes back and lets you know that their budget is significantly smaller than what you quoted, but they really want to work with you. On the one hand, you need the money, but on the other hand, you realize you're being forced into an uncomfortable corner. How do you answer this?
If you spend any time on the Internet, then you’ve probably seen by now that Apple announced their long-awaited updates to the MacBook Pro during an event at their campus in Cupertino. Spend a little more time on the Internet and you’re sure to see the plethora of articles pointing out how Apple seems to become less and less innovative as years go by, many even pointing to Microsoft as a great example of innovation with their really fantastic Surface Pro line of portable computers and the newly announced Surface Studio. Microsoft more innovative and creative than Apple? Let’s dig in and figure out what happened.
According to my extensive research (Back to the Future Part One, Two, and Three), we should be in an age of flying cars, sneakers with power-laces, and hoverboards by now. We all know that life often imitates art, but let’s expand on that for a moment and take a stab at how photography may advance in the future.
Once upon a dark and stormy night, the chills ran up my spine as I clicked the mouse, seconds seemed more like minutes while I nervously awaited for the page to load. Ok well it wasn't that dramatic, however I'd be lying if I didn't say Horror Photographer Joshua Hoffine's work didn't give me the heebie-jeebies. A VFX friend of mine shared some of this photographer's work on Facebook and I immediately had to find out who this guy behind the scary photos was. I got a hold of Joshua after asking him if I could interview him and his process for Fstoppers. Then I almost peed my pants, being an old school horror film buff I was pretty excited to share some of his work! This guy puts some serious work into his scenes and it's not only something to be truly admired, however also pretty unique in the rat race of photographers now a days.
Photokina is a juggernaut. Held every two years since 1966 (intermittently before that beginning in 1950), it has long become one of the largest, and arguably the single most important trade fair in the photo industry. Two years is a short enough interval to not miss larger trends, yet long enough to skip over fads, so the biannual trade show offers valuable snapshots that help us understand where the industry at large is moving. Photokina 2016 closed almost four weeks ago. Enough time has passed for things to sink in, so let's look back and contemplate what the most notable trends from this year's show were.
I've never owned a Mac computer, I've always been a Windows guy. I do keep up with Apple because I love technology and I couldn't live without my iPhone and iPad. Everyone tells me I should switch to a Mac but once again I'm glad that I haven't.
Stumbling upon a recent article reminded me that this is a question I wanted to ask here on Fstoppers. In my expertise and knowledge there is an absolute need for filters in certain industries of photography and if you're attempting a certain look. For instance a few friends of mine that also work for my wedding photography company do some off road coverage, for them I'd say it's pretty crucial to have a filter on their lenses to protect as much as possible as high speed off road vehicles and dirtbikes fly past them with the potential of tossing a few hundred rocks their way daily.
If what we read on the internet is to be believed (and who doesn’t believe everything they read on the Internet?) film is definitely not dead. But for a debate which has been raging for well over a decade, I can’t help but wonder whether the wrong question is being posed. Is it not photography itself, rather than film, which has been dying a slow death in front of our very eyes?
Here's the truth. Until recently, I thought professionals using mirrorless cameras were a joke. I grew up in the days of film. Got my hands dirty in the darkroom. Had a Canon A1 and F1 in my camera collection, plus learned on others like a Pentax 35mm as well. Feeling the weight of the camera in my hands and hearing the sound of the mirror slap was part of the joy of photography for me. Pun entirely intended.
I don’t know about you, but I never planned to become a photographer. It kind of happened by accident. I have always considered myself more of an explorer, traveling the world in search of adventure. Shooting photographs was just my way of telling the story of the places I visited. But pretty soon, people started calling me a photographer, and that was that. Shortly after, I quit my day job and found myself trying to make my way as a full-time travel and portrait photographer. That was six years ago, and although I have learned so much over those years, these are the five things they never told me about becoming a photographer.
Snapchat is fun and all, but Instagram is better. Well, in my eyes, Instagram is better for a few reasons, and I quickly deleted the face-filter app that took up just shy of 1 GB of space on my iPhone because I felt Instagram's version of stories had the greater potential. One of the largest reasons I see more potential in Instagram Stories over Snapchat is the virality and reach my Story can have. Today, Instagram announced they will be adding people's public stories to the Explore page, which will essentially let them be seen by more people. If you have not caught on, this means there's more potential for my stuff to go viral.
Having a recognizable style helps you get hired for the right job. So how do you develop your style? The truth is that it’s not that difficult, but it does require consistency and patience. In this post, we’ll be looking at some practical ways to develop your style.