It's an unavoidable topic in American conversations. In the photography world, it seems to pop up on the forums and Facebook groups often enough to warrant further consideration: guns. Not necessarily in the heated, political debate sense, but to ask this question: In a world where carrying a concealed weapon has become more normalized and photographers spend more time in remote and urban locations, do firearms have a place in your business?
I am calling this the "Dani Diamond Experiment", because he has done this before, and I thought the end results were fascinating. See, Dani's been known to offer a totally unedited raw file of an image he shot as a free download, asking photographers and retouchers to have a go at finalizing the shot however they see fit. Rather than specifically ask anyone to retouch the image in any particular style or use any particular workflow, the idea is to simply offer the raw file with no instructions beyond "Edit it!" and see what happens.
Photographers almost always begin as artists. The camera doesn't draw the interest of the business minded, rather, it draws the passion of the creative. We all entered this pursuit chasing expression of some sort or another. For some, that passion eventually transforms into the longing for a career. The business of photography, however, throws a nasty wrench into the artistic pursuit of photography forcing photographers to overcome several of our most core creative instincts in order to create value that a client is willing to pay for.
Artists struggle with many emotions throughout their day. One of the most typical emotions is a sense of inadequacy, both in business and creativity. How many times has budget, fear, and challenge stopped you from getting things done? Whatever your excuse is, it’s just that: an excuse. Here are three thoughts that are holding you back as a photographer and how to overcome them.
Street photographers are a funny breed and have special requirements for their equipment. Ardent street photographer and owner of Fundy Software, Andrew "Fundy" Funderburg, worked closely with Matthew Swaggart of leathergoods masters Holdfast to create an uncompromising luxury camera bag specifically for those that shoot rangefinder and other mirrorless cameras and need to work light and fast. We spent the past six weeks using one ourselves to see if they succeeded in their quest.
We love our images. We put our heart, soul, sweat, and tears into our work and we can't wait to share it with the world! But one of the more popular practices in the photography industry is watermarking. The concept behind watermarking is understandable and useful, but in reality, is it really a necessity? I will explain why for my third installment of my community discussions.
The previous article about the processed image ended with similar arguments both for and against digital manipulation, and the artist’s disclosure of such actions. But how does the motivation for creating art through both photography and creative editing arise? I’ve gathered a panel of fellow international landscape photographers to expatiate on the power of the processed image. Professional landscape photographers Ryan Dyar, Felipe Gómez, and Simon Roppel are here to help us understand why certain decisions in editing process are made, as well as in the field.
It's strange to think that I have been a photographer for over 10 years now, yet I have never printed my own work larger than an 8x10. Unfortunately we live in an age where sharing low res digital photos on social media has become the end all be all for the majority of our images. Recently I decided to celebrate some of my favorite personal photographs by printing them LARGE and installing them in the Fstoppers Studio. The resulting 60"x40" acrylic prints I made through WhiteWall.com has me wondering why it has taken me this long to install fine art on my own walls.
“Who am I to tell people what they ought to do?” I taunted myself as I wrote my first article for Fstoppers. I wanted to convey how much of an impact that asking for what I wanted had had on me. Nevertheless, I was acutely aware of being condescending as I don’t consider myself old enough, wise enough, or successful enough to warrant people’s ear. As the post went up, I read and reread my work, even though I had proofread it several times before it was published. I tried to assume different characters to gain new perspectives and understand ways in which people might react badly to my advice.
I'm normally a huge numbers geek. I want to know every specification of every device because I believe in the power of statistics. But when it comes to hard drives, well, I just want them to work. I want ample space for my data, I want to know it's backed up without a second thought, and I want to be able to access it quickly and easily, no matter what device I'm on. Enter the Western Digital My Cloud Mirror.