Anyone who has been following news in the United States recently has probably heard about the turmoil surrounding the separation of undocumented immigrant children from their parents at the southern border of the country. One photographer documented the human face of this policy with a viral photo of a crying toddler at the border.
One of the defining photographers of our time, and recently one of the most controversial, is without a doubt Steve McCurry. His strong use of color and ability to tell a story visually have won him places in some of the world's most celebrated magazines, galleries, and photographic collections, and his image "Afghan Girl" is among his most well-known works.
With the rise of #MarchForOurLives in response to the school shooting at Marjory Stoneman Douglas High School in Parkland, Florida, students Emma González, and David Hogg have been the two survivors that have been the most visible and outspoken critics of the status quo when it comes to gun control. Their images have been circulated in the media and even turned into posters for the #NeverAgain movement, many of those bearing a striking resemblance to an early photo of González.
On March 24, a unique archive of photographs of the Beatles will go on sale and is expected to fetch at least $350,000 at auction. Photographer Mike Mitchell was just 18 when he shot the Beatles' first US concert in 1964, and the 413 negatives with full copyright are available to purchase. Mike's story of how the photographs came about is compelling.
In today's culture of the "money shot," photojournalists will often place themselves in harm's way for a chance to get increasingly impressive footage. Recently, one cameraman was sent running for his life when a police chase and crash sent the suspect's car careening out of control directly toward him.
As National Geographic prepared to look at race in its April issue, the company had to take a hard look at its own history in how it told stories and portrayed differences in both skin tone and culture. After enlisting the outside help of John Edwin Mason, a professor of African history and the history of photography at the University of Virginia, they found that indeed, for decades, their coverage was racist.