One of the biggest challenges in creating a composite image is generating realistic shadows for a subject you may have moved into a different background. But what if you didn't need to create a new one?
Lynsey Addario has lived an incredible life and endured many harrowing experiences through her work. This fascinating video interview features her discussing her life, work, and experiences.
There’s no question that the New York Times photo of American diplomats William Taylor and George Kent, where they detailed their uncomfortable and suspect dealings with President Donald Trump’s handling of a phone call with the president of Ukraine, is going to be one of the iconic ones of our time. There’s also no question about who overwhelmingly seems to dominate the photojournalism field based on this photo: white men.
Recently we wrote about photojournalist Avi Adelman who was arrested by DART (Dallas Area Rapid Transit) officer for taking photos of an incident. Today we can report that DART have voted to finalize the case this with a $345,000 settlement, after Adelman had filed a lawsuit following his arrest.
So, what did you photograph in the last seven days? What, you didn’t shoot anything in the previous week? Nothing? Too many times, I hear: “there is nothing interesting to photograph” or “I’ve already photographed everything around me.” Well, to me, that means you just aren’t trying hard enough.
National Geographic Magazine has been educating people since 1888 about cultures, places, wildlife, and science. While the writing is always well researched and written, it is the photography supporting the essays that has really captured the attention of its readers. Some of its current crop of contributing photographers discuss their roles, photos, and why photography plays an important part of raising awareness in this video.
As post-processing applications become more and more powerful, it is becoming increasingly difficult to trust an image as a relatively honest representation of a scene. Would a set of universal icons that indicated the sort of post-processing that had been done to an image be something you would support? This interesting video takes a look at that possibility.
Photographing a certain group of people or documenting lives and events can be really exciting. It can also be emotionally confusing, because we frequently have to enter a field and also leave it after a while.
There’s been a tug of war in the last few years in photojournalism. On one hand, you have the skill and excellence of craft with photojournalists doing their jobs with professional DSLR and mirrorless cameras, and on the other you have reporters doing a “good enough” job with smartphones.
We say, "never forget" when we think of the terrorist attacks of September 11, 2001. And while none of us will forget the event itself, it's easy to lose sight of the individuals who lost their lives in the attacks.
When I discovered Robert Frank’s work it fundamentally altered my perception of what, and how much, photography could mean. Mr. Frank passed away Monday in Mabou, Nova Scotia at the age of 94.
During our free time, we often tend to hunt for the big shots and the most impressive images. To become better photographers, we also need to develop our view for the little stories on our path.
President Trump stepped up to the podium last Monday to read prepared remarks about the shootings in Dayton, Ohio and El Paso, Texas. Except that in the final blessings of the speech, he named Toledo instead of Dayton, a different city about 150 miles away.
If you have aspirations of being a fashion photographer, London Fashion Week is about as big as it can get. It's one of the main fashion capitals of the world, and remains highly respected for both designers and the press.
Last week, somewhere between 500,000 and 1,000,000 Puerto Ricans marched along the largest highway on the island in protest against the governor Ricardo Rossello, and I was there.
