Photography sometimes requires us to embrace the apparent contradiction that life can be beautiful even when it isn’t pretty. This is something that Serbian-born photographer Boogie understands all too well and is reflected in his raw and unflinching photographic style.
In one of the most inhospitable regions of the world, where life exists on a knife’s edge, Ragnar Axelsson has spent four decades photographing the beauty of its frozen landscapes and, more recently, the impact of climate change on the lives of the hardy people who call this frozen wilderness home.
I recently had the chance to get a personalized tour of Ajani Charles' solo hip-hop photography show being hosted at Toronto's City Centre Airport. Charles' exhibit is the result of a lifelong passion that has turned into a massive personal and professional adventure: Project T-Dot. I thought I was going to get a straightforward gallery tour from one of Canon Canada's Ambassadors, but I walked away with a whole lot more. Due to its popularity, the exhibit has just been extended to July 24, 2025.
It is often through the eyes of an outsider that we are most able to see ourselves clearly. The collection of iconic images that Swiss photographer Robert Frank captured on his 10,000-mile road trip across America amounts to nothing less than a historical document and a landmark in American culture.
Under the umbrella of wedding photography stands an approach to documenting weddings known as wedding photojournalism. While part of the wedding genre, wedding photojournalism leans more into its photojournalism roots, offering a more "hands-off" approach to capturing the moments of the wedding day.
In an era when information travels at breakneck speed across vast digital networks, the very act of trying to hide certain data often paradoxically ensures its broader dissemination. This ironic dynamic, known as the “Streisand effect,” encapsulates a critical tension at the heart of contemporary media ecosystems: attempts to suppress or censor information frequently result in that information being shared more widely and gaining even greater cultural resonance.
The TTArtisan 27mm f/2.8 lens has garnered attention among photographers seeking an affordable, compact prime lens for APS-C mirrorless cameras. Available for Fujifilm X, Sony E, and Nikon Z mounts, this lens offers a 40.5mm full frame equivalent focal length, making it versatile for various photography genres, including street, travel, and everyday shooting.
How many times have you watched a film about a photographer where the actor clearly has no idea how to use a camera? It's an unforgivable mistake, and one Kate Winslet was sure not to make in her new film, Lee, about the photojournalist Lee Miller.
Adobe has announced an integration of camera hardware and software that will be a game changer for news and event photographers. Beginning today as a beta implementation, photographers using a camera with C2C (camera-to-cloud) technology built in will be able to upload images from their camera into Frame.io, where images can be instantly edited using Adobe Lightroom. This workflow will allow a photographer to shoot an all-day event without stopping to download images onto a computer. Culling, editing, and delivery can be handled by an off-site editor anywhere.
In the heart of Ecuador's Chocó rainforest, a mission to save the critically endangered brown-headed spider monkey unfolds. Led by conservation photographer Jonas Paurell, this gripping documentary captures the raw beauty and challenges of rainforest conservation.
Today, we'll explore a photojournalist's experience capturing life in Myanmar for the New York Times in 2011.
Get an inside look at what it takes to cover an MLS soccer match at the Seattle Sounders, featuring Sony's flagship a9 III global shutter full frame mirrorless camera, and the PDT-FP1, an all-new portable data transmitter for creators.
Making a living as a photojournalist isn't what it used to be. But making a living is still possible.
Telling a story is more than taking pretty images. Here are five tips from photojournalist Natalie Keyssar that will help you build a better story.
There’s no question that photographs from this week's Republican National Convention, merely days after an assassination attempt on former president and current presidential candidate Donald Trump, are going to define the narrative of this tumultuous time in U.S. history. There’s also no question about who overwhelmingly seems to dominate the photojournalism field based on this photo that I've linked to below: white men.
Capturing the essence of a city during a momentous occasion presents a unique challenge for photographers. You need to go beyond the obvious celebratory visuals and find images that tell a deeper story, conveying the emotions and atmosphere of the event. This is especially true when documenting a significant historical milestone, like the 1,000-year anniversary of Hanoi, Vietnam.
The realm of assignment photography presents a unique and exciting challenge for photographers, requiring a blend of technical skill, interpersonal savvy, and adaptability. This insightful video offers a glimpse into the realities of working on assignment, specifically for a prestigious publication like the New York Times.
In 1993, Kevin Carter, a South African photojournalist, etched his name in photography history with one poignant image that encapsulated the harsh realities of the world. The iconic photograph, "Vulture and the Little Girl," stirred emotions, sparked debates, and shed light on the famine-stricken Sudan. However, it also plunged Carter into the depths of controversy, with this photograph revealing the complexities and ethical dilemmas surrounding shocking photography.
A photographer's encounter with a tragedy can be transformative, both personally and professionally. Justin Mott's coverage of a deadly stampede in Cambodia for The New York Times offers a deep dive into the complexities and emotional weight carried by photojournalists on assignment.
Dive into the intriguing world of photography's exploration of death and crime scenes, from Victorian post-mortem photography to modern-day coverage with documentary photography. Discover what drives this morbid curiosity and where the line between respectful documentation and exploitation lies.
Nikon and Agence France-Presse (AFP) are collaborating on a practical verification system to ensure image provenance in the field of photojournalism. Recently, I spoke to Nikon about their plans for the function as well as how it might help viewers and photographers in the modern age.
I’ve been a pro photographer for a few years, and while I was going pro, I tried just about every form of photography you can think of, except for one… until now.
The perceived glamorous life of a Hollywood unit still photographer is not all about meeting A-list celebrities and taking iconic cover shots of award-winning films. It's actually a challenging endeavor that requires grit, perseverance, and a plethora of social and technical skills.
There was an interaction I had at the bagel store on Martin Luther King Day, when I went to photograph a pro-Palestine rally in New York City, that most accurately captures my often conflicted view about what’s happening these days in front of my lens as a photojournalist.
360 cameras have become jacks of all trades, but there’s a specific reason that photojournalists might want to consider carrying one in the field: to replace a wide angle lens.
We catch up with photographer Simon Murphy who currently has a major exhibition of his work, having cast his lens on the Govanhill area of Glasgow over the last 20 years. Learn key insights into his methods, how he connected with members of this diverse community, and what advice he would pass on to photographers seeking to embark on long-form documentary projects.
It has been 60 years since the assassination of President John F. Kennedy on November 22, 1963, and the event remains etched in America's national memory. In this fascinating video, CBS News revisits that fateful day in Dallas through the eyes of photographer Bob Jackson, who was assigned to cover JFK's visit for the Dallas Times Herald and who won a Pulitzer Prize for his work related to the event.
In an increasingly polarized world, one of photography’s most profound strengths is its ability to cultivate empathy and compassion across cultures. At its best, photography can transport us into unfamiliar environments, activities, and viewpoints. It reveals the humanity in people whose lives and backgrounds differ vastly from our own. Photography has a transcendent way of building understanding and sympathy by showing us new perspectives.
In every photoshoot, I will always perform a three-part culling process, and it ensures I always pick the best images.
War photography is a genre that transcends mere visual documentation. It is a testament to the human spirit, a mirror to society, and a call for change.
Coming to The Photographers’ Gallery in October: the first UK retrospective of one of the world’s most innovative and influential artists and street photographers. If you are interested in documentary or street photography, Daido Moriyama's work is definitely something you should familiarize yourself with.
I get questions like these daily, mostly from inexperienced or new photojournalists who want to get into documentary photography. I often repeat the same answers, so I figured it might be useful to put it all into a single article. So, here are the bare basics of high-risk documentary photography.
In today's age, billions of photographs are uploaded to the internet. We're accustomed to it. It's the norm. However, like anything on this planet, it started somewhere and some time. Photography was invented in 1822, 39 years before the opening shots of the American Civil War. Digital photography made its appearance 48 years ago. Comparing this, you can say digital photography has been barely a thing even though it's something that's such a staple in today's world. But to those that lived in the mid-19th century, photography was a thing of magic.
I'm a sucker for panoramic cameras. Over the last decade, I've shot on my share, having spent more than I should have on a collection of various bodies. They've followed me to space shuttle launches, riots, out the back of aircraft, and to the White House. But as the world shifted to digital, the number of functional panoramic film cameras out there in the wild has dwindled, driving the prices through the roof.
Brian McCarty, a self-proclaimed toy geek and an incredible photographer, tells the stories many people don’t want to hear in a way familiar to the world. He depicts children’s accounts of conflict and loss through toys as an advocation against the horrors of war.
When an exhibition of works is announced by a photographer as influential as Diane Arbus, you would be forgiven for assuming that the work was on show in a major venue in New York or London, but you would be wrong.
I’ve been covering the Coney Island Polar Bear Plunge like clockwork for well over a decade now, and I think it’s fair to say that I’ve picked up a few useful habits along the way. For those unfamiliar with the event, imagine several hundred folks in various stages of near-nudity packed into a corner of the beach. It’s typically rather cold - though some years have been colder than others - and everyone’s working themselves up into a fevered lather. In this excitement, a drum team forms up, creating a corridor from the top of the beach to the ocean. As the sound of those instruments gets louder and faster and more aggressive, the signal is sounded and the mob stampedes towards the Atlantic.
The popularity of toy cameras has waxed and waned over the decades. The novelty factor for plastic cameras like the Diana and the Holga is often in friction with the dependability and overall image quality, but that’s not necessarily a bad thing. In an age of corner-to-corner perfection, the stray light leak or vignette can provide shooters with a way to stand out from the crowd.
My career as an elitist prime glass snob has come to an end after real-world professional work using an unexpected lens choice showed me the error of my ways.
Imagine being tasked with photographing press events featuring some of the most famous people in the world, on a regular basis. Are you confident that you can come away with photographs as strong or better than those of your peers? Can you find the small, personal moments taking place in the chaos to create images that are unique? Christy Bowe is a photographer who has successfully accomplished these tasks for the past three decades.
One of the most exciting topics for me to cover during my time as a professional newspaper journalist was fires and firefighting, and the potential for great images is there for anyone who approaches the matter with a little preparation and knowledge.
A few years back, I managed to find a beater of a Hasselblad XPan for a song. I've tried to find a shooting style that would help me stand out from the crowd, and the panoramic format appealed to me. I didn't realize it at the time, but this purchase sent me down a rather obsessive path, trying to find the best panoramic cameras for news and editorial work.
Buffalo, New York. Uvalde, Texas. Tulsa, Oklahoma. A month ago, none of these towns would have been in the news for anything remarkable, but now, they have all shared headlines for the same reason: each has had a mass shooting, all within the last month. And each time, we never actually see what the carnage looks like. Is now the time to change that practice?
There's no doubt that images have the power to shape history. That's even more true for war photos such as photojournalist Nick Ut's "Napalm Girl" photo or Eddie Adams' "Saigon Execution" photo, two images that really helped shape American views of the Vietnam conflict. In 2022, it's modern-day 360 images that will have the power to truly show the devastation of Ukraine.
Mark Thompson is a Getty Images photographer with over 25 years of experience covering F1 races, including Red Bull Racing. I spoke with him to gain insight into what it is like to cover this competition.
Today, Nikon introduced a new lens that should have wildlife enthusiasts very excited.
A street photographer’s task is to observe the mundane human interactions that take place throughout the day and turn them into something worthy of being preserved and shared through photography. This is not an easy task.
