For the next four days, from July 18-21, the Republican National Convention is taking over Cleveland, Ohio. There will be around 15,000 credentialed media in attendance, and according to Wired, some of the photographers will be suiting up for the worst possible scenarios.
One man's trash is another man's treasure. This statement is proven true in the recent New York Times video. Reporter Deborah Acosta was walking around New York City when she found an odd trail of old Kodak slides. The trail lead to a big bag full of slides, notes, and letters addressed to a woman named Mariana Gosnell. Who threw away these photos? Who was Mariana?
One photographer attended the recent protest in Dallas that sadly turned deadly. His initial position when the shooting began did not allow him to immediately escape, and he spent more than two hours crouched beside a police officer who eventually shielded him as he moved to safety. He shares his harrowing story and photos in this video.
The recent fatal shooting of Alton Sterling in Baton Rouge has sparked numerous protests and calls for change, fueled all the more by other recent high-profile cases. In particular, the Black Lives Matter movement has gained more and more traction. One photographer took a remarkable image that helps capture the current climate surrounding police and race relations in the United States.
In his eight years photographing the president, Pete Souza has taken an estimated two million photos. In that time, he has seen the president as a leader, a family man, and a human being, documenting not only his time in office, but much of his personal life as well. Souza's perspective on his work is both fascinating and enlightening.
Getty is the largest stock image provider in the world and it has now decided to become a major player in the 360-degree image and virtual reality space. This week Getty launched Getty Images Virtual Reality Group as part of their core offerings. With an initial addition of over 12,000 360-degree images, Getty is embracing the future of this fast growing sector.
We all know that wedding photography is not easy, and at our wedding, we want a record of moments that will last a lifetime. After working for Tom Harmon as an intern in the summer of 2015, I saw what went into shooting a wedding. It was a lot more than I expected. From the contracts to the gear, then shooting the actual wedding itself and going back to upload and edit the photos, it was tons of work, tons of gear, and a lot of patience and creativity.
The recent controversy surrounding Steve McCurry and his use of Photoshop has raised both questions relating to his past work and broader questions of representation in photography. Though an increasing number of images showing evidence of cloning and other manipulations have been uncovered, recently, two videos have surfaced that raise further questions.
This is an article I've been on the cusp of writing for some time. I was first jolted into this area of discussion when I heard someone refer to the photography of poorer cultures and communities as "white middle-class photography." I say jolted because — perhaps naively — I had drawn no parallels between types of photographer and types of subject before that day. Unlike most criticisms about photography, this comment didn't glide past me; instead, I found myself plunged into an internal debate. Are the loose motivations of "raising awareness for" and "the documentation of" these communities disingenuous and moreover, are they doing more harm than good?
There's no arguing that Bernie Sanders' rise has been one of the most remarkable grassroots campaigns in the history of the U.S. His photographer, Arun Chaudhary, recently gave a fascinating interview on what it's like to photograph Sanders and what he's trying to accomplish in doing so.
I stumbled across this video that was posted by B&H back in 2012 and was quickly amazed by the amount of information I was able to gather in terms of composition techniques. When starting out in photography, most people learn the rule of thirds, take off running, and never look back. Give this video a watch, and you will open an entire new world of tools for your image creation.
Paris-based Photojournalist Maya Vidon-White on Saturday called it "good news for photojournalism." But in a New York Times article, she is quoted as saying: "I don't feel a total sense of relief." Vidon-White was facing criminal charges in France for a photo she took of a victim of the November 2015 terror attacks in Paris, which was then sold to United Press International (UPI), a news agency, which in turn sold it to a French news agency. The image was ultimately published in a French magazine. The victim's family pressed charges under the nation's privacy laws, which are much stricter than U.S. laws.
This incredible year-long project by the 70 photojournalism students of Rochester Institute of Technology plays to the depths of photography in light, movement, emotion, and connection — Ideas laid out in short photographic bursts that create tangible emotions for the viewer to experience alongside the subjects in the photographs. In under two minutes we see nearly 100 stories, each on the screen for a second or less.