Stories like this one fill my heart back up with inspiration after times of discouragement. On August 16th, 2016 James Quigg, chief photographer of The DailyPress offered to cover the Blue Cut California wildfire as news of it came into the newsroom. They had just finished covering The Pilot Fire which had changed to a contained status that very day. He expected it to be a quick and easy story as he has learned over 25 years of being a journalist, the second fire was always smaller. When he arrived at the intersection of Interstate 15 and Highway 138 he stood in awe surrounded by flames in all four directions. As he observed the destruction he realized he'd be covering the largest fire of his career and this time he wanted to do something different that would be remembered for years.
The National Press Photographers Association (NPPA) reported Bill Frakes, a former Sports Illustrated photographer and 1983 Photographer of the Year in the Pictures of the Year competition, will not return to his position as a lecturer at the University of Nebraska-Lincoln after a Title IX harassment complaint was filed against him. The complaint was accompanied by notes from "at least ten other students" including photojournalim majors and those from other universities who also worked with Frakes.
The best photographs and films don’t just bring beautiful visuals to the table. They also place story right at the center of their very make up. “Killing The Rock” (KTR) is a five minute demonstration of this, and reminds us of how commitment to our craft combined with small collaborative like-minded souls can tell stories that go deeper and reach further than we ever could going at it alone.
After years of working in typical areas of photography, Eneil Simpson, has found his calling in a very surprising place: the operating room. As a former flight instructor, Simpson stumbled into very unique and rarely seen world of ophthalmic and surgical photography, after asking his eye doctor if he could sit in on and take an environmental portrait of him. This intended “one off”, resulted in further opportunities, as surgeons began to recommend him to their colleagues.
Perhaps no single photo is more symbolic of America’s troubles during the Great Depression than Dorothea Lange’s “Migrant Mother.” Depicting an itinerant farm worker, Florence Owens Thompson, and five of her children apparently in the grips of despair on the side of the road, this single image came to surmise an entire era.
There’s no question that the New York Times photo of James Comey during his Senate Intelligence Committee hearing, where he detailed his uncomfortable and suspect dealings with President Donald Trump, is going to be one of the iconic ones of our time. There’s also no question about who overwhelmingly seems to dominate the photojournalism field based on this photo: white men.
This year’s Travel Photographer Society (TPS) competition culminated in a beautiful exhibition of interesting and unique work from travel photographers all over the world in Kuala Lumpur, Malaysia. Surrounding the exhibition, TPS also held a series of talks by prominent travel photographers. In his standout presentation and follow-up blog post, Pics of Asia’s Etienne Bossot questions us deeply about the ethics surrounding travel photography and just what constitutes the genre.
When President Trump announced he would be skipping the White House Correspondents' Dinner to speak in Harrisburg, Pa., right in my backyard and on day 100 of his presidency, it was like the stars aligned. Among many avenues, I’m a stringer for a Harrisburg news journal, photographing politics and business news. Immediately after hearing the news at 10 p.m. on a Saturday night I applied for credentials and the wait began. A week later, on day 99 of the Trump Presidency, it was starting to look like I would be watching from my couch. With just 24 hours to spare, I got the green light. Here’s a behind-the-scenes look at what it was like to photograph President Trump from a local photojournalist’s perspective.