Reporters Without Borders has released a wonderful video that demonstrates the importance of having impartial and unbiased coverage of war and conflicts. In the video they juxtapose images and video footage which popular media presents, with that of independent photojournalists, for a stark contrast that effectively displays the different messages both are trying to get across.
Vaping is a phenomenon that has swept across America and much of the First World, mostly as a safer alternative to cigarettes. The culture, however, is what has caught the attention of the media worldwide. Smoke tricks have likely been around for as long as humans have been inhaling smoke, but vaping has spawned something quite interesting out of it: smoke tricks and ridiculous plumes of vapor spilling out of people’s nostrils. Photographer Louis Amore (whom we featured last year with his portrait series of English veterans) went to a local vapor shop, Prohibition Vapes, to document a vaping competition.
Some days, the world doesn't seem like it's spinning in the right direction. When people in free nations are clashing over equality, civil rights, and access to equal standing under the law, things can seem confusing. At times like these, journalists are crucial in keeping a light shining upon the powers that be and the movements in the streets.
An annual award that TIME magazine started three years ago has chosen it's official 2015 winner. Stacy Kranitz is an Instagram photographer who is most famous for her work in the Appalachia area. The poverty stricken, drug and alcohol filled area is certainly an eye opening subject. But why her in particular?
What's your response when you're told that you're beautiful? Eighteen year-old photographer and student, Shea Glover, decided to "film what I thought was beautiful." Without intending to, she has conducted an amazing social experiment on the effect of simple positivity and a compliment. The reactions are perfect!
In a move to help speed up the company's workflow and to supposedly stamp out severe editing, Reuters now not only requests only JPEG images, but even mandates that images not be originally altered from a raw file. How they can verify this is unclear (metadata and other types of data about the photo might give experts better hints), but the move is supposed to also help maintain ethical photojournalism practices by reducing one's ability to alter a photograph so much that it would change its meaning.
Recently the New York Times revealed a staggering truth about modern photojournalism that has the field's ethics under scrutiny. It appears the acts of staging and manipulating images have become prevalent, which puts the field as a whole in question. Photojournalism is about capturing the truth and journalist often work under a strict code that incudes observation only. But the nature of competition has brought a staggering number of photojournalist to bend if not break this code by presenting images that they themselves setup under the guise journalism.
David Davis is one of the top photography writers ever. He has an astonishing talent for telling the story behind some of the most memorable sports photos of our time, including the shot of Brandi Chastain ripping off her jersey after scoring the winning goal at the 1999 Women's World Cup, of Kathrine Switzer running the Boston Marathon, and "the Photo That Took Surfing Worldwide". He's back again with another riveting piece that tells the story of the photographer who photographed one of the greatest long jumps of all time.
CERN is a renowned international nuclear research facility located just outside Geneva. Straddling the border between Switzerland and France, it's home to the infamous Large Hadron Collider — the largest single machine ever made by humankind. It was built to find the Higgs boson, often referred to as the elusive "God particle." CERN recently hosted a small group of select photographers for a rare photo walk throughout their massive experimental laboratory, and we have an exclusive first look at the photos.
Every year the MacArthur Fellowship announces the winners of its $625,000 grant and among the 24 they have chosen for this year is a photographer by the name of LaToya Ruby Frazier. LaToya has been documenting her small hometown of Braddock, Pennsylvania for the past 12 years and it has resulted in some very large accolades.
Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.