Canon and Nikon have always had their single digit models at the top level of performance. From the original D1, bringing a professional digital camera to the world that didn’t require a separate backpack for a processor, to the D3, Nikon’s first ever full-frame body, this series of cameras has pushed the envelope of what a camera can do. The Nikon D5 not only pushed the boundary, it has demolished any previous limitation that I have found in a camera.
A few weeks ago, we asked the Fstoppers Community to submit their best Concert Photography, you all rocked out! It took us a little longer to get the Critique back in front of your eyes with Lee Morris' wedding and finishing up the new Joey Wright Swimwear tutorial, but we finally have it ready for you. We selected twenty of our favorite images to review. Take a look at the selections and add your thoughts in the comments below!
Composition is something that can be slightly overlooked in digital photography. With the ability to take hundreds or thousands of images on a single memory card and cropping achieved so simply in Lightroom, photographers have become lazy. There are certain situations, however, where composition can make or break a photo. While every genre of photography can benefit from good composition, photojournalism may be the realm that sees the largest impact. In his series "Counterflow," Photographer Mauro Martins exemplifies just that.
As the next chapter of the American Presidency approaches, the field has narrowed down to a handful of candidates to lead the free world. On each side of the ballot, unlikely and polarizing figures such as Donald Trump and Bernie Sanders have risen as serious contenders to take the seat at the Oval Office. But who are these people that support them? A photographer discovered this for himself.
"There were people beside me that had never seen a launch before and they said, 'Oh wow, isn't that cool!' Well, I knew right then this was a disaster," Photojournalist Red Huber remarks in this video interview, in which he talks about his history covering the shuttle program, forming personal relationships with the astronauts, and the events and mood of that fateful day.
Reporters Without Borders has released a wonderful video that demonstrates the importance of having impartial and unbiased coverage of war and conflicts. In the video they juxtapose images and video footage which popular media presents, with that of independent photojournalists, for a stark contrast that effectively displays the different messages both are trying to get across.
Vaping is a phenomenon that has swept across America and much of the First World, mostly as a safer alternative to cigarettes. The culture, however, is what has caught the attention of the media worldwide. Smoke tricks have likely been around for as long as humans have been inhaling smoke, but vaping has spawned something quite interesting out of it: smoke tricks and ridiculous plumes of vapor spilling out of people’s nostrils. Photographer Louis Amore (whom we featured last year with his portrait series of English veterans) went to a local vapor shop, Prohibition Vapes, to document a vaping competition.
Some days, the world doesn't seem like it's spinning in the right direction. When people in free nations are clashing over equality, civil rights, and access to equal standing under the law, things can seem confusing. At times like these, journalists are crucial in keeping a light shining upon the powers that be and the movements in the streets.
An annual award that TIME magazine started three years ago has chosen it's official 2015 winner. Stacy Kranitz is an Instagram photographer who is most famous for her work in the Appalachia area. The poverty stricken, drug and alcohol filled area is certainly an eye opening subject. But why her in particular?
What's your response when you're told that you're beautiful? Eighteen year-old photographer and student, Shea Glover, decided to "film what I thought was beautiful." Without intending to, she has conducted an amazing social experiment on the effect of simple positivity and a compliment. The reactions are perfect!
In a move to help speed up the company's workflow and to supposedly stamp out severe editing, Reuters now not only requests only JPEG images, but even mandates that images not be originally altered from a raw file. How they can verify this is unclear (metadata and other types of data about the photo might give experts better hints), but the move is supposed to also help maintain ethical photojournalism practices by reducing one's ability to alter a photograph so much that it would change its meaning.
Recently the New York Times revealed a staggering truth about modern photojournalism that has the field's ethics under scrutiny. It appears the acts of staging and manipulating images have become prevalent, which puts the field as a whole in question. Photojournalism is about capturing the truth and journalist often work under a strict code that incudes observation only. But the nature of competition has brought a staggering number of photojournalist to bend if not break this code by presenting images that they themselves setup under the guise journalism.
David Davis is one of the top photography writers ever. He has an astonishing talent for telling the story behind some of the most memorable sports photos of our time, including the shot of Brandi Chastain ripping off her jersey after scoring the winning goal at the 1999 Women's World Cup, of Kathrine Switzer running the Boston Marathon, and "the Photo That Took Surfing Worldwide". He's back again with another riveting piece that tells the story of the photographer who photographed one of the greatest long jumps of all time.