Photographer Tim Richmond’s series “Last Best Hiding Place” is the product of seven years spent documenting life in the American West. The series intertwines myths and realism; stereotypes and contemporary realities to create a nuanced portrait of a place and its people.
Eric Crosland is the director of Sherpa Cinema, a collective of artists who produce some pretty amazing stuff. Crosland recently went to some rather remote parts of Iceland with Dave Mossop and John Trapman working on capturing some landscapes, something for which Iceland is a mecca. While there, the Icelandic eruption occurred and Crosland was ready with a Phase One.
Tokyo-based photographer Uma Kinoshita’s series “Lost in Fukushima” documents Fukushima a year after the 2011 disasters had displaced more than 100,000 people over radiation concerns alone. Focusing on absolute loneliness and loss, Kinoshita captured these “places where no one could or should be.”
Mike Drew is a Calgary-based photojournalist who's worked for the publications such as the Calgary Sun and the Toronto Star since 1978. Recently, Mike was challenged by the guys at TheCameraStoreTV to try and shoot film for a day while working as a photojournalist to see if it was still a viable option for the type of work he does.
Photographer and art director Constantin Mashinskiy captures stunning black and white portraits of people encountered on the streets of Paris for his ongoing series “365 Parisiens.” Reminiscent of the work of classic street photographers like Cartier-Bresson and Robert Capa, the series is a yearlong project consisting of, at its finish, 365 portraits of strangers in The City of Light.
Photographer Joshua White’s A Photographic Survey of the American Yard is an intimate and comprehensive documentation of the flora and fauna surrounding White’s North Carolina home. The project frames each delicate subject squarely on a sepia toned background, drawing the focus to its bright detail.
If there is one medium that has been subject to the most censorship in society for well over a century, it's photography. Further, if there is one medium that has been responsible for the most heated debates about censorship, it's photography. For the most part, photographers decry and loathe censorship, whether it's because they capture nude figures, or create images with fictionalized depictions of violence, or perhaps - arguably the most important - they capture vital, photojournalistic visuals of the world around us which, let's face it, it's sometimes just plain scary. But consider this: Mainstream censorshop is not only necessary in photography, but it helps photography overall. No, really.
The most expensive and largest book project of the 20th century was Helmut Newton's SUMO, which sold out at $15,000 per copy, complete with its own book stand (the book is about as big as a medium-sized seven-year-old). Now, Annie Leibovitz' SUMO follows in its footsteps. At 476 pages, the Taschen-published art piece comes enveloped in your choice of four different dust jackets and is limited to 10,000 editioned copies, with the first 1000 coming in a leather-bound hardcover with a signed 20" x 20" archival pigment print and all four dust jackets.
In his striking series “The Communitarians,” photojournalist Aaron Cohen documents the lives of the members of Twin Oaks, a commune in Virginia. Shot in black and white, the series is a compassionate look at Twin Oaks’ close-knit community as modernity is interwoven with long-held communal principles.
Photographer Liora K and writer/model/activist Jes Baker teamed up to create The Expose Project, which aims to represent women of all shapes and sizes through portraiture. Consisting of three photoshoots featuring more than 150 women in total, the project celebrates the female body without shame, fear or judgment.
Ed Keating, Pulitzer Prize-winner, career photographer of over thirty years and mentee and friend of Robert Frank (the most celebrated American documentary photographer probably ever), is one of the most fascinating people I’ve ever met. I filmed and edited this exclusive Fstoppers interview, as his insight was just too good not to share. No matter what type of photographer you are, I’m sure you can all take something of value away from this video interview.
Photographer Knut Egil Wang documents the annual migration of Norwegians to sunnier destinations, as they look to escape the darkness and cold of Norwegian winter. Wang captures the strangeness and bliss that comes with transplanting oneself for a few months each year in a series titled “Southbound” or “Syden.”
Wyatt Neumann took to Instagram to post photos he took of his daughter on a road trip. While she was clothed in some images, she was fully or partially nude in a number of them as well. But to Neumann, there was nothing unusual about a two-year-old girl without clothes. What he though was perfectly innocent, many called child pornography. The extreme hatred grew across the Internet, and overnight, his Instagram account was shut down.
By now, many of you have seen the news coverage surrounding the Michael Brown shooting in Ferguson, Missouri. The shooting took place on August 9, 2014, with the demonstrations and looting beginning shortly thereafter. Unsurprisingly, nearly every major news outlet has a team in Ferguson to cover the events. I’m sure many of you know about the tear gas, rubber bullets, arrests, Molotov cocktails, military presence and pleas for peace in the streets. That said, you may have missed the coverage of incidents directly involving the media. Here’s a summary of some of the media-related incidents that have occurred in Ferguson.