There is a romanticized dream of what it is like to be a destination wedding photographer. Outside of that idea lies a reality of what it actually entails. It is hard and exhausting work to photograph weddings full-time, let alone fly internationally on a weekly basis to cover them while also hosting workshops across the planet. But what is it that actually drives some of us to quite literally go the extra mile? There is a narrative behind the work you are about to see as well as the individual who has completely redefined the meaning of destination wedding photography.
In Part 1 of the "Start to Finish Fashion Editorial Retouching" tutorial, we looked at how to clean up a white background, how to liquefy clothing to achieve a better fit, and how to clone and heal out distracting elements in our editorial image. In Part 2 we will look at how to go about the more common and essential retouching steps including: skin retouching using dodge and burn, color toning, sharpening, and value adjustments. In this video, I take you through each step and give you insight into the "why" as well as the "how" of editorial retouching.
When I saw this wedding shoot I was stunned into silence for a few moments. I really didn't know what to think of it! In my mind, when I think of wedding photography, I think of a world of immaculate white dresses, expensive shoes, thoughtful furnishings and of course, smiling wedding couples and their guests.
When building a successful photography business, there is no aspect more crucial than a client meeting. This is your chance to represent the very best of your brand, while putting a face to the person behind the camera. For many photographers, the decisive face-to-face meeting can be an intimidating challenge. For others, it is their opportunity to shine and demonstrate how personable they are. Whether your are a wedding photographer or a commercial photographer, there are many techniques that can make your meeting a success.
Most dog or cat owners have had to use an Elizabethan collar at one point or another with their pet. “It’s a necessary and beneficial part of the healing process, but to them it’s like being put in timeout,” photographer Ty Foster explained. In this photo series of his, he visually expressed the emotional hardships that our animal brethren have to endure while wearing what he refers to as “the cone of shame.” In the series, Foster goes out of his way to show the trials and tribulations that come along with wearing this shameful collar.
The Russian photographer and mother, Elena Shumilova, is making a big splash again by sharing some great photo advice. In early 2014, her whimsical photos of her children went viral and inspired parents and photographers all around the world. For the first time since she her images exploded on the scene, she allowed cameras into her home and gives some great tips for others to capture images of their children.
Gabe McClintock is an internationally known award-winning wedding and boudoir photographer based out of Alberta, Canada. His work carries an incredible amount of intimate nuances with a tonality that shifts towards dark and atmospheric. With so much emphasis out there about his wedding work, I took a bit of time to talk with McClintock in regards to his absolutely beautiful boudoir photography in hopes to better understand his approach and workflow.
This ingenious video has gone viral as the true level of photoshopping to manufactures 'beauty' is exposed. In this clip, we see 6 hours of photoshopping sped up to fit into a 90 second clip. All of these hours of work has gone into creating just one perfected image of a model.
Before I learned about makeup I used to strengthen or create contouring in post the same way on every single picture. However, because everyone’s face is different, contouring should differ from person to person. Contouring not only can help create dimension it can also help alter shapes. Let see how we can make our model’s and client’s face look their best without going crazy with the liquify tool. Shadows and highlights are photographers and makeup artists best friends!
Street photography continues to be a growing area in the industry. More and more people enjoy it and are learning how hard it is to get it right. Here are some tips from distinguished professionals Eric Kim, Yanidel, and Martin Parr on how to improve your own street photography.
Learning how to light your subjects with one light is easy. Learning how to light a subject in a variety of ways using one light and one modifier requires a bit of creativity. When you're using one light, each inch you move your modifier ultimately affects your scene. Lighting at that point becomes very purposeful.
The battle between Floyd Mayweather and Manny Pacquiao coming up on May 2nd is of epic proportions. Alexis Cuarezma had the opportunity to photograph both of these welterweight icons for an HBO press conference back in March. Cuarezma told me he only had roughly 30 seconds with each fighter, and he sure made the most of it!
Shooting in harsh sunlight is always a challenge. Recently I shot a test while out on a trip in Los Angeles. Due to scheduling we had to start shooting around 4 p.m., so we were dealing with hard sunlight. In this post we will look at five different setups you can use to shoot in and manipulate these less than ideal lighting conditions. In a previous post, I showed how to quickly scrim hard lighting. In this quick tutorial we will look five different ways to light while in the same environment and conditions in order to alter the look of our image.
When you are shooting for magazine publication (outside of the medium format realm), one thing you always have to consider is the aspect ratio of your images. Paper sizes, in most cases, do not match up to image size, so there are crop variables you have to constantly keep in mind -- especially for editorials where there will be titles, typography or article copy on the page as well.