It takes a lot to motivate me to reach out to a photographer for permission to feature their work but a lot is exactly what Brisbane-based photographer and digital artist Jane Long provides with her latest series, "Dancing with Costică”. Colorizing, compositing and creating content for images she sources from the Costica Ascinte Archive, Jane is able to deliver beautiful, imaginative and surreal narratives to each of her final images.
Last week I made a list of 10 of my favorite photographers to follow on Fstoppers and a few people complained that too many of them were "portrait" photographers. I've scoured the community again and today I've created a new list with 10 incredible, additional photographers who shoot much more than your average portrait.
Natural-looking images are making a comeback. If you look at recent issues of big magazines, you will see that makeup is often a nude with some shine to it, retouching is less "doll like," and even simple 1-light setups seem to be the standard. Some people will argue that it has been like this for quite some time. It is true, but I find that retouching is more flagrant than before. Even well known high-end retouchers seem to leave more imperfections in their images than a year ago.
Recently, a fellow photographer (who shall remain nameless) posted a rather beautiful image on his social media, and added "Shot a little bit of boudoir this weekend..." as the caption. This made me take pause and ponder about what boudoir is, or rather is supposed to be, and how it could very well be the most misunderstood labels in portraiture.
Posing is one of those things that people constantly struggle with when getting into photography. Poses that feel comfortable in real life don’t always look good on camera. Check out these four videos from Lexia Frank to help give you a solid base on how to pose your clients in the most flattering way.
Every year we see the same old senior photos again and again with each year passing a new wave of train tracks, and in my case, corn fields. Though each year finding just a sample of photos that truly stand out and push the limits of where we can take the genre becomes even more difficult. Thanks to Brendan Batchelor Photography, we have what could be the very first session taken at local Missouri Taco Bell.
Its Monday so as promised here is the completed retouch for last weeks winning submission by Mitchell Flores. For only being the first week of this regular segment we had an great number of submission and it was hard picking, can't wait to see what you guys submit this week. In this post I'll go over some of the steps of the retouching process and talk about the challenges for this particular image. If you would like your image to be selected for next week, post your low-res image in the comments below by Wednesday of this week.
I’m always looking for new and interesting ways to add visual interest to my images. I’m a big fan of the effects you can get with prisms and the like, but it’s always nice to find something a little less used. Last year I went to a Katy Perry concert and they were handing out pairs of 3D glasses, which cause rainbow light streaks to appear all around you. I later found out that the glasses were made from diffraction paper.
It has come to our attention that the supposed source of this content did not acquire the photographers’ permission to post their works, let alone the rights to grant us permission to repost. The true creators of this content where gracious enough to share this information with us and in light of said information (and our dedication towards respecting the rights of photographers) we have removed this content. Sorry for any inconvenience and thank you for supporting the rights of all artists.
Lot’s of love, from the Fstoppers team.
As a Photographer you will often find yourself in a situation where your color palette is less than ideal. For example, you show up on location for a Portrait shoot and your subject is wearing dull, dark clothing on a dark background. What do you do? If you happen to find yourself in this kind of situation, here’s what you can do to add a little life to your images and broaden your color palette.
For any photographer with ambitions of working in the fashion industry, or for those with a focus on portraiture, there will come a time when you work with a subject that is unfamiliar with being in front of the camera. This can range from a newly signed model at an agency, to a client interested in a corporate headshot. While a photographer’s eye can be their greatest asset, communication skills are just as important. Below we will take a look at some of my top tips for making the most of your next session.
I'm excited to announce a new weekly segment, where you the Fstoppers community can submit your favorite image to be edited and retouched by me, Lance Nicoll. Post an image you recently shot, that hasn't been retouched yet, in the comments below. On Thursday I will retouch it an post the recording of the entire process! If you guys love it, I will continue to do this every week! – And maybe in the future even do it as a Live Retouch with Q&A. The rules are as listed below. Really excited to see everyone's submissions. Submit your image by Wednesday at Midnight to be selected.
Have you ever wanted to create a dramatically lit portrait but you have felt limited by your lack of camera gear? Pye Jirsa over at SLR Lounge has just released a very technical video showing how you can accomplish complex lighting with just a single on-camera flash. The results are pretty incredible, and I would have never thought these images were created with such a simple lighting solution.
Let’s be honest, there are a lot of advantages to using speed lights. They are light, portable and they run on batteries. Speed light modifiers that accompany them are also usually quite light and portable as well. But speed lights do have their draw backs and they can be a real pain to use when you encounter issues, such as a painfully slow recycle time between flashes and a lot less power then you need on a bright sunny day. If you have a love hate relationship with speed lights then this article might just have a solution for you.
Controlling your image is a valid quest for any photographer, as we all want to protect our brand. Seeing one’s work altered without permission can be frustrating, as can discovering your work on blogs that are void of any credit. The first response for most photographers is to watermark their images, ensuring that their logo or website graces every image that hits the internet. In today’s landscape, is watermarking your photographs the best way to protect them? Let's review both sides of this debate, and explore the current state of the watermark in photography.