Platon has photographed many of the world's most powerful leaders and biggest celebrities and often shoots covers for magazines such as Wired, Esquire, Newsweek, Rolling Stone and New York Times Magazine. Most recently, he captured comedian and TV show personality Stephen Colbert for the cover of Time, which you can see in the video posted above. His style of shooting proves that you can take some of the most legendary portraits of our most powerful people with nothing but a light or two and a real connection between subject and photographer. In fact, I learned that from him directly when he came to teach a couple of classes to some of us lucky photo majors back at Rochester Institute of Technology over 10 years ago. It was those classes that changed my view on portrait photography forever.
It's Monday so it's time for another speed retouch and episode of Retouching Mondays. This week image comes courtesy of last weeks winner, Ben Scott. If you would like me to retouch your image and send you back the full-high res final image, all you have to do is post your image in the comments and wait to hear back. I will email the winner on Thursday morning, so post your newest favorite image that you want retouched. It can be any genre, beauty, fashion, landscape, wedding! I'll record the retouching and send you the final image to use as you wish! Take a look at the speed retouch of Ben's image and let me know in the comments if you have any questions, I'm happy to answer them. Now lets take a look at the before and after and the challenges for this week's Monday Retouch.
I'll preface this today by making it clear that I know very little to nothing about architectural retouching, landscape retouching, or product photography retouching. That said, I've dedicated the last two decades to Adobe Photoshop, and the last seven years specifically to portrait retouching. As such, I've come to realize one key thing: If your skin work is no good, everything else in your retouch just falls apart, if you will, as the basic foundation is already substandard.
Getting started in photography is expensive. Sometimes frustratingly so. This expense tends to compound a bit if one has to pay professional models to build a portfolio. Fortunately, you don’t. Models also need to build a portfolio, so collaborating with photographers to create images becomes extremely valuable. TFP (time for print, or time for portfolio) has becomes a keystone of the beauty/fashion/glamor world.
In today's carnival of conceit known as social media, the term selfie has come to be defined as a snapshot of oneself, almost always shot with a smartphone. Selfies have become synonymous with the millennial generation, and have been described as everything from harmless fun to wanton narcissism. But boudoir photographer Kara Marie Trombetta of Kara Marie Boudoir (formerly known as Click Chick Boudoir) has proposed a proper business purpose for selfies in her Business of Boudoir article entitled Selfies: Yes You Have To.
In this tutorial I will show you how to setup your studio strobes for full length portraits as we shoot an editorial style lighting setup. First we will look at the entire gear list we used and you can use for a similar setup, from the backdrop to the studio heads. I will breakdown our lighting. with lighting diagrams and explanation of WHY we are placing our lights where we are. Also, in this video tutorial we share some Behind The Scenes from our shoot day.
Getting human subjects to feel comfortable and to emote in front of the camera is always a challenge. We deal with a variety of personalties which can prove hard to manage when you have all the other things such as lighting, camera settings, and composition to think about. Lindsay Adler has put together a list of 5 crucial steps to help get your subject relaxed from her years of experience.
Erik Almas, one of the best commercial composite photographers, has recently teamed up with the team at RGG EDU to create a fully comprehensive tutorial on his complete shooting and retouching process. In this video Almas takes us through an hour-long tutorial, retouching and completing the backplate for one of his tutorial images. I'm always impressed when photographers and retouchers, especially those at the top of our industry, open the doors and reveal their entire process and Almas has done no less here.
Mary Ellen Mark, famed photographer, passed away very recently. It's only fitting that her final project center around rebirth, a term that is synonymous with city – my home – New Orleans. I found these images on CNN.com tailored beautifully with quotes that elegantly express the story that Mary Ellen Mark's images tell. Every image tells a story both literally and figuratively, there is a story included with many of the works that provides insight from those who are themselves players in the tales.
It's Monday morning and that means another completed retouch and time to submit your image for next week. We had more amazing submissions last week and here is the winner! In this post, you will see the SOOC image compared to the retouched image and I will discuss the particular challenges and the direction I decided to go with the photo. You can also watch the entire retouch in the video. And once again, you can post any image of yours that you would like and it may be chosen to be retouched for free and delivered to you in full-res to do with what you'd like.
It takes a lot to motivate me to reach out to a photographer for permission to feature their work but a lot is exactly what Brisbane-based photographer and digital artist Jane Long provides with her latest series, "Dancing with Costică”. Colorizing, compositing and creating content for images she sources from the Costica Ascinte Archive, Jane is able to deliver beautiful, imaginative and surreal narratives to each of her final images.
Last week I made a list of 10 of my favorite photographers to follow on Fstoppers and a few people complained that too many of them were "portrait" photographers. I've scoured the community again and today I've created a new list with 10 incredible, additional photographers who shoot much more than your average portrait.
Natural-looking images are making a comeback. If you look at recent issues of big magazines, you will see that makeup is often a nude with some shine to it, retouching is less "doll like," and even simple 1-light setups seem to be the standard. Some people will argue that it has been like this for quite some time. It is true, but I find that retouching is more flagrant than before. Even well known high-end retouchers seem to leave more imperfections in their images than a year ago.
Recently, a fellow photographer (who shall remain nameless) posted a rather beautiful image on his social media, and added "Shot a little bit of boudoir this weekend..." as the caption. This made me take pause and ponder about what boudoir is, or rather is supposed to be, and how it could very well be the most misunderstood labels in portraiture.