In today's somewhat over saturated market of boudoir photography, everyone is looking to shoot something new and unique. It can be difficult to find a new perspective on shooting when so many ways have already been discovered. So how can you get creative and grasp the attention of the viewers without reinventing the wheel?
In 1927, Claude Frisse-Greene shot a series of film around London based on a color (or colour) technique that his father had experimenting with. His father, William Friese-Greene, was an early pioneer of cinematography. His process was called 'Biocolour' which produced the illusion of color by exposing alternating frames of black and white film with color filters, then staining the film again with red or green.
Natural-looking images are making a comeback. If you look at recent issues of big magazines, you will see that makeup is often a nude with some shine to it, retouching is less "doll like," and even simple 1-light setups seem to be the standard. Some people will argue that it has been like this for quite some time. It is true, but I find that retouching is more flagrant than before. Even well known high-end retouchers seem to leave more imperfections in their images than a year ago.
Upgrading your RAM from Apple is a lot like buying your tires directly from the car dealership. It's overpriced for essentially the same product and you shouldn't do it. In this video I cover the benefits of upgrading your RAM from a third party to maximize your computers ability for retouching and file management through various applications like Lightroom.
It was my first wedding to shoot and I had never shot one before. I get stressed out really easily, so doing this was a bad idea for me all the way around. I missed shots, I missed a set of groups, and my lighting for the reception was terrible. On top of not having a clue on how to get a proper exposure for a wedding and what images were important to the couple, I delivered full-resolution files on a plethora of disks that caused more confusion than good. Today, I'm using online galleries provided by Pixieset and flash drives for file delivery.
At the most basic level, photographers seem to be in two camps when it comes to image file types. There are those who care about the look of their images and shoot with big RAW files and those who don’t and use the smaller JPEG files.
RAW files offer a tremendous level of control over noise, tonality and color; a hearty file that can cope with the demands of our creativity.
There has been significant chatter on both the Fstoppers staff and in the general comments we've been hearing and reading regarding Canon's move to introduce slower lens iterations, but with image stabilization, of their older faster glass. We've heard arguments on both sides of the table, but we're curious: what do you think?
So, what are the best settings for wildlife photography? Most people would argue that aperture priority would be the best way to tackle shooting fast action like wildlife and sports. It gives you the best balance between automatic camera settings (like picking the correct shutter speed) and manual control (like the ability to compensate for exposure).
Recently, fellow Fstoppers writer/astounding editor Pratik Naik posted a status on Facebook asking what people's editing routines were, you can read the discussion that followed here. With his permission I've decided to spin this off into a post, and offer some suggestions for our readers facing hours of repetitive retouching in their future. I'm writing from the perspective of a photographer, but I'm sure many if not all of these will carry over into the video world as well. Note that these aren't in any particular order.
Just a few hours ago, Lufthansa 456, an Airbus A380 finishing an 11-hour flight, reported a drone flying just 200 feet above it as it was on approach to Los Angeles International Airport. The near-miss was reported to the LAPD, who immediately began a search.
As photographers, we have a never-ending, ever-perpetuating growth of photos piling up on our hard drives. Inevitably, whether that work is professional or personal, our photos end up taking space on cloud storage accounts that we keep upgrading whenever we reach the limit. But what if you could cut the size of these files in half without losing any visible quality? You could save a lot of headache, not to mention, money.
Less than a week away, Canon will be hosting a two-day online trade show conference where a new, purportedly entry-level cinema camera will be announced.
I've used older digital medium format cameras in the past but the FUJIFILM GFX 100 is the most powerful camera I've ever held in my hand.
It emerged on Thursday that Magnum Photos may have been selling photographs of child sexual abuse for more than 30 years. Until it can answer some critical questions about its past and how it runs its business, its reputation is under threat.
New features added to Photoshop and Lightroom today might change how you edit your photos, but it entirely depends on what kind of images you make and what your current workflow is like. This is my review of the new features and whether you'll want to dive in or avoid them.
Sigma’s newest Art series lens, the 24-70mm F2.8 DG DN II, takes the winning formula of its predecessor and dials it up a notch, boasting significant advancements in sharpness, autofocus speed, and overall handling. The lens isn’t content with simply meeting the high expectations set by the original; it surpasses them, delivering exceptional image quality that will impress even the most critical photographers.
Before I get started I want to let everyone know to do this at their own risk; we don’t want to hear about how your laptop fell off this stand because you didn’t tighten a bolt down all the way. Now if you’re looking for a professional stand to use every day, I’d recommend buying a specifically designed product, but this DIY stand is a great option for occasional use. Now that my liability is gone, lets have some fun.
If you are a beginner in terms of lighting, or looking for some quick and simple light setups, then Don Giannatti has you covered. Don (a.k.a. Wizwow), recently posted some videos on his website showing 8 different light setups, as well as the differences between certain light modifiers.
Finding the right light for your images can be a daunting task, especially when shooting outdoors and with unpredictable lighting conditions. Professional fashion and portrait photographer Lindsay Adler, is here to give you her list of the worst lighting conditions outdoors, and how to correct them in camera, to give you the best possible photos.
Sometimes a Journey song can wax poetic. “Small town girl…lonely world.” We’ve heard it before. But for whatever reason, it’s the song I can’t get out of my head while I’m sitting with Jenny Woods in a small, Persian restaurant in the Upper West Side of Manhattan. Standing a towering five-foot-nothing and with a demeanor that couldn’t ruffle a sleeping kitten, Jenny, or Bunny Jenny, as she goes by, is a photographer from a very small town in Florida.
A few months ago Lee and I went out to Gulf Photo Plus to see what all the fuss was about and absolutely had one of the greatest trips of our lives. While we were filming our "What makes photographers successful" video, we were hearing rumors that Joe McNally was about to shoot from the top of the Burj Khalifa, the world's tallest building. If you've spent any time with Joe, you know he absolutely loves a challenge and lives to create images taken from exotic places (like his shoot on the top of the Empire State Building).
A few weeks ago Microsoft announced the Surface Pro 4, an updated version of the very successful Surface Pro 3. The day after the event they gave me one to test and I'm really enjoying it.
When starting out in photography, you might want to purchase as much gear as possible. However, professional photographers who have been doing this for decades seem to have every lens in the world. It is natural to strive to buy as much gear to be as professional as possible, but the devil is in the details, as it takes decades to amass gear, and even then, the pros still have some things they want to purchase.
With the news that Instagram's focus has shifted to be far less centered around images, many photographers who have spent years building their following and brand on the app are left out in the cold. This isn't the first, nor will it be the last time you are reminded of the dangers of building a large part of your business on someone else's platform.
Many aspiring landscape photographers hit a roadblock when it comes to long exposure and filters. They may seem confusing and too technical, but the following tips should clear the path for you.
As I continue my articles on interior, architectural, and real estate photography, I thought it would be interesting to see different approaches to shooting these types of subjects. So, for this month's article, I've invited a number of professional interior, architectural, and real estate photographers to share their images and techniques with everyone who reads Fstoppers.
Samsung’s SSD T1 was among the first drives like it, expanding on SSD features like speed and compact size to deliver an almost business-card-sized, ultra-fast drive that was perfect for the road. More robust in an all-new enclosure, the SSD T3 is the next advancement of the T1.
Online education through video tutorials has become one of the most economical and convenient ways to learn almost any topic, especially if it's photography. Joey L recently launched a new website that takes you on-location and in the studio to see the workflow, thought process, lighting design, post processing, and on-set dialogue that takes place in one of his commercial photo shoots. Check out more trailers below.
In September 2014, Zeiss announced their new Loxia line of manual-focus lenses for Sony’s full-frame E-mount cameras. Ever since covering the announcement, I’ve wanted to try out these stylish lenses, namely the Zeiss Loxia 2/35 because of its extended usefulness in landscape photography. I was very much interested in seeing how a modern Zeiss manual-focus lens designed for a technologically-advanced mirrorless camera would fare, and in the end I was left blown away by the results.
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