What I Learned From a 16 Year Old Shooting the NY Times Magazine Cover
I'm guilty in being the one telling myself that if I had the gear I wanted, I would go out and shoot the projects I wanted to shoot. So nothing happens until I actually buy the gear. What you and I know is that it's not the gear, it's the person, the patience and the will to do great work that makes your photography a force to be reckoned with. And I've realized that the photographs I look at most, of my own and photographers I admire, are the candid images of models in the greenroom before they go out on the catwalk, or the model I'm shooting for a test, where the moment between shots appear and capture her walking to my instructed area.