When I get a new gear, there is always excitement in discovering what it will do and how it will perform. After six months of using it, that novelty has worn off, and with a more objective eye, would I still choose this camera over the last?
Have you ever be interested seeing just how much information Facebook has on you? What if there was a tool that could take that information and turn it into an easy to read visual display? How about finding out what words you use most in your posts? (Mine happened to be "one" "shoot" and "wedding") Find out who you share the most friends with? And lots more data that is quite intriguing. All this can be discovered through a new tool offered by Wolfram|Alpha.
Rumors are circulating that Tamron is about to announce the launch of a lens that would complete its trio of fast zooms for Sony full-frame cameras with the 70-180mm f/2.8 lens. Will it be tiny, how much will it cost, and how will it stack up against Tamron’s two other amazing Sony f/2.8 zooms?
Before I had a Wacom, I seriously questioned the ability that a touchpad without a screen would have to improve my editing workflow. Also the screen-integrated models were way too expensive for me to consider at the time. Those of us that have them now, however, see them as an invaluable tool in our work — and it’s one we probably want to protect.
I heard about the Tamron 35-150mm f/2-2.8 for Sony cameras almost two years ago, but never took the time to test the lens myself. Now that it's out for Nikon as well, I finally got a copy. After two weeks of shooting both stills and video with this lens, I regret how long I've taken to test it, because I believe It's my favorite lens of all time.
It isn't fearmongering to say that one mistake, and not even necessarily your own, can bankrupt your photography business if you're uninsured. So Fstoppers have teamed up with Insurance Canopy who have created Full Frame Photography Insurance to go over the issue and offer some insight.
Unlike Canon, Nikon understands the importance of a third-party lens manufacturer for a healthy ecosystem and a stronger incentive for any potential buyer. And thanks to that, we get more and more interesting lenses for their mirrorless Z mount, like this proven budget-friendly option.
In this corporate headshot shoot by The Slanted Lens, Jay P Morgan plays around with a 10, 20 and 30 degree grid to show us how each one will give a drastically different look. Throughout the entire shoot he is constantly feathering the light. If you've ever shot on the streets of New York then you'll understand why he has to keep his set up very mobile.
Known as Trappy on message boards and Facebooks groups, and the "aeriel anarchist" among drone hobbyist, Raphael Pirker the 29-year-old swede will be making headlines today after a federal judge has dismissed the Federal Aviation Administration's (FAA) case against Pirker. In 2011 the FAA smacked Pirker with a $10,000 fine after he flew his Styrofoam drone around the University of Virginia while filming an ad for the university's medical school. This became a test case for the FAA's authority to prohibit people from flying a drone for commercial purposes.
When Nikon first released the MB-D12 battery grip for the Nikon D800 it cost a staggering $615. Since then the price has fallen to a still ridiculous $429. We have been waiting patiently for an affordable 3rd party version and today I got an email from a reader that they were available on ebay. The "Pixel MB-D12" is a much more affordable $109.00. I just purchased one and once it shows up from Japan (at least 30 days) I'll review it. I'm hoping this grip is as good as the last fake I got.
Check out this seriously impressive hyper-lapse video from Berlin. It had seemed that timelapse videos hit kind of a flat point for a while until the world was introduced to "Hyper-lapse." He shot this with a Nikon D7000 and then spent 4 months in post to stabilize the sequences manually frame by frame (AE motion tracker) to get the smooth motion. This inspiring video will leave you in awe.
There are few things we, as photographers, are more OCD about than tack-sharp focus. We invest so many of our hard-earned dollars into nice glass, painstakingly focus, then spend hours in post afterwards pulling our hair out when the eyes aren’t sharp. While of course sometimes OOF images are due to user error, small variations in the lens and camera can result in less-than-sharp images. These discrepancies in camera / lens combination can be dialed in to get perfectly sharp images more consistently. Enter FoCal, a [semi]automated focus calibration software.
A few years ago I started this blog for my photography students to help re-enforce the most fundamental aspects of photography. Understanding how your camera works and all the variables that make up a proper exposure is as essential to photography and breathing is to life. I've now decided re-transcribe these for Fstoppers. I will be posting all of my basics and fundamentals posts, about two a week, over this next month.
Whether you’re a veteran freelancer or just starting out, it is important to continuously asses and audit your process. A decade and a half of experience getting washed around as a freelance photographer has taught me many difficult lessons about art, life, and growing a business doing what I love. Being successful is measured in more detail than just being Insta-famous, being a YouTube sensation, or selling single pieces for large sums of money. Even the most notable artists have had to grapple with the more organizational and administrative elements of their work and coming to terms with the reality of their goals. In most cases, it is these details that make the difference between failure and success. Hopefully these five tips can help you as you grow your personal business with larger than life ambitions.
On the Fourth of July, legions of photography enthusiasts like you will head out with their tripods to make images of firework displays. To minimize your failures on location, here is a quick primer to insure that you are in the ballpark to make successful images when the explosions begin.
A decade ago, GoPro was the highest selling action camera brand in the world; however, the company’s attempts to expand into the mainstream have resulted in their inability to compete with the enormous popularity of the smartphone.
Food photography is great fun and really easy to get into. All you need is a camera (which if you own a smart phone, you already have) and some food.
In the beautiful meadows of the Sierra Mountains, Corey Rich takes you behind the scenes for some key tips to improve your sports photography. Documenting sports comes with a certain amount of challenges, especially while shooting in an uncontrollable environment. From working with major clients such as Nikon, The North Face, and Patagonia, Rich has plenty of experience and insights to share when it comes to demanding adventure and sports photography.
We heard that this was going to happen, but now it's official: GoPro has filed for IPO after their 2013 sales shot up 87.4% to $985.7M. Amidst other camera companies like Sony and Nikon who are struggling of late, GoPro is stands tall with outstanding growth and sales.
Recently I was sent a YouTube video of an artist who spent a huge amount of time creating drawings using MS Paint. The end product was decent enough, even impressive if you consider the tool he was using, but if you were to eliminate knowledge of his method it would merely be a mediocre, unimpressive digital painting. How amazing could this guy’s work be if he didn’t arbitrarily limit himself? This is clearly an extremely talented artist that is limiting the quality of his work by stubbornly insisting on using an inefficient tool. Which, of course, got me to thinking about how as photographers, we have a tendency to do the exact same thing.
In the years I've been in this industry, one of the more pervasive problems I have seen talented people deal with is personal fear: Fear of failure, fear of uncertainty, even fear of success. I think a misconception is that successful people do not experience these fears. They certainly do, but they have learned to overcome them, harness them, and succeed in spite of them.
Editorial assignments can be both boring and quite interesting. Most of the time that depends on the photographer's attitude, not the budget. Let me show you how I approached a project where I had to make portraits of a motivational speaker and influencer.
As technology advances, the tools photographers can use to create their visions are more accessible, varied, and intuitive than ever before. I have a feeling this means our definition of photography and our uses for it are going to expand like crazy. It may also mean a photographic renaissance.
In this article, we’ll highlight a shortcoming of the exposure triangle, one that’s more a relic of film days than a modern requirement, and we’ll see how an exposure “V,” with just two legs, might actually afford us more flexibility and control over our images.
Photography is a business largely built on referrals, word of mouth and reputation. How you present yourself to others and take advantage of chance opportunities can make or break your career. Are you presenting the best possible version of yourself to clients and fellow photographers?
Samsung has a weird, and to me slightly irritating, inclination that is bordering on habit: pushing products into hybrid scenarios that are doing just fine where they are. As someone who likes to have a camera, a tablet and a phone as separate devices (because, well I use them at different times for different things), I am continually baffled by the choice to shoehorn them into each other. I’m also disappointed that consumers are rewarding this, and Samsung is at it again with the Galaxy S4 Zoom.
The coronavirus pandemic is causing significant disruptions in the photo industry that are seriously affecting the financial standing of a lot of professionals. It has been so serious, in fact, that according to a recent survey, almost one out of every five professionals is considering leaving the industry entirely.
What happens when the sun is setting and you want to get a balanced exposure of the setting sun in the background and your subject? The reality is you can't without the use of a strobe and high speed sync. In this article, I’ll share with you how I was able to get a perfect exposure on my subject and the background using high-speed sync.
It's a massive time-saver if you don't have to write out text, get it into your video project, align it correctly, and make corrections. It's now automatic in Premiere Pro, and it's something that puts Adobe ahead of Final Cut and Da Vinci Resolve.
Retro-styled cameras, one simply an aesthetic attraction, have grown wildly in popularity, with companies like Fujifilm demonstrating that mechanical controls can be highly functional and even preferable to digital options. Canon may be the next company to jump on the train.
