It’s hard to leave the camera at home. But when you travel with family or friends, photography isn’t always the point. So can it still find a place?
Most of my travel revolves around family. These trips have a different purpose than a photography-focused outing—they’re about spending time together and having shared experiences. Still, my love of photography comes with me on those trips. I know I’m not alone in this, either. What does it look like in practice to bring your gear along when traveling with friends or family?
The Challenges
Any time you’re traveling with others, the trip establishes its own rhythm. There will be shared meals, sightseeing, tours, or planned activities. If you’re traveling with younger kids, some more structure or routine will likely also dictate the shape of each day. Generally, you’ll want to be present for all of the activities, not operating on a separate schedule or showing up exhausted because you’re trying to cram in a lot of photography on top of it. You did go on this trip with these people for a reason, after all!
As a result, it’s easy for photography to either quietly vanish from the trip or to create friction by pulling too hard in its own direction. But there’s a third path. It just takes some intention—and a willingness to adapt. What follows are three broad approaches that photographers often take, depending on their priorities and the kind of trip they’re on.
Approaches to Consider
There are three broad ways that photography tends to show up on vacations like these. Each interacts differently with the natural rhythm of a shared trip. Let’s take a look at them.
Unplug and Recharge
This approach is all about stepping away. You might bring a camera or choose to just use your phone for when inspiration strikes. But the goal isn’t to chase great photos—it’s to take a mental break. It’s an opportunity to step away from feeling like you have to be creative. You might make a few images of your family or friends to remember the trip by, but that’s it.
This minimalist mindset lets photography fade into the background. You’re not looking for good light or scouting compositions. You’re simply there, with the people you came with.
Sometimes, unplugging from photography while also unplugging from the rest of your routine can be genuinely refreshing. Without the usual pressure to produce something meaningful, this kind of trip can quietly refill your creative energy. When you come back, you might find yourself more excited to shoot than you were before you left.
Casual Shooting
Casual shooting isn’t necessarily about packing light. You might bring your full kit along, or at least a significant portion of it. What sets this approach apart is more the mindset: photography plays a secondary role, moving in and out of the trip’s rhythm without disrupting it.
You might head out for a quick shoot before breakfast on a morning or two to a location you had your eye on. Or if you see a compelling subject or some light while out sightseeing with your travel partners, you make a quick photo. When out and about, maybe you settle for your first instinct on composition instead of spending the time to refine every detail.
This approach allows photography to stay present, without it becoming the organizing principle of the trip. It creates room to respond to what you see while keeping the pressure low. And because you’re not committed to specific shoot times or locations, it’s flexible—you can adapt as the days unfold. It’s a way to stay creatively engaged without letting the photography dominate.
This can give your creativity a jolt in a different way than the first approach. In this one, you might be energized by the freedom of having few or no plans driving your photography. Maybe you feel more free to experiment. Or maybe you get back to your roots, shooting a little more like you did when you first started.
Dedicated Photograph
Even when photography isn’t the stated purpose of the trip, some people lean into it as much as possible. In this approach, photography gets a prominent place in the schedule—or at least yours! That might mean getting up and out for sunrise every day, staying out late for sunset, taking advantage of blue hour, staying up for astrophotography, or negotiating time during the day to stop and work a scene while others take a break or adjust plans.
Photographers who take this approach are often considered to have made the most of the locations they visit, creatively speaking. They’ll come home with a strong collection of images and often enjoy the high-output nature of the experience. But it’s also demanding. It usually means less rest and less flexibility with the group’s schedule. Photographers choosing this option may be left needing time to recover—both creatively and otherwise—once they get home. For some, it’s worth it, and they would regret adopting any other approach.
Tips and Suggestions
Before you head off on your vacation, it helps to be thoughtful about what you want photography’s role to be and choose the best approach for you. Personally, I tend to lean toward Casual Shooting when I travel with family. The time and money that go into those trips make it unlikely I’ll return to the same place anytime soon, so I want to enjoy it from both a personal and photographic perspective.
Here are a few things that can help you make the most of your photography during a vacation:
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Let the shape of the trip come first. Begin by understanding what you and your travel companions are looking to get out of the trip. There’s likely a reason you decided on this particular part of the world: Is it to experience a different culture? Enjoy good food or drinks? Relax on a beach? Get into some great hiking or other active pursuits? Making sure you know what everyone else is hoping for will help you choose a photographic approach that respects both them and you.
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Start to understand the day-to-day. See how the various travel plans are coming together. Appreciating when you might be where will allow you to think about photos you might like to make or locations you’d like to shoot that could readily fit into that rhythm. For casual shooting, don’t drop these straight into the schedule. Having some ideas in mind makes it easier to act if an opportunity comes up, and viewing them as looser goals will also free up your headspace to remain flexible during the trip. Or, if you want to take the dedicated approach, this is the time to form plans that take into account any specific timings you may need to accommodate for your photography.
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Build the anticipation, but don’t cling to it. Looking forward to a trip—daydreaming about the photos you might make—is one of the happiest parts of travel. It’s part of what motivates us within photography. But once you're there, it helps to shift your focus from the imagined outcomes to the actual process of photographing. Inevitably, things won’t work out exactly how you hoped they would. In those moments, it’s good to acknowledge your expectations, then let them go and photograph what’s in front of you.
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Take breaks from the camera. No matter your photographic approach, make a point of spending time away from your gear. Unfortunately, photography can easily separate us from experiencing the moment, undermining our ability to fully enjoy and connect with it. Don’t return home with only memories of looking at your camera, making decisions about your settings, or of the struggles to achieve your desired compositions. Take pleasure in the people you’re traveling with and the places you’re visiting.
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Divorce yourself from the results—for now. Editing is a key part of the creative process, but it tethers you to a screen. If you’re anything like me, you may also tune out anyone or anything else that’s going on around you. That can be more disruptive to your experience of the trip than carrying a camera around during the day. Processing the images can wait until you’re home, with one slight exception: do yourself a favor and back up your photos regularly throughout the trip.
Photography doesn’t need to disappear when the trip isn’t about it. With a little planning—and the right mindset—it can ride alongside the main purpose of the trip, adding meaning without taking over.
What kind of vacation photographer are you—Unplugged, Casual, or All-In?
13 Comments
I'm about to head off on a 2 week trip and I saw this article and this is what I do I shoot one day and then how I have a day off to do other activities. I don't shoot much in the mornings I prefer to sleep in have a nice breakfast in the cafe. And then I will go and shoot at about 3:30 to 4 o'clock in the afternoon for a couple of hours. When I went with my family it was pretty limited but now my kids have grown up and I've got plenty of time I just go with the flow
I just got back from a 2 week trip! I also tend to avoid too many mornings, because otherwise I'd loose too much energy for the rest of the day with the family. Or I'd just be grumpy. Hope you had a nice trip!
Had a great trip and there was some amazing light in Exmouth as well. It's a beautiful place on the north west of Western Australia. This beach has been voted the worlds most beautiful beach on two occasions and it is simply stunning. It is a difficult spot to get to in terms of holidaying ther because it's limited but it's an amazing place.
That does sound like a great trip Nev Clarke ! And that's a wonderful photo. I didn't even know there was a vote for the most beautiful beach 🙂
I think it's a very unofficial thing but the place I live in down south has also a vote for the worlds most beautiful beach as well beaches in Australia. I just bloody amazing pure white sand and virtually no one standing on them.
Something that has enriched my travel with others is no longer being on social media and having an overwhelming sharing compulsion. More present, more just my eyes and mind taking things in. I still carry gear but it's much more back burner and if things line up then all the better. Not impeding or slowing others can be a tricky thing sometimes so tripods (which are an important piece of gear for most of my images) stay home. That there is more than half the battle.
I completely agree! Being more present is great, and not feeling compelled to share photos throughout a trip makes a huge difference. That's one reason I tend to wait until I'm home to edit any photos I have taken...although I'm also not on social media too much in general. Others might have a different balance they like to strike, though.
So much depends on the relationship you have with your family... especially your husband or wife. It was long after my kids were raised and out of the house that I took up photography, so I never had to deal with that situation. But having an understanding and supportive spouse makes all the difference in the world, not just with our own desire to go shoot pictures, but everything else too. Everything!
When two people are constantly battling for the needs of himself or herself first and foremost, and expectations to be met by the other person, it becomes a recipe for disaster. On the other hand if you truly want your spouse to have a great time on vacation, you support whatever they want to do, however you can. Sometimes that means time alone. Nothing says you have to spend the entire vacation glued at the hip together. In Grand Cayman, my wife wanted to see the turtle farm and I wanted to do a little snorkeling, neither of which appealed to the other, so we spent an afternoon doing something by ourselves. At Bryce Canyon I was up and back from taking sunrise pictures before she had finished her first cup of coffee. In Toronto, I really wanted to see a Maple Leafs hockey game, which she agreed to going along if I took her to an Indian restaurant. Had never tasted that cuisine before but I loved it! If we take a drive for the day over to Arches National Park, she always has a book to read for those times when I'm slow taking my pictures. Then I return the favor waiting in the knitting shop or book store in Moab. So much depends on seeing the relationship through the mind of the other person.
That said, I've found photography to be an increasingly solitary experience. The first couple decades found me scurrying from one picture to the next. More recently, photography has become a more contemplative and deliberative process... considering what I want to include or exclude from the frame, and where to position the camera. So much to think about. It takes time and patience. Photography as part of a group activity no longer works well for me.
This is such an important point Ed Kunzelman ! It's important to avoid steamrolling others and their interests just so you can get your photos....and like you said, in strong relationships there's a lot of give & take. I'll often skip an outing while on vacation, even though my wife encourages it, simply because I know it will make me less useful for our other planned activities. Although I haven't passed up a Maple Leafs game yet 😉
I agree with you about photography being a more solitary experience. Sometimes it isn't just whether or not the people I'm with will tolerate me stopping to create a photo....it's also about me just knowing they're there. It's an added pressure that doesn't also fit in nicely with the more internally-driven way I approach most of my photography.
If you're from Chicago, I assume that you're a Black Hawks fan. I was from a NYC suburb and watched numerous Rangers games. The most memorable was a playoff triple-overtime game 6 against the Black Hawks. We were sitting in a corner of the upper deck, and the shot that has been etched in my memory forever was at an open net by Chicago's Stan Mikita. Second over time period, he was right below us, the goalie out of position. From an angle though, Mikita hit the post. Game on. Rangers scored earlier in the 3rd overtime and the place went nuts. Alas, the Black Hawks won game 7 and we were done for the season. However, the Black Hawks lost to Montreal in the finals, at Chicago Stadium no less.
Speaking of the old Chicago Stadium, my brother lived in Chicago during the late 1960s and early 70s. We went to four games together there, twice to see the Rangers, and once we got standing-room-only tickets for a Black Hawks-Bruins game. Boston came out and scored five goals in the first period, the only sound you could hear was the stadium organist. And, wow, what a pipe organ that was. Sent chills down your spine. Thanks for triggering the memories.
Those are amazing memories, Ed! I do live in the Chicago area, but having grown up in southern Ontario I am a staunch and lifelong Leafs fan. My first NHL game was in Maple Leaf Garden -- a 5-1 loss to Dallas. Ed Belfour was in net for the Stars, and honestly we were so average back then that it wasn't surprising we lost. I'm grateful I got to a game there, though, since it was about another 17 years before I got to another Leafs home game. I've been a visiting fan most of my life, as I ended up moving around.
The old Chicago Stadium lives on in so many stories here, I'm a little sad I never had the chance to experience it in person. So wonderful you had those experiences!
In my senior years now and traveling the world in the bubble of tours. I can't carry heavy equipment any longer. I bought a small camera with a zoom and carry it with me everywhere on the trip. I take the shots that I can and I don't fret over the shots that I can't take.
Using this M.O. has freed up the task of photography and allowed me to enjoy the travel for the sake of travel. And the wife isn't bothered by my carrying equipment and asking her to hold something or another. Travel is wonderful but not when my back hurts and my wife is tired of helping out.
It sounds like you've found a great balance that works for you Lewis Hirschberg ! I also appreciate how it speaks to how we'll each strike different balances at different points in our lives.