It has been ten years since I started work as a professional photographer and I had the chance to survive in this crowded business over these years. Let me share some of my experiences throughout this journey.
In today’s world, the quality of work being put out into the creative space is as high as has ever been. Now with the cost of entry being low and the quality of technology being constantly updated, making a name for yourself is getting harder and harder daily. We are always looking for that “edge” as professionals that set us apart from the crowd or that little extra boost of energy needed to finish that late-night editing session. Lucky for us the answer isn't more caffeine (though it never hurts) or something we have to go out and buy. It's as simple as dedicating a few minutes a day to personal fitness.
Have you ever seen those amazing shots that show a subject holding its place in the frame while the background falls away or becomes extremely compressed? This is called a "dolly-zoom," and you've likely seen an example in films such as "Jaws" and "Goodfellas." While we don't typically use a dolly-zoom when filming interviews, we can learn a lot from studying what happens to an image at different focal lengths. In this video and article, I'll discuss the visual effects created when choosing a wide versus telephoto lens for documentary-style interview productions.
If you are new to the studio or want to practice your lighting techniques plus save time when in the studio, you should check out this 3D software by Ellixxier.
Using textures to enhance photographs is a creative technique that is often overlooked. The best part is that it can be achieved completely free and usually in a matter of seconds.
"Are you going to bring your camera?" I get asked this question any time I travel, and it creates an internal struggle every time. Chances are that I've probably already asked myself before anyone else gets the chance and fought with myself over the answer. Why does something as simple as taking my camera on a trip cause such internal strife?
WPPI is less than 4 weeks away! The largest annual industry event for photographers and filmmakers that draws in over 13,000+ people to learn new techniques, build relationships, experience new products and find solutions for their business. This will be my 6th year attending WPPI and so I wanted to use my experience to share some valuable tips I have learned throughout the years.
Besides focus, exposure, and composition, there are three other interlinking elements that we need to consider when taking photos. Sometimes, we overlook one of these, concentrating, maybe too much, on the other two.
For years, we've heard clients ask photographers for a few images. The client would pay for all types of usage rights and then they'd ask for a few images as freebies, for social media. And that trend continued for several years. We'd throw in a few for social media and make the client happy. As social media grew, the budgets stayed small.
Today, let’s discuss some of the biggest changes currently happening in the market and how those changes will affect our lives and our businesses as professional photographers.
The last few years have seen an explosion in violent thefts, especially near San Francisco, and recently, a photographer was killed in Texas. Taking expensive camera gear out on a shoot can be a scary thought nowadays, especially when in some locations, violent thefts are on the rise. In this article, I discuss some ways that can help you minimize the impact of such thefts.
When analyzing a photo, do you care more about how a photo was taken, or why the elements in the photo are there? If you’re trying to grow as a photographer, you might need to stop asking how things are done, and why they are done.
There was a time when file limits were considered near impossible to reach ceilings. Each was designed many years ago for photos made by cameras with single-digit resolution. Times have changed, and unfortunately the formats have not. We now are faced with file size limits that are becoming more and more restrictive as cameras collect bigger and bigger chunks of data with every photo.
V-flats are traditionally not portable by any means. For those that have a little DIY in them, I made my own portable v-flats that I can take with me anywhere I need. Here’s how to make them.
It's that time of year again when masses of photographers and videographers from all over the East coast make their way to NYC and the Jacob Javits Center for PDN's PhotoPlus Expo 2018.
When processing your precious photos in Lightroom, Photoshop, or any other photo processing software, you make sure the exposure is spot on, the colors are perfect, and the contrast is pleasing. For that reason you may have a calibrated monitor, and the optimum light situation in your room. But did you think about the background shade of your photo processing software?
The votes are in, and you've helped to choose our Fstoppers Photographer of the Year! We've also randomly selected one member who voted to receive a free Fstoppers tutorial of their choice!
You find priceless photography or filmmaking knowledge in online material. You start digesting it, but together with the precious free information, the author mentions a product or a service, which they obviously try to sell you. Do you feel you have been tricked?
In mid-2018, photographer Brett Stanley got a call from Jason Foster, who is the manager for Natalie Mering’s band, Weyes Blood (signed to Sub Pop). Take a moment to go listen to some of their tracks before continuing this story. Or, never mind, stay here! Keep reading!
The Fstoppers community is full of talented photographers producing images beyond the average photographer’s capabilities. When you view them all together in a gallery, there are certain things that make excellent photographs stand out beyond the mass of above-average images being shared regularly. Here’re a few of the things that catch my eye.
Ever since I was young, I was interested in photography and being able to create awesome things that I could appreciate. At first, gear wasn't something that really mattered to me, as long as I could take photos and video and somehow edit them to create what I envisioned. As time went on and I began to get more serious, I realized my gear was sort of important and I do think that having the best gear you need for the field you are in is one of the most beneficial things you can do for yourself. I know not everyone is a huge gear head and may not want to invest in new gear, but I will share some of my reasons for upgrading my gear to benefit my work.
Technique, skill, creativity, and yes, gear can all affect the quality of your photographs. But there's one thing many photographers overlook when out in the field that will quickly improve your photography without costing you a dime or requiring any practice or specialized skills.
Yesterday was a really muggy day here in New Jersey and my partner and I both had off. We came downstairs to the office and worked on a few things when I realized we should be going out in this crappy weather and making something of it. We thought of a few ideas together and one stuck with us over the others, that was to shoot a car video using our Sony a7s ii and DJI Ronin M.
If there was one thing I wanted to know when I first became interested in shooting editorials, it was "How do I do this?" That seems like a broad question, and it is, but it goes to show what a mysterious subject this was for me. I wanted to know how to get started, and what steps I should take. In this article, I would like to pull back the curtain a bit for people who are interested in getting into editorial work and share what steps I go through to conceptualize, build a team, schedule, and shoot a fashion editorial.
When I first got interested in food photography, I was really overwhelmed by what I needed to get. And then, I heard Andrew Scrivani say: “The best gear to get you started is the camera in your pocket and the light from the window.” That was true, to an extent.
If there is one thing we learned this weekend concerning Jennifer Lawrence and others, it’s that even the most seemingly safe photos are not safe at all. We happen to be amongst two eras. One where cameras are more frequent than ever, and one where privacy is disappearing rapidly. Here are some tips to keep those two things separate.
So, you’ve got two or more internet sources and you want to combine them to create one faster, more reliable connection? Here’s how to do it.
Recently, I had an issue with OnlyFans. While I don’t feel it’s right to disclose the details of that particular case to preserve privacy, I uncovered a much bigger issue. Boiled down, if your work is stolen, you will have to pay to see it and stop it from being used unlawfully.
Photography has come a long way since my 35mm high school days. We've seen it go from film, to prohibitively expensive, low-resolution digital, to stunning high-res cameras in every phone. But the method of viewing digital images has been limited to print and computer screens. Since my very first Canon 5D I've been on the hunt for a digital picture frame that could display images with the same brilliance as print.
While I'm not fond of using AI to replace the creative process, I think it is incredibly helpful in enhancing image quality. With the right AI tools, you can rescue photos that may have been unusable otherwise. Topaz Photo AI is such a tool, and in this article, we look at its capabilities, limitations, and ways to get the best results.
Where once information and advice was sparse, it's now abundant. With that come sits own problems in identifying that which is worth retaining, and that which is worth discarding. This is the greatest advice for up-and-coming creatives I've ever heard.
For many photographers, photography can be a solitary pursuit. Many of us run a single person business where the majority of our time is spent by ourselves. Sure there are times when we collaborate with clients, talent, and assistants, but this isn’t the same as socializing with our photography peers. I’ve been fortunate enough to find an excellent solution for my isolation and highly recommend it to all photographers.
With its cliffs, spectacular mountains, and moody forests, Madeira is a dream destination for landscape photographers. It's a relatively small volcanic island, and you can drive from one end to the other in about an hour. So, wherever you stay on the island, you'll have various photo spots within reach. In this article, I show you five of the best.
Have you ever seen an incredible and compelling black and white image and wondered how you can create the same impact in your photos? In this quick Photoshop tutorial, learn how you can take your black and white photos to the next level by following this simple series of steps.
Creativity is remarkable, but some photographers seem better at it than others, don't they? Here's how to unleash your creative potential, but only if you want to break away from the sheep.
Here are 20 quick, essential tips on how to keep your photography business running and up to date in an age where technology changes day to day.
When they are out at night, wanting to shoot some astrophotography, the trickiest thing photographers usually worry about is getting enough light to highlight the nightscape for it come out well-exposed in a shot. Some make use of the available light, some wait for the full moon, and some get creative with torch or car lights. But Paul Heran and Ryland West came up with yet another ingenious method to light up their landscapes: drone lighting.
If you’re like me, you believe that within every photo there are a multitude of layers that exist. Whether it’s the eyes of our model, the body language of the engaged couple, or the overwhelming joy and love we see expressed in the smile of a groom seeing his bride for the first time, each photo we take, each photo we see,
We’re all likely guilty of spending way too much time utilizing social media sites like Facebook and Instagram to promote our photography businesses. Considering the amount of time and the value of said time, is social media actually paying off for you?
Watching this magical time-lapse video - of the Annual Albuquerque Balloon Fiesta shot by Knate Myers - I couldn't wipe the silly smile off my face. The stunning colors and compositions captivate. If you ask me, Knate completely succeeded in providing the best seats in the house for anyone who didn’t get to attend this magnificent event. I am certainly adding it to my bucket-list of things to do and see.
Inspiration is something we all wrestle with as creatives. Where do our ideas come from? Why can’t we simply come up with them on the fly? Why do we wake up at three o’clock in the morning with the perfect shoot planned out? How can we get more of these kinds of ideas? Let’s look at a few things that I do to keep myself inspired and ready to create.
After finding myself in yet another strange new world last week, I began to reflect on the future of photography and steps necessary to protect the profession we love.
For years, I have heard good things about Davinci Resolve as a powerful industry-standard video editing software. Despite all the positive things I have heard, I was reluctant to make the shift from Adobe Premiere Pro, fearing the entire process of relearning new software from scratch. However, motivated by the frustration of frequent crashes, I have finally made the call for the long-needed switchover.
As a landscape photographer and videographer, here is a detailed look at my gear list, my preferences, and the reasons behind my acquisitions.
I once tried to color calibrate my monitor... It was a disaster.
Some people say that you shouldn't work for free because it devalues your work, while others say that you have to do some in order prove your worth in a world saturated with photographers. I know, I know: doing free work has been talked about ad-nauseam on every site and forum across the web. But I know better than everyone else, so prepare to get more nauseous. Grab a bucket and strap yourself in, folks.
Learning is a process that takes time. Malcolm Gladwell's 10,000 hour rule applies to the so-called mastery of anything. By working hard on our craft, we are able to become proficient in the tools and techniques required to make the end product we desire. We go through stages of understanding and breaking our understanding. These are natural parts of our learning cycle, and the end goal should be to learn not how to do things, but how to ask the right questions to get where we want to go.
I absolutely love seeing the photos I have taken hanging up in my client's house. However, I dread the time it takes to get together and try to sell large prints or canvases as I know I could be using the time for other things. Finally, I've found a solution that I am super excited about that will make the experience for both my clients and I enjoyable, quick and easy. The end result is a win-win for both of us. Swift Galleries is about to change everything!
Returning to the same location repeatedly can yield some very different outcomes. Here I go through three years of photos from the same perspective.
Professional photography is a business, and like any business there are patterns and traits that exist when looking at what works and what doesn’t work. Here are a few traits every successful photography business shares that you can incorporate into your business.
