Exclusive articles and expert opinions written by Fstoppers’ talented team of creative professionals. Here we cover everything from the latest photographic techniques to advice on running a successful photography business, to first hand accounts of working in the photography industry.
In the digital age, we spend a lot of time in front of screens. Many of us retouch our own work, distribute it digitally, and even only have a digital portfolio. Some sell prints of client work, or fine art prints. And, some get published in magazines. In a past article on reinvigorating your love for the craft, I touched briefly on printing your work, and would like to expand on that today.
Dixie Dixon has been a good friend of Fstoppers over the years, and she even came down to the Bahamas with us for the first Fstoppers Workshop. Lee and I have been preaching since the start of FS that photographers need to film behind the scenes videos their own photoshoots. I was absolutely thrilled to see that Dixie has produced this short video outlining exactly how you should incorporate video into your own business.
Capture One has been known amongst high-end retouchers and commercial photographers for quite some time, the main reasons probably being its powerful tethering and color editing tools. Wedding photographers seem to think Capture One is not tailored to suit their needs. At least, that is what I thought. After a full year using only Capture One to process my raw files, I wanted to share with you why I stopped using Lightroom.
The Internet has done a rather annoying job of trivializing the photo selection process. Culling images is a critical process in a photographer’s workflow that the client or model often wants to be a big part of. The majority of photographers I’ve asked address this by dumping all the photos into some sort of web-based proofing site and just send the link off to clients and let them make their choices.
As Fstoppers' resident virtual reality content creator, I'm excited to share our most recent project we did for AOL. A few weeks back, the Autoblog/Translogic team flew my business partner and I to southern California and rented out a race track so we could film an awesome 1980s Ferrari that was converted to an all-electric high-performance sports car in virtual reality. They also wanted to interview us on what we are doing in the VR field and where we see the technology going. Learn more and see the actual VR film below!
On Monday I got an email from Microsoft telling me that a $2700 Surface Book was waiting for me at my local FedEx. I hurried over to pick it up and then I immediately went to the Apple Store in town to buy (what I thought was) as comparable MacBook Pro.
A few weeks ago Microsoft announced the Surface Pro 4, an updated version of the very successful Surface Pro 3. The day after the event they gave me one to test and I'm really enjoying it.
Something I've been asked a lot during my career is where I went to art school. Whether I took that as a compliment on my dedication to my craft or an insult saying that I couldn't have gotten to that point without years of instruction, I still really don't know. As you can probably tell, I was self-taught, not even finding photography until I was a senior in college, already committed to grad school for my MBA.
Our next episode of "Critique the Community" will feature headshot photography. This featured images was taken by the master himself, Peter Hurley, and in our next episode Peter will critique 20 random images submitted by our readers. Please post your submissions into this post by Thursday October 22nd at Midnight for your chance to get direct feedback from Hurley and the FS staff.
There are a lot of videos online, I mean a lot. The two words I hear out of clients that always make me cringe are "viral video." I want you to take a couple of seconds and expunge those words from your vocabulary... great! As many of you know SEO is the driving factor for long form content (such as this article.) Believe it or not, most of the principles that apply here are almost identical for video SEO.
So you want to travel with a model? I've been shooting portraits for around four years now, and have started to (finally!) add more traveling to my life. Unintentionally, it turns out that my travel partner, my friend Victoria, also happens to be a model. In a relatively short span of time, Victoria and I have shot together in multiple countries and states, including Florida, North Carolina, New York City, Ireland, Italy, and France. In my career up until this point, I had worked with a variety of models, choosing them based on how they fit a location or look. Here are some of the pros and cons of the experience.
Building a respectable name for yourself as a photographer can oftentimes feel impossible, especially in a market saturated with other photographers. In an industry with so much competition, you need to differentiate yourself and your work from the rest your competitors if you really want to stand apart from everyone else. That sounds extremely overwhelming, but there is a very practical and efficient way to carve out your own niche in this market.
Many photographers rely on their 50mm 1.4 and 85mm 1.4 lenses to give that dreamy, narrow depth of field look to their portraits. These two lenses have become a staple for portrait, headshot, wedding, and boudoir photographers who enjoy the soft look that comes with a narrow depth of field and natural lighting. But what happens when you want to create a similar effect in the studio, where your strobes are often too powerful for shooting wide open? Today, I'm going to share with you a fairly unconventional lighting technique that will allow you to shoot your lenses wide open in the studio.
Whether you’re a photographer, filmmaker, video editor, first assistant, or even just starting out as a PA, you’ve got to work to survive. There are many lengths of time where the work might seem to be non-stop; you work so much that when you do have free time, you might not even know what to do with yourself. The winds of fate can change quickly though, and you might find yourself all of sudden not having any new jobs lined up. After doing this dance for over ten years as a video producer and photographer now based out of Lexington, Kentucky, I’ve learned a few things about dealing with the stresses of when business is slow.
Editorial photography is a wonderful place to flex your muscles and test your abilities. You don't often get to shoot such variety and have such control on a single assignment. Over the past couple of weeks, we've discussed ways to approach the photography of your first assignment. Check those out here and here. This week, we'll be taking a look at getting your foot in the door and what to charge.
Each month I will be featuring and chatting to a different creative. My first is Nirrimi Firebrace, a photographer known for her intimate approach to taking portraits. She's been a name on the lips of many creatives for the better part of a decade, paving the way for the next generation of young photographers. Here, I spoke with Nirrimi about her inspirations, shooting style, and future plans.
A man with a camera and a smartphone was questioned for twenty minutes in his own neighborhood after a woman called the cops, fearing he was taking photographs of children in the park across the street. It turned out he was just a guy who lives nearby and has been photographing his neighborhood for three decades. Was this a little embarrassing for the woman? She might feel that way, but there are two sides to this story.
When I started out photography professionally, I only wanted to do weddings. It was what I loved (and still love). I thought studio work was so boring. With time, I was convinced to get my own studio and started doing portraits, beauty, products, and other genres. It was great. However, after two years, I am about to terminate my studio lease and will not take a new one. While I love shooting in a studio, I think the cons outweigh the advantages. Perhaps they will not for you. Nonetheless, let me show you what I learned from my two-year experience of having a studio.
A few weeks ago I wrote a post mocking the new Holga Digtal Kickstarter campaign. Holga's PR team caught wind of my post and decided to send me the new Digital Holga. At the same time the Impossible Project sent me a Polaroid 600 camera with Impossible Instant color and BW film. Which is better? Let's find out.
Instagram is a great way to promote your photography business. Not only can you make yourself seen by potential clients in your area, you can also be seen by millions of users across the world. With more than 300 million users though, it can be easy to get lost within the massive crowd. There are a lot of things that you can do to help grow your following, but there are also a lot of things you can do to hurt your following. If you want your business to be the next Instagram sensation, then don't make these seven Instagram mistakes.
UPDATE: Results from our reader's poll can be found here! Last week we released our head to head competition review between the Sony A7RII, the Nikon D810, and the Canon 5DsR ultra high megapixel cameras. Our test put all three cameras up against each other and compared their performance in terms of ergonomics, HD video, auto focus, ISO performance, Dynamic range, and overall image quality when used in the studio. Unfortunately a bunch of Sony users complained that our final studio test wasn't up to snuff, so we did what any respectable review site would do and brought back baby turtle. The new results might shock you.
Our next episode of "Critique the Community" will feature natural light portraits. Use this awesome featured image by Dani Diamond as inspiration for your submission. While images which include the use of reflectors are acceptable, please do not include any shots that include extra light (flash or continuous) added by the photographer. Please get in your submissions by Sunday, October 18th and you'll have the chance to have your image critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify, you must follow the submission rules below.
Halloween is almost upon us. October brings the opportunity to photograph a huge array of exciting costumes. As a photographer who specializes in cosplay photography, I’m accustomed to shooting elaborate costumes all year-round, but for most photographers, Halloween presents a fun time to step outside of their normal photography box.
A few months ago I wrote a two part article on branding for photographers. In this article I will continue with branding for photographers, and why you should keep your brands separated. The most common thing I see are wedding photographers combining their wedding work with their family, baby, senior, and even commercial work. While I completely understand the tendency to not only simplify your marketing, but also the concept that by showing your multiple talents you will increase your value to clients, combining genre's is one of the biggest things hurting the growth of your business.
Last week we asked the Fstoppers Community to submit some of their family portrait work for the next episode of Critique the Community. We accepted anything family related, groups, kids, or babies and chose 20 of them to give feedback on. Check out the submissions below and listen as Lee and Patrick give their thoughts.
When DJI announced the Inspire 1 drone, I didn't get it. It was a much larger and more expensive quadcopter that had only a slightly better camera attached to it. I had no interest in the Inspire 1 until they announced the new Zenmuse X5 Micro 4/3 camera/gimbal system. I currently have one and I can tell you, it's pretty amazing.
The rise of social media over the past few years is undeniable. It’s come to shape our habits and behavioral patterns, as well as redefine social norms. So, it’s inevitable that the creative industry has been influenced too; but in a world where our brand’s worth is often dictated by our follower count, just how important is mastering social media to any creative trying to make it in the industry in 2015?
Welcome back to this series on editorial photography. Last week, we discussed the basics of preparing yourself for your first editorial assignment and shooting individual frames in a variety of different ways. There were a couple of questions in the comments, which I will be addressing in next week's post. This week, we will focus on multiple frames and making them work together. Specifically, we'll be looking to tell a story using multiple photographs.
When I started out my photography business, I was always told how important it was to have a strong and personal style. At the time, I did not understand what that meant. I knew all my pictures were too different to make for an impactful portfolio. I also knew that my retouching was inconsistent. But no one told me how to create that sought-after "photographic style." Even the word "create" was probably wrong. Rather, it appears that a style is developed and refined shoot after shoot, job after job. It is a neverending process. However, there are some points to help develop an impactful style.
A little over a year ago, I got to live out one of my worst nightmares. I had a day where the personification of my anxiety sprouted legs and ambled right into the middle of a wedding ceremony that I was photographing. Mr. Anxiety-Incarnate snuck into a church, and like a biblical plague, snuck right back out and took something precious with him. Never to be seen again was $12,000 worth of gear that was stored in my roller bag. That’s right, I lived out the photographer’s terrifying dream equivalent to showing up to a high school class naked.
With only two days left until the contest period closes, this weekend will be your last chance to fill out our 10 minute survey and be eligible to win some fantastic prizes! All entrants will also receive a discount code for Fstoppers Original Tutorials. Check out the survey details below.
As someone who prefers to shoot using natural light, I have realized that sometimes, a photo begs for artificial lighting. For years, I struggled with how many strobes to use and where to place them. I lost patience and focused instead on natural light. By spending the time to learn how lighting actually works, I eventually gained a better understanding of how to use strobes. In this article, I hope to share with you how to use just one strobe to create jaw-dropping results.
Success is something that we all strive for no matter what we are doing. Everyone wants to feel like they are doing well in their work and that they are accomplishing something. The advantage with this is that the line is constantly moving. Once you reach a goal, there is a bigger and greater goal to start reaching for. This causes us to continuously move forward, but because of this, our definition of success is always changing. I asked a handful of industry leaders, “At what point did you feel like a success?” Their answers are something we could all learn from.
It seems that a lot of photographers tend to avoid direct sunlight and for a long time, I did too. Occasionally, I would backlight subjects, but I would never dare light them directly with the sun. I decided one day that it was time to embrace the sun. In this article, I break down my methods for achieving a good photograph in direct sunlight, discussing what has helped me and what you should avoid.
This is some rather sad news I have to bring everyone. At the moment there are only 500 FlashDisc units left in our Amazon UK store and we will not be replenishing them once they are sold out. We are currently sold out of the FlashDisc in the US (more coming in the next 2 weeks), but because of logistics and the amount of administrative work it takes selling a product in another country, we will not be replenishing our Amazon UK store once inventory is sold out.
Our next episode of "Critique the Community" will feature family portraits. We will choose anything from kids in a studio to whole family groups outdoors; so, feel free to include a wide range of pictures. Please get in your submissions by Friday at noon (EST) and you'll have the chance to have your image critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify, you must follow the submission rules below.
One of the most valuable selling points that many of the world’s top photographers have is that they have invested in creating a signature look to their photography that builds a consistent sense of identity across their entire body of work. A very common question I am asked is how to develop your style. It seems to be a goal that many photographers are chasing, but have no idea how to go about.
Last month Fstoppers teamed up with SLR Lounge and BH Photo for an exciting camera giveaway. If you missed the entry post, basically we were giving one lucky winner their choice between the Nikon D810, Sony A7RII, and the Canon 5DsR high megapixel cameras. Yesterday we released our own review of all three of these cameras and today we are excited to announce the winner of a brand new camera!
You’re not a writer, so stop trying to be one. For the past 10 years I’ve struggled with the same thing, and that's website copy. I finally put that burden to rest and hired a copywriter. Here's why you should too.
If you thought the megapixel war was over years ago then you might shocked by the latest cameras released by Nikon, Sony, and Canon. The D810, A7RII, and 5DsR are the biggest and baddest pieces of artillery on the front line, and today the team at Fstoppers is going to determine once and for all which camera is the best. With enough megapixels to challenge some of the most popular medium format cameras, these compact full frame cameras pack a lot more punch than you would think. Don't believe us? View the full high res images and take the poll yourself!
Over the past few years and into the future, our Photo of the Day feature continues to be a cornerstone of Fstoppers. Featured on the front page as well as being published out over our Twitter and Instagram accounts, Photo of the Day’s goal is to give enthusiastic attention to the creative talent found throughout the Fstoppers Community. Fstoppers has the greatest readers and we love showing off the incredible work you create. If you are interested in having your photo featured as PotD, here are some guidelines to keep in mind for how they are selected.
CERN is a renowned international nuclear research facility located just outside Geneva. Straddling the border between Switzerland and France, it's home to the infamous Large Hadron Collider — the largest single machine ever made by humankind. It was built to find the Higgs boson, often referred to as the elusive "God particle." CERN recently hosted a small group of select photographers for a rare photo walk throughout their massive experimental laboratory, and we have an exclusive first look at the photos.
Ever meet someone who is so upbeat and happy that they can’t help but greet you with a big smile and hug every single time they see you? Ask anyone in the photo industry and you'll know, that’s Jaleel King.
Last week we asked the community to submit their automotive imagery to be critiqued by the Fstoppers team. Lee Morris and Patrick Hall went through a range of 20 images and gave their thoughts and feedback with the Fstoppers rating system. Check out the selection of pictures below and add your thoughts to the comments!
October in New Orleans means wedding season. This weekend was a double wedding weekend just like most of the next few weeks will be and I just finished what would be considered a timeline disaster, but the marquee images were not missed in large due to experience and meticulous planning. In this article I will go over methods to prepare for the unexpected and how to make sure you get everything you need despite the inevitable busted timeline.
The process of culling is used in every type of photography and is used by professionals and amateurs alike. Culling is simply the process of selecting the best images from a shoot to be edited and delivered to a client. When photographers first start out in the editing world, this process can seem like a waste of time or hard to figure out a best practice. So I’m going to explain why we cull and some of the best ways to do it.
I'm definitely NOT a studio photographer, but I respect and understand why for a urban running photoshoot like this one, it can make things a whole hell of a lot easier by doing it in the studio. Steve Brown shares some insight into his process in this behind the scenes video.
One of the biggest questions I get when photographers consult with me about managing their brand on Instagram is: "Should I create a business page separate from my personal page?" This discussion was started on the Instagram for Business group by Martin Bonden, who asked what I thought about creating a business page on top of a personal page, as opposed to having just the one. Here are a few reasons why I like to keep mine all in one page as a professional photographer.
As a self-taught photographer, I’m an advocate of learning through doing. I didn’t study it, but I can imagine that reading all the Photography 101 books that are available still wouldn't prepare you for actually being on a set, with a model standing in front of you, and a team awaiting your creative direction. In my journey, experience has meant everything. Here are some of the things I’ve learned over the years that may help when shooting your own portraits.
