Fstoppers Original Articles

Over the past few years and into the future, our Photo of the Day feature continues to be a cornerstone of Fstoppers. Featured on the front page as well as being published out over our Twitter and Instagram accounts, Photo of the Day’s goal is to give enthusiastic attention to the creative talent found throughout the Fstoppers Community. Fstoppers has the greatest readers and we love showing off the incredible work you create. If you are interested in having your photo featured as PotD, here are some guidelines to keep in mind for how they are selected.

CERN is a renowned international nuclear research facility located just outside Geneva. Straddling the border between Switzerland and France, it's home to the infamous Large Hadron Collider — the largest single machine ever made by humankind. It was built to find the Higgs boson, often referred to as the elusive "God particle." CERN recently hosted a small group of select photographers for a rare photo walk throughout their massive experimental laboratory, and we have an exclusive first look at the photos.

Ever meet someone who is so upbeat and happy that they can’t help but greet you with a big smile and hug every single time they see you? Ask anyone in the photo industry and you'll know, that’s Jaleel King.

Last week we asked the community to submit their automotive imagery to be critiqued by the Fstoppers team. Lee Morris and Patrick Hall went through a range of 20 images and gave their thoughts and feedback with the Fstoppers rating system. Check out the selection of pictures below and add your thoughts to the comments!

October in New Orleans means wedding season. This weekend was a double wedding weekend just like most of the next few weeks will be and I just finished what would be considered a timeline disaster, but the marquee images were not missed in large due to experience and meticulous planning. In this article I will go over methods to prepare for the unexpected and how to make sure you get everything you need despite the inevitable busted timeline.

The process of culling is used in every type of photography and is used by professionals and amateurs alike. Culling is simply the process of selecting the best images from a shoot to be edited and delivered to a client. When photographers first start out in the editing world, this process can seem like a waste of time or hard to figure out a best practice. So I’m going to explain why we cull and some of the best ways to do it.

I'm definitely NOT a studio photographer, but I respect and understand why for a urban running photoshoot like this one, it can make things a whole hell of a lot easier by doing it in the studio. Steve Brown shares some insight into his process in this behind the scenes video.

One of the biggest questions I get when photographers consult with me about managing their brand on Instagram is: "Should I create a business page separate from my personal page?" This discussion was started on the Instagram for Business group by Martin Bonden, who asked what I thought about creating a business page on top of a personal page, as opposed to having just the one. Here are a few reasons why I like to keep mine all in one page as a professional photographer.

As a self-taught photographer, I’m an advocate of learning through doing. I didn’t study it, but I can imagine that reading all the Photography 101 books that are available still wouldn't prepare you for actually being on a set, with a model standing in front of you, and a team awaiting your creative direction. In my journey, experience has meant everything. Here are some of the things I’ve learned over the years that may help when shooting your own portraits.

Are you as stealthy as a fog horn? Do you have all the grace of a dirigible in a sudden windstorm? Certain genres of photography — wedding and wildlife photography in particular — require a certain physical tact, an ability to be unseen. Check out our tips on how to capture the focus of an event without becoming the focus of the event.

Editorial photography is still alive and well, despite what the cynics will tell you. It no longer has the budgets it used to, and there are not as many publications to go around, but you may still get called on from time to time to shoot a series of images for a magazine. Editorial assignments can be extremely varied, and a challenge to do successfully, but they're extremely rewarding and often lead to meeting interesting people along the way. But where do you start when you get the call?

Retouching can vary from photographer to photographer. But it can also vary depending on the genre you are shooting. I know it does for me. My wedding retouching is far from being as refined and time-consuming as my portrait retouching. When dealing with hundreds of pictures, you have to find techniques that get you close to a perfect result, but as quickly as possible. One thing I had trouble getting my head around was maximizing my dynamic range in my wedding pictures without stacking multiple raw developments. That was until I made a lucky mistake when sharpening an image using a high pass filter.

I love cameras: all shapes and sizes, formats, brands, and styles. No matter what kind of camera it is, I’m interested in what makes it work and what makes the image quality different than others. I enjoy experimenting with 35mm film, instant film, and all types of digital formats. I believe that using different cameras is a great way to better yourself as a photographer. Over the past several years, I’ve developed a decent collection of cameras and the more I obtain, the more I try and jam into my bag. At a certain point, I started to realize that my obsession was getting ridiculous and it just wasn’t practical to bring all of these toys with me to every shoot I had. This being said, where do you draw the line? And what goes into deciding what camera to bring with you? If you're like me and enjoy experimenting with different types of cameras, here is an inside look at some of my favorites and what goes into my decision process when choosing which one to bring with me to a photo shoot or on an adventure.

Recently, I have been experimenting with creating a sort of more intense style of headshot for certain clients who are interested in a more surreal, vibrant, look to their headshot as opposed to the more traditional headshot which is designed to to more closely emulate realistic lighting. The heavy cross-light look uses powerful lights that are positioned perpendicular to your the main light to create a strong highlight to the side of the face while living a distinctive shadow down the subject's cheek. Heavy cross-lighting can do a great job of building a sense of three dimensionality without sacrificing the soft, flattering, feel of a traditional headshot.

Our next episode of "Critique the Community" will include any automotive imagery, cars, motorcycles, engines, or other vehicles. The above incredible image by Digital Macdaddy should inspire you to submit your best automotive photos below! Please get in your submissions by Friday at noon (EST) and you'll have the chance to have your image critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify you must follow the submission rules below.

With a concept of traveling back through your childhood and experiencing that care-free, fantasy world of "pure imagination," Permagrin Films has put together an incredible time-lapse music video. In the article below, there's a full behind-the-scenes video and the producers of the film answer a few of my questions in a brief interview.

While some physical improvements with Spotlight, Photos, Safari, and other Apple apps are definitely welcome with today's new OS X release, perhaps the most exciting aspect of El Capitan are the under-the-hood improvements for performance gains. There’s no need to explain how time-saving performance upgrades can be for working professionals — and for those reasons, everyone will want to update immediately. But there are some things to always take into consideration before an operating system upgrade.

Yesterday we released the iPhone Bikini Shoot, a video in which I do a professional quality photoshoot with minimal gear. The point of the video wasn't to say that the iPhone was a better camera than a professional DSLR, it was meant to inspire photographers to use the gear they currently own to create beautiful images. Obviously the iPhone is infinitely worse than any current DSLR for stills but surprisingly it appears to be a far better video camera than my $3000 DSLR when there is enough light present.

"Oh, this is going to be good," I chuckled to myself. Fstoppers co-founder Lee Morris had just posted an article and video called "The New iPhone Fashion Shoot: Bikinis, Foam Core, and Flashlights." I knew the response would be fast and passionate. I wasn't disappointed.

Brooke Shaden is an undeniable force of photographic nature. Not only is she well regarded as a pioneer of modern fine art photography with her dream-like compositions and self portraits, she is often as focused with helping us develop our own work as she is with her own. This week, Brooke throws open the doors to her “Promoting Passion Convention”, which aims to more than your ‘typical’ photo workshop. If you’ve been looking to spread your creative wings and be inspired to create by learning from some of the best in the industry, this could be exactly what you’ve been waiting for.

Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.

Five years ago I filmed the iPhone Fashion Shoot, a 10-minute video in which I take professional looking images with the iPhone 3GS. That video was supposed to inspire photographers who assumed that their work was suffering because their gear wasn't ultra expensive. The video became extremely popular and became very polarizing. The majority of people thought my images looked good because I used fancy lights.

Sometime around 3 a.m. this morning, I awoke to a strong light beaming through my bedroom window. It was the supermoon glowing big and bright. I crawled out of bed, grabbed my camera gear, and set up a tripod on my tiny patio in Amsterdam to shoot the famous supermoon lunar eclipse — that phenomenon that happens only a few times each century.

Creating promotional video content for industrial and corporate clients is an often overlooked, yet very large, part of the market when it comes to the amount of work they can generate for production companies. A few years ago my business was hired to produce such a video, and I (finally) have the behind-the-scenes video completed to show how we put everything together.

Recently, PRO EDU posted video reviews of the new iPhone 6s, which is getting major attention for its new video capabilities, namely its ability to record 4K video. In these two video reviews, PRO EDU takes a look at the dynamic range and stabilization ability of the new phone, as well as its overall video quality. PRO EDU, known for their video tutorials on photography topics, uses the iPhone on productions regularly, as I experienced firsthand, during the filming of the Dani Diamond Portrait Tutorial in my hometown of New Orleans.

As we all know, the human experience is unique. Your life and your opinions will never be the same as any other persons. This is why there is a subjectivity to art. When viewing and creating art, there will not be two artists who imagine the same piece. Since photography and retouching are both art forms, it would be plausible that the same applies.

The Fujifilm X-Series cameras have made quite a stir in the photography community over the past few years by asking us to take mirrorless cameras seriously. Since the debut of the X-Pro1, Fuji has released numerous iterations, but has really showed it was serious with the X-E2 and X-T1. Now, we have the X-T10, a scaled back X-T1. Where does it fit and who is it for?

It’s been almost 3 years since I moved to London to pursue photography as a career. I’ve learnt that there are many misconceptions about those who take photos for a living - so here I’m setting the record straight about what day-to-day life is really like for a portrait photographer in one of the world’s biggest cities.

In the world of photography, preparation goes a long way. From creating mood boards weeks in advance, communicating with everyone who will be on set, to making sure your gear is in proper working order, there is a lot to do before you even shoot. Whether you are shooting in the studio, working on a large scale shoot, or just going for a photo walk with some friends, here is a simple list of steps to make sure you are ready the night before a shoot.

There are thousands of apps out there to expand your mobile photography capabilities, but what about apps that augment your abilities when you're holding a DSLR? Here are five of my favorite apps to enhance your productivity.

Think of the nowadays common term #squadgoals; now, turn off your Taylor Swift playlist on Spotify and really listen. Would that term have the same meaning if some of the "squad" were paranoid, bitter people? Probably not, because those kind of people don't make for very good company. Instead, you're probably picturing a team of diverse, amazingly talented powerhouses from various walks of life who all have one thing in common: eating faces and taking names.

Today I got an iPhone 6s and the only feature that really excites me is the option to shoot in 4k video. As I've said before, I don't care to export videos in 4k, I just want higher quality 1080p footage. I decided to do a quick test comparing the 4k capabilities of the iPhone 6s to the hottest camera on the market today, the Sony A7RII.

I’m sitting at my desk on a Friday and I get a phone call. It’s Saturday’s wedding venue, and they’d like for me to sign my life away. In what’s becoming an all too common practice, the venue has decided that for me to be allowed to photograph my client’s reception I should grant them a waiver of liability that allows for their potential future negligence to go unchallenged in court, even if it results in my death. Seems like a pretty fair deal for the guy showing up to take pictures, doesn’t it?

Fstoppers is asking for your help! We have a 10-minute survey that will make you eligible to win 1 of 4 prizes and will also guarantee you an Fstoppers Original Tutorial discount. All you need to do is complete the survey below and you will enter the drawing. Here's what you can win:

Wedding photographers often tell me how annoying it can be to get a consistent white balance across the images of the day. Shooting weddings almost every weekend during the summer myself, I used to have that problem as well. With a white dress for the bride and a white shirt for the groom, it should be easy though. The problem is I like my images to make my couple look good. Meaning I like having the same skin color and tone on every picture. During the day, their skin might change color a bit because of the sun, the emotions, and the alcohol. Switching to Capture One this year I found the perfect solution to avoid this issue: setting my white balance based on skin tones and not on a gray card anymore.

For our latest submissions to Critique the Community, we asked photographers to submit their product images for review and feedback. We had a great variety of submissions this week and choose 20 of them to talk about. Thank you everyone who posted their pictures. To see the variety of shots we chose, check out the talented work from our community below.

In May we published an article covering three of the most critical things your website should do well. The original post included several critical suggestions that could help improve your website but was, by no means, a definitive list. In this article we will expand on the first by adding three more items to the list.

It comes up when I'm driving someone around and they ask where my car charger is (I don't have one). Or when I'm having a party at my house and my guests asks to go into my office to plug their iPhone into my computer. You don't have to live like this anymore. There is another way.

When people first get into wedding photography, one of the main pieces of advice they will hear over and over is, “You can’t reshoot a wedding." This instantly leads to photographers asking, “How do I protect my images?" Image backup and cataloging is sort of like baking a cake. Every photographer is going to have a different recipe to how they do things. Over the years my process has evolved into what it is today. This process came about in part from learning by fire, and another part came from learning from others. If you don't want to use my entire process, I at least hope part of it can become a helpful addition to your workflow.

In any creative field, there seems to always be a tipping point — one that when you reach it, you suddenly yearn to help others learn your craft. Photography is no different. What's interesting is that at one point in time, photography was more like any other skilled labor, such as being a carpenter, electrician, or blacksmith, where you had to first pay your dues as a apprentice for years before ever being able to perform said craft on your own.

Submissions for a new episode of "Critique the Community" are now open! Between now and the end of the day on September 23rd, you have a chance to submit PRODUCT images to be critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify you must follow the submission rules below.

Aerial photography has always been something that I have found interesting. Seeing so many of our writers like David Geffin, Mike Kelley, and Noam Galai capture exciting photos and video from the sky has inspired me to finally attempt my first doors-off helicopter excursion. In just one short one-hour ride, I've learned a lot of do's and don'ts as well as a bunch of things to experiment with again. I even attempted shooting with a $7,000 lens that everyone told me would be a disaster — and it nearly was!

Understanding your fundamentals is, well, fundamental to photography just like it is in anything else. In a previous article, I discussed the basics of aperture and exposure. Now, moving forward I want to address one of the key elements of aperture which is depth of field. All variables in photography have a give and take, and with your aperture as we gain light we also lose depth of field. But aperture is not the only variable the affects depth of field, and in this article we will take a look at those other variables.

Wedding photographers would like to hold their clients — or would-be clients, for that matter — to certain standards. As a collective, we’d love to see them shop for the best vendors, spend good money on photography, and have unplugged weddings with nary an Uncle Bob in sight. The list goes on. It would stand to reason that most of us in “the business” would probably find the idea of a bride acting as her own photographer to be pretty abhorrent. We’d chalk it up to selfie culture run amuck or DIY gone wrong, wouldn’t we? Would you? I probably would have, if I’m being honest. However, we might be wrong.

Since 2012, many have considered the Canon 5D Mark III to be the proverbial workhorse of the photography industry. It's a great all-around camera. It's not perfect, though. It's also three-and-a-half years old. In the meantime, manufacturers like Sony and Fujifilm have vaulted ahead in the innovation game. This is Canon's chance to take back the spotlight.

The more work I do as a photographer, the more I realize the importance of personal projects. While I do everything I can to book jobs shooting subjects that I enjoy, the reality is, photography is not just a hobby, it is a job and not every job is enjoyable all the time. Sometimes, staying inspired can be difficult, especially when you are taking a job for the money or experience alone; this is exactly why personal projects are so important. Last week, I had the chance to talk to Brent Foster, a filmmaker who has recently been working on a personal project. He gave me an inside look at what goes into one. From equipment to execution, he gave me a behind the scenes look at his project "While I'm Here | The Legacy Project."

Dodging and burning for cleaning skin is very common amongst high-end retouchers and for a reason: when mastered, it gives you natural, yet almost perfect results. The downside of the technique is that it can eat up a lot of time. When I say a lot of time, I mean up to a couple of hours for a single image, depending on the problems that need corrections. While spending this much time on big projects or perhaps on personal projects is conceivable, for someone that shoots portraits every day and has to retouch quickly, this is simply not viable. A couple of tricks exist to help you go faster, while retaining a high quality and natural-looking image. I have listed four of them here with the hope that they will save you as much time as they do for me.