Fstoppers Original Articles

This year has been rich in new exciting product releases. While most wedding photographers were probably awaiting the Canon 5D4 announcement, the action and sport photographers were looking forward to the new pro bodies, such as the Nikon D5 and Canon 1DX II. However, Nikon surprised us with the D500, their new APS-C flagship camera. Being the geeky photographer that I am, I wanted to try it out and see if it was good as a Nikon full frame body.

When photographing on location, be it a campaign for a clothing company, lifestyle images for a client, or just making portraits of someone outdoors, I always go through four steps before I actually take a photo.

One of the most common questions photographers have is about how to effectively price their work. Rates vary so widely based on location and skill level that many are left scratching their heads as to what is fair. This has led to the common mantra stating “ask for the clients budget.” Here is why I think that's a ridiculous way to price yourself and a horrible piece of advice.

When you're shooting film, especially large format film, you have a lot of time to think. When your hands are in a bag and you're loading or unloading many sheets of film, the mind tends to wander and probably the subject that crosses my mind the most is "why?" Shooting digitally would be so much faster. I could be out having a beer somewhere! I could be editing some images in Photoshop from an editorial gig that I've been putting off. Hell, I could be practicing my juggling skills (or learning to juggle). So, why am I instead up to my elbows in this bag, enduring the necessary tedium of film life? Here are some common doubts I have and the reasons I push past them!

The concept of permanence is flawed. Nothing can keep its state, unchanged indefinitely. What is young and vibrant will eventually wither and fade. I never fully grasped this simple truth until my father lay dying in the next room. While he would always be my father, I realized my dad wasn’t as permanent as I once thought. I had confused permanence with stability, and stability was exactly what I needed as my world spun out of control. Gut-punched, I reached out for the most stable thing I could find: my camera.

Don’t crop those photos when using for them for Facebook profile photos. Why would you want to if you don’t have to? It doesn’t show the full image in all its wonderful glory. That photo was picked because it’s one of your best works, or the model’s favorite photo, or the best portrait that person has, and so forth. Why not show it in its entirety? Don’t crop those photos!

This article will probably seem like a giant “duh” to a lot of you out there. Hell, even most avid selfie-shooters have figured this out. This is geared more towards the photographers who lust after huge, expensive light modifiers and overlook the amazing light source that is probably staring them in face. I suggest you start staring back!

How do you commemorate the opening of the third tallest building in the United States and the tallest residential building in the world? With an epic photo shoot, of course. Model and Dancer VikTory took to the sky to pose for this amazing set of photos that duly capture the scope of the building.

It doesn't take a rocket scientist to know how much random, toxic, hate is spewing around the internet. Many sites have even started getting rid of comment sections because trying to moderate so many putrid posts gets exhausting after a while. Photographers are often the target of completely uncalled for, targeted, hateful notes from some of the web's most vile cretin. Learning how to effectively handle these sorts of attacks is critical to maintaining your sanity and resolve.

Everywhere in Europe, heathers are looking positively vibrant. I trust that it's a worldwide phenomenon along the northern hemisphere. They’re also blooming three weeks sooner than past years; a result of an early Indian summer, due to the changing climate. Ostensibly, purple heather is a magnificent subject in landscape photography, but there are many more things you can capture in what is arguably the best season for photography. So let’s get you ready to capture this herald of autumn.

I'll preface this by saying that I am in no way bashing the Instagram community, other photographers, or their style. I got to be curious about why these Instagram portrait photographers were gaining such popularity. If you search any of the various Instagram "superhubs," you'll see this style crowding the pages. Once deconstructed, there isn't much to the look that has exploded across social media in the last year. Though there isn't much to it, there is certainly some work involved. It's not always as simple as a few sliders in the Instagram editor.

Photographers are creative entrepreneurs. As creative entrepreneurs, most of us aspire to monetize our craft and make a living as artists. In order to run our businesses efficiently, it’s important to have tools and systems in place. If you’re a single person operation, it can be overwhelming at times to think about all the things that go into running your business that aren’t “photography,” including but not limited to marketing, bidding, invoicing, making phone calls, sending emails, networking, upgrading equipment, and higher education to name just a few. Without systems, it’s easy to get off track.

During a two-day trip to the magnificent city that is Rome, photographer Milán Rácmolnár came up with the brilliant idea of photographing Rome in infrared. The result is a different and pink perspective on the cityscapes.

That title might sound a little bit backwards to most of you, but it is not. I know many professionals feel you shouldn't do any photography for free, especially after you have worked your tail off to get to a point where people will pay you to make images. However, even as a full time professional photographer, I actually do a lot of free work. But I do it only on my owns terms, and do turn down many offers.

A little while back, I wrote an article called, “The Power of Overshooting,” where I explained how it can never hurt to take more photos than you need to. Now this article got plenty of hate from all the people who love film out there, but the article wasn’t written to bash the people who put time and effort into shooting their photos.

Style is one of the most important aspects of fashion photography. Having a consistent portfolio of images that reflects who you are and your creative vision is really important when it comes to clients viewing your work. Many fashion photographers, including myself, have struggled with making their work stand out from the crowd. Here are a few tips from what I have learned about finding your style and visual voice as a photographer.

A beauty dish can be extremely versatile if you learn how to control the way it modifies light. Most photographers simply use beauty dishes to light the face, but you can use it to light full length photos if you know how to position the light correctly. In this video, I’ll demonstrate three ways to use a beauty dish for beauty and fashion photography.

I haven’t seen much on this topic, but a brief conversation with another photographer recently illuminated to me the fact that photographer anxiety is not at all uncommon. One of the reasons I believe it isn’t discussed a great deal is the general image of today’s top photographers.

Beyond the most obvious upgrades such as more pixels, bigger ISO numbers, and auto focus, has anyone noticed that the general feature set of DSLRs really doesn't change very often? I certainly have! There have been, in my opinion, obvious things missing from DSLRs for years that would make me a very happy camper if added. DSLR makers pull out your notepads!

Photographers Kristina Sherk and Chris Crumley have been a dynamic pair for years with their underwater photography. Crumley's shots of Sherk's mermaid modeling have gone viral around the world. However, Sherk decided to take on a new endeavor and create her own underwater art.

Imagine a spectacular, rugged landscape. Pine forests that stretch for hundreds of miles, vivid lakes and countless waterfalls. This is central Norway; bear country. While I am packing my camera bag for a two week photography trip honeymoon to Iceland, I relive a memory that answered the question if we really need to travel for better photographs.

Ebru Yildiz is a photographer based in New York. She shoots portraits and live music events and has clients like the New York Times, Rolling Stone, NPR, and Pitchfork to name a few. One of the places she's shot a lot of work at has recently closed their doors. The venue, Death By Audio in Williamsburg, has been one of the most vital underground music venues in the NYC community. It occupied a large warehouse on the waterfront from 2005 until 2014 and hosted bands who due to their performances there later enjoyed international acclaim. Bands like A Place to Bury Strangers, Jeff The Brotherhood, and Lightning Bolt and many more graced the stage in this venue.

As the curator for the Fstoppers Photo of the Day and our Instagram feed, I happen to read a lot of comments and criticisms thrown out at images by semi-anonymous people from all over the world. One thing I can be sure of is that when I post an image that is a composite or incorporates some sort of digital art, some people get offended. This is ridiculous and needs to end for photography to continue growing.

It is a common expectation that when clients hire you, it is because they like your style and think you will help project their brand’s identity. But what do you do when, despite previous exchanges, on the shooting day, you realize that your clients have entirely different expectations. Do you just change everything to adapt to their needs or do you say no?

Announced today, Datacolor is introducing the Spyder5CAPTURE PRO bundle for a managed color workflow from capture to editing. The new product includes the Spyder5ELITE colorimeter, SpyderCHECKR, SpyderCUBE, and SpyderLENSCAL. Shipped together in a foam-padded metal case, this bundle is selling for an introductory price of $269.99, which is normally the cost of just the Spyder5ELITE alone.

If you’re not shooting raw images, selecting the right picture profile could be the difference between a decent image and an incredible one. I was surprised to find out that some photographers didn’t know that they can download extra picture profiles and install them. Why waste the opportunity?

Documenting a wedding in itself is very demanding. It often requires 12 or more hours of coverage during which you must be creative almost every second. But wedding photography doesn’t stop when the big day ends. Then come the culling and editing. It’s probably the part where event photographers spend most of their time and also the task they like the least. Fortunately enough, retouching companies exist and can lighten if not remove that part of the job entirely. I made the switch for my wedding business, and I share my experience with you here as well as why you should give it a try as well.

The search for a good deal in camera equipment can be both rewarding and painful. Nobody is as much of a proponent of finding good, used equipment as I am, but I've definitely been burned before. Just this past week I had a good reminder of why it pays to be cautious in picking up used, and more particularly, discontinued, gear.

So, you’ve got your portfolio finished. You have strong images that display the work that you want to be hired for. Your website is branded in a way that appeals to your target market. Your business cards are all set to go. So why aren’t clients flying through your door?

A few months ago we shared that Instagram began to roll out some pretty powerful analytic tools called "Insights," though as many of you might have gathered it's not available to the masses just yet. Select users have their hands on the tools currently and they are able to track things like impressions, total reach, clicks to the link in your bio, and even what percentage of your followers are male or female. The tools expand further down into regions of the world your followers are from, including the exact city. Here is how to get them right now, for free.

Thomas C. Corley, author of Rich Habits, wrote that the the most successful business owners create multiple sources of income. Seasoned photographers have experienced the ebb and flow of the portrait business over the years and know that the best way to stay afloat is to be consistently adaptable. Maintaining multiple baskets for income to be generated is key to surviving a slow season.

You may have purchased your first DSLR camera, you may have already fallen in love with the art of photography, you may be thinking about taking your work to the professional level, but what would my best piece of advice be to an aspiring professional photographer? My advice may surprise you.

Search Engine Optimization is hard. It may be relatively simple, but it is still really hard. Don't let anyone tell you otherwise. There are always going to be far more people clamoring for the top search rank than there are useful top search ranks to earn. Thus, you must be smarter than your competition. Don't fall prey to some of the most common mistakes. Instead, let your competitors make it so that you can rise and succeed. Here are three mistakes to avoid.

If you’ve heard of "America’s Next Top Model," you’ll undoubtedly be well acquainted with its photographer. A judge for 17 seasons, Nigel Barker was propelled to household name status as viewers saw him critique model portfolios and take part in various themed photo shoots. Now, in partnership with Adorama and with the backing of Canon, he is preparing to launch his own show: "Top Photographer With Nigel Barker," a web series showing Barker on the hunt for emerging talent in photography. In this exclusive Fstoppers interview, I chat with him about how the show will work and also get advice on social media, the process of selecting portfolio images, and how to handle yourself with clients.

Something that happened last week really hit home for me. Everyone probably already has heard, as it has been reported by almost every single news agency in the world; Australian photographer Brett Costello was robbed of $40,000 of camera gear in Rio de Janeiro, Brazil last week while in town to cover the Olympics. However, this article isn't about him specifically.

A number of websites offer multimedia content to content creators for their projects through an easy-to-access online portal. But as well as those sites serve the many that use them, they all have one thing in common: they set the price for all content. Letting photographers, videographers, and musicians set the price for their own work, Pond5 is an exception in a set of businesses between which it is increasingly hard to differentiate.

Full-time photography is a dream many of us have considered fulfilling. What could be better than to get paid for what you want do? A pursuit of passion is often a difficult start, but there’s one critical aspect that I think you should consider immediately: specializing.

To preface, most professional photographers are of course only doing their best to help others when they speak from past personal experiences and while giving advice. However, even the most well-intentioned words from somebody may create negative consequences for the listener. Sometimes it’s not even in the words, but the examples they tell through their actions. When it comes down to it though, you must always remember: Don’t let anyone — even the professionals — ever give the final say in how you do your photography or run your business.

Photographer Greg Florent has made images that capture Budapest in a new light. The images are made by taking them at the transition of daylight into sunset and then nighttime until the lights come on and the city's evening starts. He spends around four hours at a location taking one shot, making sure he gets the whole transition and changes of light to produce the images in post.

If you need a break from the overly technical photography articles that seem to have taken over the Internet, look no further than “More Than a Rock: Essays on Art, Creativity, Photography, Nature, and Life” by Guy Tal. This brilliant 256-page book is filled with topics that can both enlighten your artistic mind as well as challenge your views on the craft of photography, and I could not recommend it more.

The first time I saw streaky clouds and silky smooth water, I knew I needed to learn how to do that. However, after buying my first neutral density filter, I realized it wasn't so easy to do. It was really hard to focus, and some photos were too dark, while others were too bright. And why were the middle of so many photos pink? Hopefully, this article will help you avoid some of the mistakes that I made as a long exposure beginner.

The filmmakers of “The Muir Project,” known for their first documentary, “Mile… Mile and a Half,” have just released their latest film, “Noatak: Return to the Arctic.” I interviewed Director Ric Serena who told me about the production challenges his team faced when working on a remote river deep in Alaska and why they chose to go with the Canon 1DC as their camera of choice.

I had been using a Mac since I first started photography and retouching. Over the years, I upgraded my Macs and used them without a problem, and all software that I have been using worked flawlessly. The Mac has several advantages such as ease of use, a perfect interface (OS X 10.6 Snow Leopard is still my favorite by the way), advanced file and folder tagging, and security, but there was a problem that led me to change my mind and switch to Windows: very high price tags and limited customization options.

As a photographer who shoots primarily on location, I have a lot of stuff to haul. I shoot both film and digital and frequently I'm bringing a small lighting kit as well. I also tend to go it alone, especially when I'm shooting personal work. Up until recently, I've been doing it the hard way, taking multiple trips back and forth to my car, in order to get the shot set up at my chosen spot. And of course, the best spots are nowhere near the car. My deodorant is doing overtime before I've even squeezed off the first shot. Being a sweaty mess while shooting is no fun, especially when you're shooting people. I'd rather not be known as "Hans, you know, that one photographer with the pit stains."

Sometimes photography can be difficult, but what keeps us going is our passion for creating images that satisfy something inside us. However, if your passion happens to be wildlife photography, then you have a whole other level of difficulty coming your way. Come to think of it, there are so many valid reasons to abandon this passion and yet, this group of photographers persevere and do it anyway. Here are 10 reasons why wildlife photographers are crazy and why we can’t help but respect their pursuit of happiness.

As artists, we have all been there. The creative rut. The most fatiguing part of being an artist and perhaps the downfall of many talented individuals who could not climb out of it. Creativity comes from many places within us all. However when a photographer's passion is absorbed by the repetition of what we specialize in, the outcome of the work becomes all too grueling to look at. So how do we get back to the love of what we do? How do we fuel once more the passion that showcases our work as new and creative?

A couple of years ago, I came across a portrait of a sad owl under the rain on 500px. I couldn’t take my eyes off of it. I never knew there existed such a deep photograph of a non-human creature. I was not the only one thinking so. That picture had won an award and I discovered Shamma Esoof (Sham Jolimie), a person who advocates for animal welfare, social justice, and is passionate about nature conservation. The cherry on top was when I discovered that the author of that unforgettable owl portrait was a mutual friend on social media and was from Mauritius, a country I call my second home after Armenia.