Exclusive articles and expert opinions written by Fstoppers’ talented team of creative professionals. Here we cover everything from the latest photographic techniques to advice on running a successful photography business, to first hand accounts of working in the photography industry.
Once you start adding up all of the fees, cost of prints, cost of matting, and cost of shipping, entering photography competitions can start feeling a bit expensive. This is why learning where you can cut corners without compromising your work is important.
Today Facebook announced a partnership with Flixel and their Cinemagraph Pro app for iPhone and iPad. You can now make a cinemagraph for your Facebook profile in just a few seconds, and totally for free.
Artists struggle with many emotions throughout their day. One of the most typical emotions is a sense of inadequacy, both in business and creativity. How many times has budget, fear, and challenge stopped you from getting things done? Whatever your excuse is, it’s just that: an excuse. Here are three thoughts that are holding you back as a photographer and how to overcome them.
With great photography comes great responsibility. Taking photos can be fun, yet challenging at times, especially when you hit a creative rut. Remember, you don't need the most expensive camera or years of experience to have fun and create amazing images.
We love our images. We put our heart, soul, sweat, and tears into our work and we can't wait to share it with the world! But one of the more popular practices in the photography industry is watermarking. The concept behind watermarking is understandable and useful, but in reality, is it really a necessity? I will explain why for my third installment of my community discussions.
Swimwear Photography with Joey Wright Behind The Scenes continues today with Episode 3. In last week's episode we started filmed the first lesson of the entire tutorial but in this episode we cover 3 full days of filming.
The previous article about the processed image ended with similar arguments both for and against digital manipulation, and the artist’s disclosure of such actions. But how does the motivation for creating art through both photography and creative editing arise? I’ve gathered a panel of fellow international landscape photographers to expatiate on the power of the processed image. Professional landscape photographers Ryan Dyar, Felipe Gómez, and Simon Roppel are here to help us understand why certain decisions in editing process are made, as well as in the field.
It's strange to think that I have been a photographer for over 10 years now, yet I have never printed my own work larger than an 8x10. Unfortunately we live in an age where sharing low res digital photos on social media has become the end all be all for the majority of our images. Recently I decided to celebrate some of my favorite personal photographs by printing them LARGE and installing them in the Fstoppers Studio. The resulting 60"x40" acrylic prints I made through WhiteWall.com has me wondering why it has taken me this long to install fine art on my own walls.
“Who am I to tell people what they ought to do?” I taunted myself as I wrote my first article for Fstoppers. I wanted to convey how much of an impact that asking for what I wanted had had on me. Nevertheless, I was acutely aware of being condescending as I don’t consider myself old enough, wise enough, or successful enough to warrant people’s ear. As the post went up, I read and reread my work, even though I had proofread it several times before it was published. I tried to assume different characters to gain new perspectives and understand ways in which people might react badly to my advice.
Are you a photographer or videographer who loves to write? Fstoppers.com is looking to hire several creative professionals to write for us. If you enjoy reading Fstoppers, and think you may have something to offer, we want to hear from you!
Adventure, outdoor, and eco-sports photography has had a surge in popularity over the last decade. Rapidly growing social media outlets like Instagram have narrowed a spotlight across specific arenas of interest. Many photographers are making a living on the outskirts of the grid creating mesmerizing imagery of U.S. National Parks, remote foreign territory, and backcountry destinations only accessible by highly technical off-road transportation or arduous hiking. With the flux of imagery and surge of outdoor brands promoting a simpler lifestyle more closely connected to nature, more photographers are taking to the outdoors to create imagery that communicates a love for nature.
Medium-format cameras have long been in the hands of working pros because of their combination of ease of use and incredible image quality. While large format was always the king of resolution and dynamic range, it is difficult to work with on location and cumbersome. Today, medium format is a little different. Phase One and Hasselblad have both released 100 MP options, allowing for unparalleled image quality.
Instagram is an amazing platform for sharing your work and following great artists that can inspire you. As you follow more and more people, Instagram will even recommend other users who fall into line with the type of people you normally follow and interact with. The problem though is that most of the suggested users are people that already have a significant following. So what about the people that are up and coming or are new to the platform?
Reportage seems to be a genre where feminine qualities are seen as an obstacle rather then as an asset. I sat down with French photographer Audray Saulem who proved them wrong and listened to her experience shooting an epic race of 210 kilometers in the Sahara over 6 grueling days.
Swimwear Photography with Joey Wright Behind The Scenes continues today with Episode 2. In last weeks episode you were able to see our journey from the US down to Curacao. In this episode we finally begin filming lessons with Joey for this swimwear photography tutorial.
Human beings have rendered images of themselves in one form or another since the beginning of our species. The desire to try and capture the human essence in something that will outlast the physical body is universal; the need to encapsulate our understandings of “self” and “others” is found in every culture throughout the world. But have digital cameras, selfie sticks, iPhones, and Snapchat made such a pursuit so mind numbingly easy, that it has now completely lost it’s value?
In this series, I'm tying philosophy, post-processing and the nature of beauty together through the genre of landscape photography. We're going to take a closer look at what beauty actually is, before I propose a new definition for photography.
While researching and deciding on what camera or lens to buy next, there can be a lot of banter, back and forth, and noise on opinions on what camera or lens is right for you. It is possible that some websites, influencers, or average Joe’s can hold slanted biases that may play a role in your purchasing decision, and we don’t want that. So what if I told you that there was a more objective resource to help aid your purchasing decisions? Well, I have a site to share with you: DxOMark.
When we think what defines our brand as photographers, we think of our logo, website, and even the style of imagery we create. But, everything that is related and connected to us and our company is a representation of our brand — from the way we answer our emails, interact with our clients, down to the pants we wear, the bag we carry our gear in, and the overall way we present ourselves to the world. Every detail reflects back on our company and in the end reflects back on our bottom line.
Anamorphic lenses are mostly used by cinematographers to get a ratio of 2.40:1. The cinematic look these lenses offer has become popular amongst photographers lately. While such a wide ratio is not very practical for most genres, the squeezed bokeh and the unique flare these optics create is a way to stand out amongst the competition.
As a studio owner I am privileged to see many different photographers working in my studio space. I have a chance to observe their individual working styles and to see what results in success. Over the past couple years I have noticed some rather interesting trends. Let me give you some insider tips after observing how some of the top photographers work.
I've never been one for artificial light in my photography, and it's an issue that many photographers come across when leaving that oh, so beautiful natural light. The struggle of having a budget to put towards lighting equipment can be daunting but shouldn't limit you in finding the best way to create the shot. In this behind the scenes look, I will go into how I created a high-end product shot using light trails, all while on a budget. Remember, this can be recreated with any camera, including an iPhone, that allows for long exposures.
First and foremost, gear is not the be all and end all. Creativity will bring the most out of the simplest of gear. We stand on the shoulders of giants now. Remember that it was only a few years ago that high ISOs were all but unusable and that once you'd shot a black and white frame, it stayed black and white. The fact remains, though, that understanding what your gear is capable of is the key to exploiting its strengths and weaknesses, which is where creativity lives. Learning a few simple things about what your existing gear is capable of will do more for your images than any shiny new purchase. Use these five simple exercises to learn more about what the tools you have can do.
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2016, we'll be featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
There are two characters that sit atop adjacent shoulders either side of my head and squabble over portraiture. One takes the form of my Gran and she sits there quietly knitting and ensuring me that rules are there for a reason and without them there would be chaos; she’s the voice of tranquillity, reason and over-feeding. Then, annexed on my opposite shoulder is James Dean wearing a leather jacket. He mocks my conformity assuredly and between drags of a cigar, James states that “what is normal for the spider is chaos for the fly” and “rules are there to be broken.”
Most photographers who learn the basics of lighting usually take light for granted. Lighting seems pretty simple at first: If there’s an absence of light, just add a strobe. Isn’t that why we all love on-camera flash?! I’m joking. Learning how to give light motivation is truly the easiest way to create cinematic lighting, and it’s a lot easier than you’d think.
It's true that doubt can be so bad it’ll make you want to stop creating or showing your work to the world. But if you flip it on its head, it can actually help you become a better photographer.
Nearly every photographer owns a film camera whether it be in the dark recesses collecting dust or they use it on a regular basis. The most common reaction when people see one of these film beauties out and about is shocked that you can still acquire the film to shoot with one of these models. So if you own a 35mm, Polaroid, or even a medium format film camera, Dust it off! Don't know where to begin on buying film? Have no fear! I have become your personal film guide and have tried and tested all the major players out there in the film world, so you don't have to!
As a photographer, you’re in the business of making people look and feel their best. Unfortunately, it’s impossible to make every single client happy. You’re inevitably going to encounter an angry client at some point in your career. Learning how to either defuse or compromise in that situation can mean the difference between losing and keeping a client or even avoiding a lawsuit. Here are three steps every photographer should use in those situations.
I am sure we have all had those days where you stare at an image and just start moving sliders up and down to see what they do. What happens if I take this slider all the way up and this slider all the way down? For the most part, the results are entertaining, but not really aesthetically pleasing. But every once in a while, you can stumble onto something pretty awesome.
Imagine yourself under a starry night sky. Wouldn’t it be great to capture the Milky Way to show it at home or on the web? Unfortunately, you are left with a black frame after you’ve pointed the camera upwards at settings you are used to. It's time to open up the aperture, lengthen the exposure, and bump up the ISO. You will introduce noise, but do you really care? Aren’t there tools out there to reduce noise but still keep the detail?
I’m baffled by how often I encounter photographers who tell me they have been shooting for years but still haven’t created their portfolio because their work isn't good enough. After a bit of convincing, I can usually prompt them into sending me a few shots to take a look at, only to find out their work is more than ready to be displayed.
Every couple of years Red Bull hosts one of the coolest photo competitions in the world called the Red Bull Illume. If you aren't familiar with this photo contest, the Illume showcases some of the most unbelievable sports photographs in the world. Many of the photos are landscape in a nature which give them an almost fine art feel but there are plenty of edgy closeup shots to grab your attention as well. The deadline to contribute to this year's Image Quest has been extended by 12 hours to April 1st 12:00 (CET) which I believe to be 6:00 PM Eastern if my brain is working correctly.
This week we released the longest photography tutorial Fstoppers has ever produced; Joey Wright - Swimwear Photography: Lighting, Posing, and Retouching. Our entire team headed down to the island of Curacao for 10 days to film a variety of photography lessons ranging from how to pose models, how to use scrims, reflectors, strobes, and how to create portfolio worthy images with minimal gear. During this incredible journey the behind the scenes cameras never stopped rolling, and each week we will be releasing a new episode of all our adventures. This is episode 1!
All too often in our business, we are thrust into a job in which we either have no time for or cannot afford lighting tests. I find that these gigs force me to fall back on my old tricks and techniques. This can lead to the dangerous place of shooting stuff that all looks the same. Sure, you can try out new ideas on personal projects, but sometimes, the job calls for stuff that you don’t own or cannot afford to get. Usually, when planning a shoot, I have great theories and fantastic ideas on how to pull off a look. However, the idea of winging it in front...
One in twelve men suffer from color vision deficiency (CVD). It’s a guarantee that many of the people reading this suffer from it as well. There is now a company that offers a solution to color blindness.
When a commercial photographer, Sasha Leahovcenco, decides to document the touching experience and life of people he has never met before, the result is quite astonishing. You would think pre-production played a huge part and that he had to have had exceptional gear, carried by a huge team, but the truth is far from that. The experience was the heart of this series, and the pictures show it well. Combining both journalistic and commercial genres with a very personal approach yields pictures we only wish we could see more often.
You might find today very interesting for Instagram. It seems like everyone on your feed is posting a hefty range of different photos telling you to "turn on notifications" on their feed. If you missed Andrew's regarding Instagram changes, check it out to find out the latest on how Instagram handles feeds. Changes will definitely be happening whether you like it or not. But is that something to worry about?
The processed photograph is growing more popular. Whether that has to do with the technology involved in image processing becoming more accessible to many is up for debate. Maybe it is a gradual shift of the human perception of what we call the art of photography. I have asked a handful of professional landscape photographers to contribute to the case of the processed photograph, making this second part in this series more practical than the rather philosophical first article.
A few weeks ago, we asked the Fstoppers Community to submit their best Concert Photography, you all rocked out! It took us a little longer to get the Critique back in front of your eyes with Lee Morris' wedding and finishing up the new Joey Wright Swimwear tutorial, but we finally have it ready for you. We selected twenty of our favorite images to review. Take a look at the selections and add your thoughts in the comments below!
It’s easy to feel that we have great ideas for our images, but that we simply don’t have the budget to execute them to the standard we’re picturing in our minds. You should always try to find ways to be creative on a budget, so here’s how and why you don't have to spend a fortune to produce good results.
The real kicker about knowledge is that most of the time, you don’t know what you don’t know. You run around, casting a net and trying to catch information, but often, you miss important stuff — sometimes, more than once. I cast my net all over the shop when I started photography; I watched videos, read articles, listened to lectures, watched documentaries, practiced daily, and took feedback as if divinely delivered. Nevertheless, my net caught some information later than I’d have liked. Here are seven things about being a photographer I wish I’d known earlier.
It was the fall of 2014. I was happily wrapping up wedding season, shooting all week and every weekend with my arsenal of 5D Mark IIIs and L glass. All was right, until one event caused me to turn to the dark side.
There is such a lot of talk going around about branding. But what exactly is your brand, and how do you use it to help you reach a wider audience and market your photography? Your brand is the core of your marketing, the central theme around your photography. Your brand is not your logo or your company name, unless of course you are Apple or Nike.
Beauty photography is a very technical genre. It requires substantial lighting knowledge, as well as interest and taste for the subject photographed, and a solid team of creative professionals. The learning curve can be quite steep. Therefore having someone teaching you the ins and outs for the genre is crucial if you want to make beauty your specialization, and save years of learning on your own. Lucky us that is exactly what Julia Kuzmenko offers through her latest video training: Go Pro Studio Beauty. This week only, Fstoppers readers save $50!
There is no shortage of amazing videos on the subject of photography. The field is broad. Every once in a while, however, there is a video that pops up which leaves me with my jaw on the floor. Whether it invokes the magic of inspiration, or opens doors I didn't even know existed, those sorts of videos stand out as keystones of great, inspirational teaching.
We have finally made it to the end of our behind-the-scenes series of Elia Locardi's “Photographing the World” tutorial. In episode 18, we continue our travels through New Zealand as we hike out 4 miles to the base of Mount Cook for an interesting astro photography lesson, the team celebrates the end of this trip with a skydiving session in Queenstown, and Lee and I say our final goodbyes to Elia and Naomi Locardi.
As many of you have seen and made clear on your feeds across various social networks this week, Instagram is changing its algorithm and from the looks of it, possibly for the worse. Chronological feed to curated feed is the proposed plan for the Instagram team in hopes "to show the moments we believe you will care about the most." How exactly will they know what I want? Facebook seems to do pretty well in retaining users so they must be doing something right for the majority. Now what does that mean for us photographers and professionals? Who knows but change will come so adapt and get over it!
I’m a big fan of getting images right in camera, and it's something that strive to do. I think there is something to be said for the skill that it takes, especially when shooting an event like a wedding. Getting the perfect light, the perfect composition, and the perfect moment while dealing with all the different variables of the day is quite a feat. The main image I’m going to be talking about today, though, does not fit into this category, but it still manages to be one of my favorite and most "liked” images.
Ever since Facebook changed to curated news feeds, there has been endless grumbling in the photography community about diminished reach and post engagement. That shouldn’t stop you from trying to beat their algorithms. You can still have a ton of success with Facebook posts. You just need to know how to work the system.
