For years photographers and YouTube commenters have been telling us that in order to get the most out of our Profoto B1 and D1 lights, we need to add the Profoto Frosted Glass Dome to our strobes. Today I test this add-on to see if it makes a difference at all, and the results are surprising.
Achieving soft, directional light outdoors can be difficult. Sure, you can use an overcast day for soft, natural light, but often, this will not give you the most flattering light on your subject's face. In this video, we use my largest light modifier to see how you can turn an overcast day into a professional looking catalog image.
When it comes to shooting portraits, photographers almost always reach for an 85mm lens or even the 70 - 200 mm lens. As great as these two lenses are for portraits, they often fall short when trying to capture an environmental style photograph. In this video, I'm going to show you the most widely used lens in my camera bag and how shooting wide angle can sometimes create a better photograph than shooting telephoto.
Piracy is a major issue among all types of creatives. Regardless of if you make handbags, design websites, create beautiful paintings, produce movies, or craft amazing photographs, at some point or another, someone is going to steal and rip off your work. Recently, we decided to run a social experiment; we actually pirated one of our own tutorials and put it online for free before it was even released to the public. What happened next was pretty interesting.
Our latest series of behind the scenes episodes with Elia Locardi are almost over. In today's episode we continue to explore the rooftops of Dubai in search of the perfect cityscape photograph of the city. We then head out to a remote desert to photograph the stars only to find out our guide had other plans. This is “Photographing the World III” behind the scenes episode 12!
Concert photography is probably one of the most appealing genres to shoot for any photographer. When I first picked up a camera, the only thing I wanted to photograph was my favorite bands as they played live. Our good friend and Canon Explorer of Light ambassador David Bergman is launching a pretty unique live workshop called Shoot From the Pit that will not only let you work side by side with David himself but also shoot a variety of artists as they perform live.
For our New Year's Resolution, Lee and I decided to attempt to post 30 new videos to our YouTube channel throughout the entire month of January. We were not only curious if we could find the drive and motivation to complete such a feat, but we also were curious what sort of traffic, advertising income, and excitement it would bring to Fstoppers.com. Here is what we found out.
We are now up to episode 10 in our behind-the-scenes adventures with Elia Locardi. After photographing some of the most beautiful locations in Italy, it was time to travel from Europe to the Middle East. For the next part of “Photographing the World,” we wanted to capture images of one of the most modern cities in the world: Dubai. As you will see in this episode, Dubai has some of the most ridiculous yet awesome activities out in the desert.
The lust for better photo gear is something every photographer struggles with. In our photography industry, many people swear by the quality of light of this brand verses that brand, but in the end isn't light just light? In this video I create a classic beauty lighting setup with $10,000 worth of lighting equipment and then replicate that same setup with only $425 worth of lighting equipment. Will they look the same? This is the Rich Photographer vs Poor Photographer lighting test.
If there is one thing photographers are obsessed with it is lens bokeh. Even if you shoot landscapes or interiors at f/22, your mouth will surely drop the second someone pulls out a fast f/1.2 lens from their bag. One of the most sought after ultra-fast primes in the Nikon lineup is their manual focus 50mm f/1.2 lens. Can this 35-year-old design compete or even beat Nikon's newest 50mm f/1.4 lens in a studio setting? Today we find out.
One of the most frustrating things a photographer has to deal with in today's market is having their work stolen or used for free. If you post images online, the chances of your work being used without your permission isn't just likely, but inevitable. How then can you as a photographer protect your images while at the same time publishing your work so you can promote your brand? In this free excerpt from our Making Real Money tutorial, Monte Isom shares the exact steps you need to take to both protect your work and recover damages caused by illegal infringements.
Yes, you read that title correctly. In this episode of the behind the scenes of “Photographing the World 3,” we face the most disastrous day of filming yet! While Lee was recovering our crashed DJI Mavic in the mountains of Matera, someone on the hiking trail stole our brand new Nikon D500 DSLR and Tamron 18-270mm lens.
One way to spice up your photography is to add gels to your lights so you can produce colorful and edgy looking imagery. Adding wild colors to your photos can offer a lot of creativity but gels can also be used in a much more subtle fashion to slightly alter the color of your background and sky. In today's video I want to share two simple techniques I use to help make my backgrounds on location look more interesting.
I can still remember the first time I saw the effects of bounce flash. The soft natural light looked unlike anything I had seen from my little point and shoot's direct flash, and the resulting image looked so natural. Soon afterward I was introduced to off camera flash and a variety of light modifiers. The results between all of these lighting techniques were not subtle and I became obsessed with finding my favorite tools to light people. In today's video, I explain how one single flash both on and off camera, and a few light modifiers can give you the perfect light quickly and easily.
In today's behind-the-scenes episode of “Photographing the World,” Elia and the Fstoppers team continue to photograph the ancient city of Matera, Italy. Lee gets abducted by an old man, Elia scouts the city for the best camera location, and I walk for hours in search of food. After a successful production day, we then face one of the most disastrous moments in all of our “Photographing the World” journeys.
One of the most important underlying themes in being a successful photographer is streamlining your workflow. That may be in how to edit photos quickly, how to organize video files, how to quickly produce invoices, or any number of tasks that you have to perform over and over again. One aspect of my business where I found myself wasting a lot of time was in my battery charging. In today's video, I'm going to outline how Fstoppers created our battery charging station and how you too can make your life a lot easier as you prepare for the next day's photoshoot.
Here we are on day five of our 30 for 30 where we are releasing 30 videos to the Fstoppers YouTube Channel the entire month of January. Yesterday Charleston, South Carolina was hit with the biggest snowstorm in over 25 years. I decided to team up with my crazy friend Bryan Young and take ski portraits around town. The resulting images are pretty hilarious and are definitely once in a lifetime photographs.
Recently, Nikon released the D850, which is the latest upgrade to their high-megapixel DSLR line of cameras. Like the models that preceded it, the D850 stands as one of the most groundbreaking cameras in terms of image quality, speed, and resolution. I wanted to take this new camera for a test drive and see just how significant these upgrades actually are. Welcome to Ireland, everybody; this is my personal D850 review!
No matter if you photograph headshots, weddings, portraits, or sports, one of the most important skills you can have as a photographer is picking out interesting yet non-distracting backgrounds. Many photographers prefer shooting with fast prime lenses but in today's short photography tutorial, I'm going to show you why I prefer the power and versatility of a telephoto lens.
With only a few days left in open enrollment, I'm seeing a lot of my friends on social media ask: "What is the best insurance for self-employed photographers?" If you live in the United States and are overwhelmed with the choices in private and market place insurance, let me give you a suggestion on one of the smartest types of insurance plans you can get for you and your family. Warning: this article is not exciting for photographers, but it could save you a lot of money in the long run.
