Articles written by Patrick Hall

A couple weeks ago, we asked the Fstoppers Community to submit their swimwear images for a special episode of "Critique the Community" with Dixie Dixon. Patrick met up with Dixie and went through 20 images of the submissions to give their thoughts on the quality of each image according to the Fstoppers rating system and how the images could be improved. Check out the image selection below and add your thoughts and ratings to the comments below.

A few weeks ago we offered to critique a handful of headshot photographs from the Fstoppers Community. I was able to sit down with professional headshot photographer Peter Hurley for his advice on how you guys can help improve your own headshot photos. Since there were so many submissions we were only able to get to about 18 images, but don't worry because next week Lee and David will tackle many of the images that did not make this episode of Critique the Community.

Dixie Dixon has been a good friend of Fstoppers over the years, and she even came down to the Bahamas with us for the first Fstoppers Workshop. Lee and I have been preaching since the start of FS that photographers need to film behind the scenes videos their own photoshoots. I was absolutely thrilled to see that Dixie has produced this short video outlining exactly how you should incorporate video into your own business.

Many photographers rely on their 50mm 1.4 and 85mm 1.4 lenses to give that dreamy, narrow depth of field look to their portraits. These two lenses have become a staple for portrait, headshot, wedding, and boudoir photographers who enjoy the soft look that comes with a narrow depth of field and natural lighting. But what happens when you want to create a similar effect in the studio, where your strobes are often too powerful for shooting wide open? Today, I'm going to share with you a fairly unconventional lighting technique that will allow you to shoot your lenses wide open in the studio.

Lately it seems that DJI has been releasing innovative video tools every single month. Known primarily for their ultra popular Phantom and Inspire 1 drone systems, DJI just announced today that they are releasing their own handheld 4K camera and gimbal called the Osmo. Together with the Ronin DSLR stabilizing system and the Micro Four Thirds Inspire 1 Pro, the Osmo is yet another product that will change the way photographers and videographers can capture stabilized footage on a budget.

Last month Fstoppers teamed up with SLR Lounge and BH Photo for an exciting camera giveaway. If you missed the entry post, basically we were giving one lucky winner their choice between the Nikon D810, Sony A7RII, and the Canon 5DsR high megapixel cameras. Yesterday we released our own review of all three of these cameras and today we are excited to announce the winner of a brand new camera!

The images from the September 11th tragedy are no doubt stuck in all of our minds. For most of us, the phrase "9/11" instantly reminds us of a plane hitting the World Trade Center, smoke billowing out of the two buildings, or the heroic images of rescue workers attempting to save lives after the buildings had collapsed. Among the 1000's of images taken on that day, Richard Drew's "The Falling Man" has been both the most controversial as well as the most forgotten. This powerful documentary explorers the stigma surrounding one of the most censored images in US history.

It could be argued that the 80's pushed the experimental envelope further than any other decade before it. For the first time in history, consumers were able to watch movies in the privacy of their own homes, the camcorder brought home video recording to the masses, and digital technology opened the doors for tons of horrible musical and visual effects. When you combine home education with the ridiculous fashion of the 80s, you get this: pure comedy gold.

If you ask any well-known and successful photographer what the most important thing you can do to grow your business is, they will almost all point towards shooting personal projects. Before the end of every day, I try to visualize at least one creative and interesting idea that might be worth photographing. Nine times out of ten, those ideas are complete garbage. Every now and then, I come up with a really great idea, but unfortunately, 90% of the time, I completely forget these great ideas and they never become a reality. Here is how I have solved this problem.