You're walking along the street minding your own business when bam, out of nowhere something hits you hard in the chest, winding you. You fall backward and lose your feet, landing on the sidewalk. You've been hit by something solid, then you feel wet and cold. Looking down you realize that you are saturated and there is ice on the floor, with what must have been a full one-liter take-out cup of coke. As you come back to your senses a truck drives past, with a couple of guys in the front howling with laughter, the remainder of their drive-through now covering you.
Articles written by Mike Smith
A chain is only as strong as the weakest link, so the proverb goes. We could modify that for photography and say that our processing is no faster than the slowest component. It's not necessarily about having the latest great-and-good, but rather about having matched components. And there's no better place to start than when offloading your photos from the camera.
It always surprises me in photography that the sector as a whole seems wedded to spending money. Not content with the affliction of GAS (gear acquisition syndrome) across amateurs and professionals, the sector likes nothing more than a few extra bags, filters, albums, prints, and yes, software.
Cameras have always been at the forefront of technology. They've always pushed the boundaries of what's possible. Perhaps then it is unusual to have such a high tech sector so closely wedded to art. That is what makes photography such a passion for me. And while there will always be those that push the creative elements, with the camera purely a utilitarian device for achieving that, others will take the bleeding edge, create new imaginings, add unusual twists and embellishments, and take that edge even further. Commercially then, it doesn't pay to be second. Be at the edge and take advantage of it.