Articles written by Wouter du Toit

One thing most photographers have in common is the love of gear. We know it's not about what's in your bag, but that doesn't mean we shouldn't value good design and ease of use when considering a tripod clamp or ND filter kit. But what if you could design it yourself, and have it produced? Film Look's latest video shows what they printed for themselves. I would never have thought about battery cases, but now I need it, and it would keep my bag much more organized.

It's always exciting to think what will be the next big thing in photography. What new piece of gear will hit the others out of the park and change the game. The argument can be made that the technological advances in sensors have made it harder for photographers to differentiate themselves from the #shotoniphone masses, but we all got in to photography to take pictures, with whatever tools we had available at the time. This video shows what could be the future of photography. There's only one way to find out whether it's right or not.

Singapore Airlines' latest safety video mixes the regular safety video you'll see just before take-off with the dream of exploring Singapore. It's beautifully executed and shows how they'll push barriers to give you the travel experience you desire. Why is this important? Because it shows that the travel industry is really getting creative with their approach, and they are pushing the boundaries of just what's needed to evoke that curiosity and excitement of travel.

Recording in 4K is the rage these days. However, most of us and most of our clients will not be using a TV or monitor capable of displaying 4K resolution, so why bother? Peter McKinnon explains how you can use the large video size creatively and gives some tips, like how 4K footage down-sampled to 1080p looks much better that shooting 1080p.

One of the ways the Hans Zimmer-produced score of "Dunkirk" maintained the growing tension throughout the movie was by using a sound that gives the impression of a build-up. What makes it strange is that the tension-building nature can keep going forever without ever going out of its original parameters and sounding weird. Tension and release is something needed in a production of a film, whether it's a short film or a full-blown blockbusting, award-winning movie. This video shows how it's done.

Christopher Nolan continues to give us of the best movies ever produced. My first Nolan movie was “Memento,” and I surely realized that the theme of his movies, his way of telling a story, and overall character portrayal was something I've never seen before. His vision and talent has given us many after that. “Inception,” “Interstellar” and now “Dunkirk.” His way of doing what he does is worth paying attention to. And when I read up about him, I came across an interview where he mentions how he removes distractions from the set.

This video is a double-whammy. It's trying to uncover where ideas come from, and the conceptual and artistic execution of the video is so well done and it provides a kind of answer for the rhetorical question of where ideas come from. I've had creative block. You want to put the next portfolio piece together, but you don't know what to do exactly. You first need to come up with an idea, and then you have to nurture it to be something new but something that still contains your style and way of shooting.

It applies to life as well, but if you want to get out there and take some great images, don't be a d*#k. Eduardo Pavez Goye takes us through how he gets his street photography shots on film. It's a great challenge these days, the streets are filled to the brim in the cities, which is great for taking multiple shots, but it's not as easy when shooting film. You want to get it without someone moving in front of your shot to block and spoil your composition. I found his tips to be great. It's practical, and completely doable.

I use a bike in Paris, and I use bungee cords to tie things down when I need to, but this video shows a way to use it in studio which I think is so simple, yet so brilliant. Studio space can seem large and vacant at first, but after a couple of weeks things start piling up and if you and your team don't clean up and maintain it, can become a place you dread going to. Light stands are one of the items we use mostly in a studio, and we have more than two at any given time.