Articles written by Mark Dunsmuir
One of them spent decades making decisions with the intention of fitting into community norms, creating stability. The other threw caution to the wind and jumped into a world of creativity with both feet before really understanding what life and responsibility were all about. Both Fin DAC and Mick Rock have ended up in the same place, near the top of their chosen artistic fields — inspirations for anyone following in their footsteps. What's even better, they're collaborating on a new show.
If you haven't seen the tempest growing in Wyoming, a fox named 15M was euthanized this week because of its growing habituation to humans. You might be asking, why is this news on a photo-centric site? Throw in an as-of-recently much-maligned, world-famous photographer and maybe you're interested?
There are hundreds if not thousands of posts discussing why creative vision is the most important aspect of photography. Why, then, are we so obsessed with gear?
It has almost become a truism: social media creates mediocrity. In an effort to gain a share of the social media pie, artists are rewarded for blending in, not standing out.
YouTube and photography blogs seem to be all stocked up with quick BTS videos these days. We see photographers swinging lights around and talking about post, but I don’t think we see enough of their thought processes. Here, with Nathan Elson, we get a little bit of everything.
As Gray Kotzé points out, there are bushels of reviews for entry-level cinema lenses on the web, lenses you might look to pick up on sale maybe. However, most feature films are shot on prohibitively expensive lenses that were always intended to be rented out over their multi-decade lifespans. The cost for these lenses puts them out of reach for most filmmakers who aspire towards ownership, but, if you have a budget and you're looking to shoot feature/cinema quality films, it's important to understand what's available for rent.
Without doubt, there is a sub-culture of photographers who adore Lego. Count Benjamin Bezine among them. Bezine has used Lego, a Raspberry Pi personal computer, and an integrated LED to create an automated film to digital, erm... contraption, scanner.
In his trademark understated introduction, Ted Forbes acknowledges that technology is a charged conversation for photographers. Photographers are something of a Luddite-like bunch. On the whole, we seem to have a preference for the technology we learned the craft on. Be that a medium format film camera, a digital DSLR and an early version of Photoshop Elements or a more modern mirrorless, we seem to stand up against the tide of change like it's in our DNA. What are we going to do about the rise of machine learning?
Troy Hyde, owner of Animals of Montana, is appealing the ruling of the State of Montana's Department of Fish, Wildlife, and Parks to revoke his license. As photographers, we should care, as Hyde has been supplying captive animals to photographers for decades. Apparently, he's been doing so in a way that mistreats the animals.
The Way I See It is marketed as a look behind the curtain of two of the most iconic U.S. Presidencies in the last century, courtesy of White House Photographer Pete Souza. It's quite a bit more than that. To be upfront, if you don't believe in photojournalism or the importance of a historical record, if you're a Trump supporter with thin skin, or if you have an inability to think critically, this movie likely isn't for you. To be honest, neither is this article.
Drug and alcohol addiction often go hand in hand with art. Painting has Van Gogh and Pollock, poetry has Coleridge and Ginsburg, music has The Beatles and Jim Morrison, and novels have Burroughs and Welsh. I was, however, surprised by how little information I could find about photographers’ substance abuse. Where are the in-depth books about photographers that were inspired or crushed by their addictions?
There's been a bit of an uproar in the wildlife photography community this week. One of the genre's most popular and successful photographers has been called out for turning wildlife into an accessory. What do you make of all this?
Photo ops don't always go they way they're supposed to, especially if the photograph is taken in dangerous times. In fact, some of the most famous photographs in history are the product of a re-shoot. Sometimes though, the re-shoot still puts lives at risk.