Our good friend Blair Bunting is at it again. This time Blair was hired to shoot the ad campaign for The Discovery Channels hit show River Monsters. The concept was relatively simple; to have the show’s host Jeremy Wade wrestling a giant fish in the shallow waters near South Beach, Florida. To do this Blair's team used a fake fish that was then replaced in post. To freeze the water with a quick flash duration and stay portable Blair used the new Photoflex Tritons.
Articles written by Lee Morris
Facebook just purchased Instagram for 1 billion dollars. Who would have ever thought that an app that simply takes an image, makes that image square, puts a retro filter on the image, and then posts the image to a blog could be worth $1,000,000,000.00. To all of the Instagram users out there; are you excited or terrified about this merger?
It seems a new issue has popped up for the Canon 5dmk3. Multiple people are reporting that there is a light leak through the top LCD panel that directly affects metering. The easiest way to detect this issue is to put the body cap on the camera body as well as cover the viewfinder. Then place the camera in "P" mode at ISO800 and press the LCD backlight button.
It's easy to think that models are perfect in every way because when we see images of them they have had hours of hair and makeup, they are lit by some of the most talented photographers on the planet, and then they are retouched by the most meticulous Photoshop artists around. In this post we get to see side by side comparison shots between each model without makeup and then after the full production. Each of these models looks pretty normal except for the last one that looked incredible even without makeup.
For those of you that prefer real world testing to shooting test charts, you may be interested in seeing Mark Wallace's newest review. In this video Mark goes out and shoots the brand new Canon 5D Mark III. On paper the 5D3 may not look like much of an upgrade from the M2 but the focusing, metering, and ISO performance show huge improvements.
Fstoppers reader Jason Kolsch just put together a beautiful 2 minute promo video of the new Nikon D4. The D4 is shooting stills at an impressive 11 frames per second but the Phantom (the camera that this video was shot with) was shooting at 1000 frames per second. The beauty of gadgets in motion should bring a tear to any nerds eye.
We get asked to show our lighting for our Fstoppers Original interviews all the time but it seems like we always forget to shoot our lighting schemes. StillMotion just released a killer video that shows how they light interviews with key, fill, hair, and background lights. By using Profoto's new HMI lights with Air remotes, you can easily change the output of each...
Are you in the market for a new camera/laptop bag? Before you buy a common backpack, you may want to check out the One System by Undfind. The One System includes the One Bag (a messenger style bag) that can hold a laptop or tons of camera gear, and the smaller Waist Shooter that can hold a ton of useful camera accessories at your hip.
Photographer turned wet-plate artist Ian Ruhter basically dropped everything and cashed in his life's savings to follow his passion, morphing his van into a massive camera and making enormous wet plate prints as he travels the country. From hand-making the silver emulsion to the financial risks of shooting at a whopping $500 a plate, this video "Silver & Light" gives an in-depth
So you are one of the lucky ones who got a Canon 5d Mark III this week huh? After taking 15 iPhone photos of the camera box and it's contents to upload to Facebook (bragging rights) you finally take some test shots. With your hand trembling in anticipation, you eject the memory card, then open up Lightroom 4 to import your ISO 6,000,000 low light test shots to pixel peep the amount of noise at 100% zoom.
Are you ever on location shooting and the background is a bit boring? Why not add smoke? In this video Jay P. Morgan shows us how he uses a smoke machine in the woods to liven up his shots. Using some materials from your local hardware store you can make the smoke go exactly where you need it to be.
The great thing about a program like Photoshop is that no matter how much you know there is always more to learn. As someone who spends a great deal of time each week retouching fashion images I consider myself quite proficient at Photoshop. Then I come across images like Thomas Herbrich's. His work instantly reminds me just how much more there is to learn.
What is going on with cameras these days? First we learned that the $6000 Nikon D4 is not a significant improvement over the D3S in terms of resolution or ISO performance. Now we are hearing that the Canon 5D Mark III is not a significant jump in video quality compared to the 5D Mark II that was released 4 years ago. I was shocked to see this video of a $900 Panasonic GH2 outperforming the $3500 5DM3 in terms of sharpness. Check out the full write up and 100% screen caps at EOSHD.
I will admit that I am a fan of low key and moody lighting. So the mention of impressive "film noir" inspired portraits definitely piques my interest. The photos in this post have film noir written all over them! They instantly make me want to kick back and watch some old classic b/w movies.
These days RC helicopters with video cameras are becoming more and more common because you can control and land them in almost any terrain. Have you ever wondered how you have to land an RC airplane when there are no available runways? Apparently you have to fly them directly at yourself and then snatch them out of the air with your bare hand. Check out this fantastic video which shows the pilot in some pretty incredible locations catching the plane again and again.
The Nikon D4 may not be a huge improvement over the D3S in terms of image quality but as a video camera there is no comparison. The most important updates include audio controls that allow you to dial in silky smooth sounding audio from an external mic as well as an audio out jack for headphone monitoring. The camera can also shoot at 1080P in standard full frame, 1.5 crop, or 2.7 crop meaning that you now can get almost a 200mm reach from a 24-70mm lens without losing quality. In this video I'll show you how to manage these new features.
As a wedding photographer I was really never interested in the D800. 36mp in ideal light for commercial jobs sounds fantastic but shooting thousands of images in a dark reception hall and having to deal with massive files horrified me. Because of this I purchased a D4 hoping for high ISO performance in a more manageable 16mp file. After I tested the performance of the D4 in low light and finding it was no better than the D3S, I am giving the D800 a second look.