Articles written by Hans Rosemond

Although I've been shooting weddings for years, I've always done bridal portraits as a "day of" service. In Colorado, there wasn't much of a market for bridal portraits before the big day. Now that I've moved to North Carolina, it's an entirely different ballgame! Pre-wedding portraits are big business down South. So, how can you separate yourself from the pack? Well for starters, take advantage of the fact that you now have one resource that isn't on your side on the actual wedding day: time.

Sometimes, photography is too easy. After churning out perfect images left and right, I really felt I like I needed a challenge that would put my God-like skills to the test. Of course, that’s complete crap, but occasionally I do see the need to challenge myself and alternative processes are a great way to learn about the craft of photography while having a bit of fun floundering in failure. To that end, I’ve learned my first alternative process: the kallitype.

Ah, scanning. If you're not printing in the darkroom, it's a necessary evil when dealing with film. You could argue that outside of the moment of exposure, scanning carries the most weight in determining the quality of the final image. For those that choose to develop their film at home, scanning is the next step in our workflow. Most of us want to get in, get the best scan we can, and get out to the greener pastures of Photoshop to make our final edits. Your choice of software has a lot to do with how efficient and how tolerable it will be to get your negatives into the computer. It's through that lens that we take a look at VueScan.

After losing almost my entire photo kit due to blatant stupidity on my part (yay insurance), I was put in the unenviable position of rebuilding a camera system from scratch. Being a portrait photographer, I immediately gravitated towards full-frame bodies. I was close to pulling the trigger on one when it hit me: Why not try a crop sensor? I'm glad I did.

As the phone rings, I breathe easy to calm my nerves. I'm about to interview one of the most successful modern portrait photographers in the world. I'm halfway through leaving a stuttering mess of a message when he cuts in. "Hello? Hi, I had the music going and didn't hear the phone ring..." Buck has built a career over the past 30-plus years photographing some of the biggest names in Hollywood and politics. He has carved out a space for himself in the upper echelon of photographers working today. And he has a land line. Somehow, given his old school, dogged approach to portraiture and his recent switch to digital, I think that's just perfect.

The Intrepid Camera Co. is on a roll. With the lofty goal of bringing low-cost large format film photography to the masses, they launched their initial 4x5 model's Kickstarter in the fall of 2014. Although plagued with fulfillment issues and mixed reviews (You can see our review of the original model here), enough attention was garnered to warrant a follow up of a much more refined model in 2016. Now, Intrepid is stepping up and hoping to swing for the fences with a big boy: an 8x10 camera.

Browsing YouTube can be an exercise in either frustration or bliss, depending on the day. Today, though, I happened upon something that truly speaks to me. If you are a portrait photographer, or anything resembling one, you owe it to yourself to check out the documentary, "Darkness and Light," a part of the American Masters Series, produced by PBS.

As one of our site's regular film shooters, I naturally tend to post a lot of articles on the subject. Without fail, I'll get a few comments to the effect of digital being so much better than film or vice-versa. I've always laughed off such remarks, but since they keep on coming I figured I'd address them. Maybe the mediums have more in common than some would like to admit.

Presets are awesome. They've sped up my workflow by an order of magnitude since I first started using them back when I switched to Lightroom years ago. They save time and, therefore, money! But, to quote every action movie ever made: "Is that all you got?"