Articles written by Quentin Decaillet

When Capture One 9 was released about two years ago, one of the most noticeable features was the color balance tool. It makes color grading very visual and effortless, even if you don’t have a solid knowledge of color theory. Along with tethered capture mode, the layers introduced last December, and the default color profiles, it has become one of the primary reasons why Phase One’s software is the standard in the commercial, fashion, and beauty photography industry. In this six-minute long video, Zoë Noble will show you how it can set the mood of your images and help speed up your editing process.

When trying to get creative, we often get discouraged thinking everything has been done, and no matter how hard we try, our work is going to be inspired or a remote copy of someone else’s idea. However, there are still some exceptionally brilliant minds that find ways to innovate and make the impossible possible. Valentin Delluc, a French speed rider, and Dino Raffault managed to create a unique video that will make your eyes light up even if you don’t know what speed riding is.

Within a couple of years, Godox has grown from a small Chinese flash manufacturer no one cared about to a brand that most photographers know. Their products are affordable and offer what most of us need. They are far from being in the high-end market and able to rival the Europeans that are Profoto, Broncolor, or Elinchrom, but that may be changing. At least, the leaked page of the AD600 Pro seems to indicate that Godox is learning fast and improving its products.

Colors straight out of camera vary greatly between brands and sensors. Canon has been known for a long time for its great skin tone reproduction, while other manufacturers have created more troubles for colorists and retouchers to get perfect tones without a solid post-production workflow. In this tutorial, Chrystopher Rhodes from YCImaging shows how he uses 3D LUT Creator to get perfect colors out of his Panasonic GH5 and goes further by quickly demonstrating how you can color match your footage to any picture or video you like.

Filming with a DSLR is always an option, unless you want to capture some behind-the-scenes videos of your shoot or if you are on the go. Then, filming with your smartphone is probably the most straightforward alternative if you don’t want to lug around a camera just for that. The options available are actually more advanced than you may think, at least that is if you rely on Filmic Pro. The people at Moment Lenses created a video to help you out and get started with all the different settings Filmic Pro has to offer.

Since TTL and other fancy features have been introduced to strobes, flash manufacturers have had to develop a different remote for each camera brand. Profoto and others have tried their best to offer as much choice as possible, but the Fujifilm compatibility was lagging behind. A few days ago, Broncolor announced their RFS 2.2 for Fuji would arrive before the end of the month, and today its Profoto turns to introduce its Air Remote TTL-F.

This year has seen the number of people owning a drone grow like never before. That’s probably due to the units becoming more affordable and more accessible to use. One great example is the DJI Mavic, or more recently the DJI Spark. The latter is advertised as a drone you can take anywhere but still offers an excellent image quality, and that anyone can use. I bought one earlier this year as I wanted to see if the drone trend was something for me or not, and I thought I’d share my opinion on this adorable little thing.

The DJI Spark is a fantastic tiny drone, but it comes with its limitations. To maximize the quality of your images and have more control freedom over your settings, you better be ready to invest in a couple of accessories. One of the first items I’d recommend are ND filters allowing you to adjust your shutter speed and ISO however you like instead of being forced into specific settings because of the lighting conditions. I’ve had the opportunity to try out the PolarPro Cinema Series filters for a little while now and here’s why they are an absolute must in your kit.

When it comes to background blur, or what we photographers like to call bokeh, it’s a well-known thing that smartphones aren’t the best. In the recent years, however, they have improved, thanks to the dual camera systems and pixel separation algorithms. They have improved so much that some may be tempted to say they are on par with some of the best professional cameras out there. Marques Brownlee decided to see for himself if that was the case and compared the current best smartphones on the market against the Hasselblad X1D.