Flashback ONE35 V2: Bringing the Disposable Film Camera Experience Into the Digital Age

Fstoppers Original
Flashback vintage film camera with black body and orange stripe on beige fabric background.

The Flashback ONE35 V2 is a digital point-and-shoot camera designed around the simple but rewarding concept of recreating the experience of a disposable film camera, without the hassle, waste, or ongoing cost of film and development.

We spend so much of our lives looking at screens, even when we are outdoors trying to spend time away from the stress of modern life. We have all been there, taking a quick photo with our phones, only to notice a notification from one of your social media apps, and you are drawn right back into what you were momentarily trying to free yourself from.

Two Flashback instant cameras stacked vertically, with black bodies and orange stripe details.

The Flashback ONE35 V2 strikes a great balance, allowing you to document outings and vacations while keeping your focus on your surroundings. For those of you over a certain age, this process will feel nostalgic, too. It is not trying to compete with modern mirrorless cameras or even high-end compact digital cameras. Instead, it offers something different in a slower, more intentional way of taking photos that accompany your travels.

Compact film camera with black body, orange accent stripe, and textured grip shown from top and side angles.

Key Tech Specs

Despite its analog concept, the Flashback ONE35 V2 is very much a digital camera under the hood:

  • 13 MP resolution
  • Internal storage
  • Bluetooth and Wi-Fi connectivity
  • raw photos available in Adobe DNG format
  • Automatic firmware updates
  • Image transfer via USB-C or Wi-Fi to Android, iOS, PC, or Mac
  • Rechargeable battery via USB-C

A Digital Camera That Thinks Like Film

Once you link the Flashback ONE35 V2 to its app and choose your film simulation and delivery method, the camera “loads” a roll of 27 images. Just like a disposable camera, you don’t get unlimited shots, and there’s no review screen on the back to check what you’ve taken.

Screenshot of a film type selection interface with four color-coded categories displaying sample photos and load affordances buttons.

You can shoot with flash or without, switching the flash on and off with a slider on the body of the camera. After every photo, you need to physically wind the camera on to take the next image. There’s even a satisfying whirring sound between frames, which adds to the illusion. It genuinely feels like using an analog camera, despite being digital.

The Joy of Waiting

After finishing a roll, you upload the images to the app. From there, how quickly you view the images depends on which of two modes you selected at the beginning:

  • Digicam Mode, where photos appear instantly
  • Classic Mode, where you wait 24 hours before viewing your images
Screenshot of a shooting mode selection interface with Diplomats mode and Film Camera mode options on an orange background.

I chose Classic Mode to document Christmas morning on the shores of Loch Lomond with my dog, and honestly, this is where the Flashback ONE35 V2 pays true homage to analog photography.

Solitary leafless tree standing in shallow water at the edge of a calm lake at dusk.

Setting the camera to a 24-hour delay brought me straight back to the days of shooting film and waiting for a roll to be developed. I enjoyed that familiar anticipation, wondering if the images worked, trying to remember what I shot, and replaying moments in my head. It was genuinely fun and exciting.

Moss-covered boulders in still water with mountains and cloudy sky beyond.

For the next roll, I turned off the 24-hour wait and reviewed the images instantly. I found that this process was missing some of that magic experienced the first time around. Seeing the images instantly stripped away the charm, so I switched the delay right back on for the following roll. The waiting period could be seen as a gimmick, but I view it as a core part of the process.

A dog stands alert on rocky, sparse terrain with layered hillsides in the background under overcast sky.

Designed for Being Present

The Flashback ONE35 V2 is lightweight, compact, and pocket-friendly. The battery is easily recharged via USB-C, making it practical for full days out. But more importantly, it’s screenless. That absence of a screen changes how you shoot. You’re not constantly checking images, adjusting settings, or getting pulled back into your phone. It encourages you to stay present—to experience moments as they happen rather than through a display.

Screenshot of hashtag organization interface with four category sections showing thumbnail images and action buttons.

The app itself is very user-friendly. Each roll is neatly organized, there’s a self-timer option, and you can choose from different film simulation styles. It complements the camera without overpowering the experience. If you are not a fan of the film simulation filters, you can also download the images without filters to tweak in your preferred image-editing software. If you want a solid foundation for editing those unfiltered raws, Fstoppers’ Mastering Adobe Lightroom: How to Use Lightroom is a practical place to start.

Screenshot of Flashback camera app's share roll interface with feedback and negatives options.

Not About Image Perfection

Is this the best image-quality camera you can get? No, and it’s not meant to be. The Flashback ONE35 V2 feels very honest about what it is. The dynamic range is limited, there’s a lack of contrast, and images often feel overexposed. I also found that the viewfinder shows a more cropped image than what you get in the final photo. The resulting image is much wider, which means compositions can look unintentional, and in my case, they genuinely were. That mismatch takes some getting used to, and it’s one of the camera’s bigger drawbacks, although many end users won’t notice or care about these details. The image below appeared to frame the loch between the tightly cropped gap in the trees, but it ended up including areas outside of the tree trunk.

Two tree trunks with moss framing a calm lake view in overcast daylight.

Curiosity and Conversation Starter

One unexpected highlight was how intrigued people were by it. Almost everywhere I used the Flashback ONE35 V2, someone wanted to know what it was, how it worked, and some wanted to know where they could buy one. It’s a conversation starter for sure—a camera with a story that most people can understand and connect with.

Three black and white portrait photographs showing individuals in different poses against neutral backgrounds.

Who Is the Flashback V2 For?

Honestly, almost anyone. Kids can use it; adults can use it. There’s no learning curve, no menus to dive into, and no pressure to “get it right.” It’s especially well suited for people who want to document life casually—to spend days out, events, and trips without turning photography into a technical exercise. It’s not going to be your go-to camera, and it’s not trying to be. What it offers instead is a break from screens, from instant gratification, and from the urge to constantly check and perfect. There is a wide range of designs; I opted for the simple black with an orange stripe.

Three people posing together in a park, shot in black and white with bare trees in the background.

What I Liked

  • Screenless shooting experience
  • Nostalgic 24-hour wait period
  • Lightweight, compact, and pocket-friendly
  • Simple operation—anyone can use it
  • Fun range of designs
  • Encourages presence and intentional shooting

What I Didn’t Like

  • Viewfinder is more cropped than the final image
  • Limited dynamic range
  • Tendency toward overexposure, especially in portraits
Two portrait photographs side by side against dark backgrounds, showing different lighting and composition techniques.

Final Thoughts

I’ve come to the conclusion that the Flashback ONE35 V2 is exactly what it claims to be. It’s not about technical excellence; it’s about fun, nostalgia, and documenting moments while staying present in them. Priced at $119, it is not going to break the bank. Considering that each time you purchase and then develop a disposable film camera you spend at least $30, this camera would make economic sense.

For anyone looking to inject a bit of joy into photography or to step away from constant screen time, the Flashback ONE35 V2 does something refreshingly different, and it does it well.

Kim Simpson is a photographer based in the West of Scotland. Her photographic practice is an exploration of the human experience, with a particular emphasis on themes of identity and belonging.

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5 Comments

Love the concept but hate the 27 picture limit. Can you imagine you're at a party, people are passing the camera around, and someone hits the 27 exposure limit. Now you have to stop, open up the stupid phone app and unload the photos before you can take another picture?? Absolutely taking you out of the moment.

Thats part of what I like about it! I would have to be very selective with what I was shooting, retaining the magic of heading out with friends and taking a disposable camera with me, limited to either 24 or 27 exposures for the whole trip or event. The nostalgia of this was really nice and others are always interested when I pull the camera out too!

We need to compare this to the Camp Snap Camera...

That would be cool! I dont own a Camp Snap though...

Or just, you know, use a film camera. I never understood the desire to make your photos look worse all for some silly nostalgia.