If you're interested in lenses that capture vintage charm without sacrificing modern practicality, the reissue of the Leica Summilux-M 50mm f/1.4 might catch your eye. It blends elements from decades of Leica history into one lens, giving your images a unique character and feel.
Coming to you from Alex Barrera, this informative video walks through Barrera's experience after using the 2025 reissue of the Leica Summilux-M 50mm f/1.4 for about two and a half months. Barrera enjoys lenses that offer imperfections—qualities that might seem like flaws to others but give your images a distinct feel. The Summilux-M 50mm f/1.4 reissue takes inspiration from three past versions, combining the classic design of the original 1959 model with the optical structure of the 1961 update and the close-focus ability introduced in 1995. What stands out immediately is the craftsmanship: a brass build that, at 417 grams, makes it heavier even than Leica's legendary Noctilux. Barrera points out this heft as either a pro or a con, depending on your preferences.
Optically, Barrera emphasizes that despite expecting softness typical of vintage lenses, he was pleasantly surprised by the sharpness wide open at f/1.4. It's sharper than many would anticipate from a design originating in 1961, especially when paired with high-resolution sensors. Wide open, it maintains the dreamy glow vintage lenses are known for, complemented by smooth, creamy bokeh, and distinct purple fringing—classic Leica characteristics you might either appreciate or avoid depending on your aesthetic. Yet, stopped down slightly, Barrera describes it as transforming into something unexpectedly modern and crisp.
Key Specs
-
Focal Length: 50mm
-
Maximum Aperture: f/1.4
-
Lens Mount: Leica M
-
Angle of View: 45°
-
Minimum Focus Distance: 27.6 inches (70 cm)
-
Optical Design: 7 Elements in 5 Groups
-
Aperture Blades: 12
-
Manual Focus Only
-
Filter Size: 46 mm
-
Dimensions: 2.3 x 1.8 inches
-
Weight: 14.7 oz (417 g)
In practical use, Barrera also highlights the long focus throw as a feature, not a flaw. This design decision allows for more precise manual focusing, especially beneficial at 50mm, where nailing focus can be trickier. He acknowledges this isn’t for everyone, particularly if you prefer quick, responsive focusing rings, but for portrait work and accuracy-driven photography, this could be exactly what you need. The absence of a focusing tab is also a deliberate design choice, appealing if you enjoy a smoother, uninterrupted focusing experience.
One consideration Barrera points out is that due to its extended production run (1959-2005), original used versions of the Summilux-M 50mm f/1.4 are still readily available. These vintage lenses are lighter and significantly cheaper than the brass reissue, though they come without the security of a warranty. Check out the video above for the full rundown from Barrera.
No comments yet