Serif’s Affinity Photo has come a long way over the years. Is it a good enough option for most photographers who want to delve into photo editing? Let’s find out.
Capture One has a great reputation for image quality but comes with a premium price tag. Does it live up to its reputation, and is that extra cost worth it compared to other programs? I tested it side by side with Adobe Lightroom Classic.
Whether you already have a 35mm film camera or are looking to get one, the Nikon F2 is about as good as an SLR camera can possibly be.
A few months ago, Fstoppers reviewed a variety of gimbals and we picked our favorite one for the Panasonic GH5. Just after we published our comparison, the Moza Air 3 Axis Gimbal was released and they decided to send us one. The Zhiyun-Tech Crane is still amazing, but the Moza Air is now our favorite gimbal.
Wacom has become a staple in the photography industry. If you're a professional photographer, a graphic tablet can greatly improve your workflow. The issue is that many graphic tablets come with hefty price tags. Fortunately, there is a budget option that is surprisingly brilliant, and that is the One by Wacom tablet.
Forget about Sony, Canon, Nikon, or any other mirrorless camera. Panasonic has the Lumix S1 and Lumix S1R, and those cameras are amazing. I have invested a lot in Canon, and I am really happy about the system. But if I had to do it all over again today, I definitely would choose the Lumix S1.
When I got a chance to try the new Fuji XF56mm f1.2 I jumped at it, not just because it was substantially cheaper and lighter than the Canon 85mm f1.2 II I’d played with last year, but because this lens is a clear shot across the bow at Canon and Nikon, with a lens aimed at professional portrait shooters. This was a new line in the sand, but could this thing play with the big boys?
Netflix’s new eight-part documentary “Shot in the Dark” casts focus on three rival Los Angeles-based video journalists as they chase down the “story of the night,” all with the aim to sell their footage to the news outlets for the morning news. But as the city consumes itself through the night, does the slick production fail to address the morality of the journalists altogether in the hunt for a "Grand Theft Auto"-style brand of entertainment?
Sony has recently released a successor to a fan-favorite a6600 fittingly called the a6700. Don’t get me wrong, in those few days I had it it performed well, but there are some features that would elevate it to a different level. First things first though, what did Sony do well with the a6700?
Even with all the notes and advice, it’s typically a tough job to find a quality monitor in any price range. This is why I’ve decided to hand you my top recommendations as of November 2017. After sifting through literally hundreds of monitors, I’ve distilled five classes of monitors, among which are Fstoppers top recommendations in either class.
Many dream of having one, yet most can’t ever afford one. What makes the Hasselblad X2D 100C so special? Should you even think about getting one? Who is it for, anyway? There are quite a few questions I had when I was getting this camera, and in the few weeks of using it, I got some answers.
The Fujinon 200mm f/2.0 is a beast of a lens designed mostly for sports and wildlife, but as a portrait shooter I wanted to see how it stacked up.
I reviewed the newly revived Nik Collection in June. It was nice to have the collection back, after Google bought it and then let it sit idle. Now it's been sold to DXO, and it's compatible with the latest PC and Mac operating systems.
I don’t know about you guys, but when Sigma announced the 24-105mm f/4 lens last year, I got very excited. The Canon 24-105mm f/4 was one of my favorite video lenses early on. It’s an extremely versatile focal length that, besides the slow f/4 constant aperture, was largely pretty usable in nearly any environment. Sadly, the lens was only good for video because it just wasn’t very sharp. That’s why Sigma’s attempt got me so jazzed. Based on prior experience with their Art line, I had high expectations for Sigma's new zoom lens.
A few months back, I reviewed the new Peak Design Coyote Colorway straps. They have now released a raft of new gear in the same color but with some improvements to the build. Let me introduce you to the new Coyote Everyday Backpack.
The market for compact and lightweight tripods has exploded in recent years. Well, Falcam has decided to stir the pot with their new TreeRoot carbon fiber tripod that challenges the big leagues in a compelling way. Is it the right choice for you? It certainly offers plenty within its portable frame.
Lightroom Classic is playing catch-up. AI-based masking had been around for a long time in programs like ON1 Photo Raw, but has only recently been released in Lightroom. Now, Adobe has turned its hand to noise reduction. Does it stand up to scrutiny?
The clear night sky under a new moon is almost always the same brightness in the same location. I have blindly put my camera on ISO 6400 as a result. But after having read somewhere that Sony supposedly builds sensors that are ISO invariant, I wanted to test this claim with my own Sony-equipped Nikon D750.
In early February, Sony unveiled the a6300, a follow-up to one of the best selling interchangeable-lens cameras of all time, the a6000. The updated a6300 features an APS-C 24.2-megapixel CMOS sensor, 4D Focus system with 425 on-chip phase-detection points and 169 contrast-detection areas, 11 frames-per-second burst shooting, and 4K video recording without pixel binning. Along with many other similar features that are available on Sony’s flagship a7II-series cameras, but with a price tag of only $999 (body only), this is one of the most feature-rich prosumer cameras ever released.
Sometimes a tripod just needs to be easier to carry for when you might need it. This tripod from SmallRig definitely fits that role.
I recently got the chance to use the new Hasselblad X1D II for a week. It was my first experience with medium format and required a bit of adapting on a learning curve. Here are my first impressions about the body, design, lenses, and general usability of the camera.
About a month ago, I traveled to Southeast Asia to put THE ULTIMATE, PORTABLE TRAVEL PACK (shortened name, rights still reserved) to the test. Several people asked for a follow-up. How did this tiny, travel kit work out? …Did I even get any pictures I liked? …And most importantly, did I lose everything gambling on a high-stakes Muay Thai tournament, only escaping with my life and seven fingers? Read on to find out.
DxO PhotoLab 6.3 has just been released, and it's persuaded me to change my workflow. Here's why you should consider giving it a try.
There is a short list of books that distinguish themselves from the mainstream of photographic discourse, and even fewer for which a good case could be made that they are required reading for anybody serious about photography. This new book about the art of photography scores on both counts.
It’s not just the price, which is considerably lower than any other camera in the market that gives the same quality. It's a camera like no other, and its digital film footage is pure eye-candy every single time I get into the editing booth.
Fujifilm has once again revolutionized the X-series with its latest release, the Fujifilm X-H1. Since its humble beginnings with the original X100 and X-Pro1, Fuji has taken aim at the professional content creators market. The quality of still images coming from Fujifilm X cameras has always been spectacular, but their video capabilities have always lagged behind offerings from other manufacturers. This is where the Fujifilm X-H1 comes in, but it’s not only video that sets it apart.
Wider isn’t always better, but sometimes having that option can make a world of difference. This just might be the most unexpected lens of 2024.
Retro never really goes out of fashion, and this 110 LOMOMATIC camera took me back to the early 1970s when my eldest sister ran around with her 110 camera. I found myself laughing out loud as I shot with careless abandon.
Towards the end of last year, ON1 released the latest version of its software. Its newest advancements are likely to attract even more people to it from Adobe’s Photography Plan for some very good reasons.
The world's fastest zoom lens for 35mm full frame cameras is the Sigma 24-35mm f/2, and it's one way to follow up from making the world's fastest zoom for APS-C. Sigma has been making hit after hit for a few years now, leaving their "budget" lens brand stigma in the dust behind them. Having a 24-35mm may seem like an odd focal-length range that wouldn't be too useful, but I have found it to be an excellent range for a lot of the work I do in editorial and family portraiture. Let's start with just how it fits in my camera bag.
If you had asked me a few years ago what I thought of Neewer gear, my reply would not have been positive. However, recently I have been testing their newest releases, and I am impressed with what I found. Here’s what I discovered about their travel tripods.
Fujifilm's XF 50mm f/2 WR is the third addition in the series that have affectionately become known as the "Fujichrons." These are compact, lightweight, weather resistant, and have extremely fast autofocus. Made up of nine elements in seven groups, and formed in Fujifilm's classicly-styled telescoping design, it is another diminutive lens that should appeal to X-Pro shooters and anyone looking for a tiny addition to their bag. Comparisons may be drawn to the other lenses in this series, and of course the daddy of X System portrait lenses, the 56mm f/1.2. Let's take a look at this lens and then see how it fits into the Fuji line.
A while back I reviewed the Godox AD600 which I thought was going to be the all-in-one solution I was after. Even after comparing it to the Profoto B1, I was more impressed with the AD600, especially at its price point. It had a few construction issues, but overall was a flash to compete with the big boys. As I said, I thought it was going to be the solution I was looking for. Then Godox dropped the bomb: the Wistro AD200. This little flash promised to be less than half the weight and powerful enough for most of the work its big brother was made for. So, is it all it's said to be and how does it stack up against other options?
A sign at the flea market read "Creative Minds are Seldom Tidy." Do you ever feel this way? Do you ever wish you had a program that would help you organize your thoughts, your to-do's, your contacts, contracts, invoices even bank information? As a creative, often we get so caught up in our work that we forget to run our business like a business. Fortunately a new program recently launched that will help you get everything organized and automated in your business making more time for you to actually do the things you love.
The Fujifilm X-S20 is here, and it truly feels like a complete package for enthusiasts, hobbyists, vloggers, content creators, and a combination of all of the above. It's a small camera body packed with many professional features. So what’s the catch? Is there one?
I've been using filters for my photography for more than ten years, and for the last five, I have used filters made by Kase. Just recently, I switched my filter system to what I think is the perfect filter kit for landscape and architecture photography. In this article, you'll find a detailed review of it.
Hasselblad is touring the country (and the world) with prototypes of the new 50-megapixel X1D camera and the two lenses launching alongside it. Priced way below any other Hasselblad on the market (and in line with Pentax’s 645Z), the X1D ushers in unparalleled portability while creating a entirely new segment: the medium format mirrorless camera. Earlier this week, I got a few minutes with this interesting hybrid.
Canon Netherlands sent me a white Canon EOS R50 mirrorless camera, together with the standard RF-S 18-45mm f/4.5-6.3 IS STM kit lens. The assignment was clear, make an honest review of this tiny camera. You can read the result of this review in this article.
With ever-increasing lens choices from both first-party and third-party manufacturers, how do you know what lens is going to be right for you and your needs? Articles such as this on Fstoppers and YouTube videos all help in your search, but how do you narrow your search to the best lens for your requirements?
Many lenses claim the title universal or try to be a one-for-all kind of focal range but very few can actually be used for a majority of scenarios thrown your way. The new Tamron 35-150mm f/2-2.8 might just be one of those lenses. But does it pull its weight? And would you carry its weight?
The Fujinon XF 16mm f/2.8 R WR is hailed to be one of the sharpest Fuji lenses for its size and very reasonable price, so how does it fair on the Fuji X-T5 with its 40mp sensor? It's one on a list of lenses that Fujifilm recommends you use to get the best out of the sensor, and if that in fact is the case it certainly does it well.
With Fujifilm's latest release of the X-T5, I knew it wouldn't be long before brackets and mounting rigs would begin appearing online. For my own cameras, it's always been Smallrig brackets due to the build quality and considered design. So, after purchasing the X-T5, I went directly to their site to see if any were available and promptly purchased one, but that's not all they had available.
I'm a long-time Apple fan. I'm thoroughly in the ecosystem, with MacBook M1 Max laptop, a Studio Mac, iPad Pro, and iPhone. I've also had the Apple Watch since the first edition and now have a Series 7 Apple Watch planted on my wrist.
With the (mostly) positive reception to the Fujifilm 35mm F2 WR lens, following its launch earlier this year, the announcement a sibling 23mm F2 WR lens was in development caused quite a stir amongst Fuji X-Mount shooters. So much so, that when the lens finally started shipping, supply quickly became an issue, with many struggling to get hold of this prized new lens. But now the lens is finally hitting mainstream retailers in decent numbers, I thought it would be a good time to take a proper look at Fujifilm's latest lens.
Today, Loupedeck launched the new Creative Tool or "CT." They sent me a pre-production unit a month ago, and I've got some thoughts.
As a landscape photographer, you've likely found yourself in a situation where you're capturing breathtaking scenes, and then suddenly, your camera's battery dies. It's an unfortunate predicament, especially when you're in the middle of a stunning location with perfect conditions. For those of us who rely on our gear to perform without fail, running out of battery power can feel like a nightmare. This experience led me to search for a reliable solution that would keep me powered up, no matter where my photography adventures took me. After some research and trials, I found a product that I believe will significantly enhance my workflow.
Sony has just announced their latest full-frame mirrorless camera, the 42.4-megapixel RX1R II. This very sleek fixed-lens 35mm f/2 digital camera packs many of the same imaging features you’ll find in the new Sony a7RII (along with some surprising new ones), but in an even smaller, true compact-sized design. It’s a genius product of advanced engineering and technology, and I had the chance to get my hands on one to use.
"Could you Photoshop this for me?" I'm pretty sure that's something every photographer hears on a far more regular basis than any of us would like. I get it, people want better photos. Maybe they didn't see that trash can in the background, or they couldn't get everyone with their eyes open at once, or they didn't like the color of shirt they were wearing in the photo. Whatever it is, chances are you've been asked to fix it at one point or another. Well now you don't have to, now you can just refer your friends to Mendr.
