Is Sigma’s Superzoom the Only Lens You’ll Ever Need?

The Sigma 16-300mm f/3.5-6.7 DC OS Contemporary lens promises to be an all-in-one solution for crop-sensor camera users. With its exceptionally broad zoom range, it aims to appeal to users looking for convenience over outright quality.

Coming to you from Jared Polin, this practical video evaluates the Sigma 16-300mm f/3.5-6.7 DC OS Contemporary lens across a wide variety of shooting conditions, from golf tournaments to soccer games. Polin puts the lens through its paces on the Sony a6700, a camera chosen specifically to leverage its autofocus capabilities. He highlights the impressive versatility of the lens, pointing out that the 16-300mm focal length (a 25.6-480mm equivalent in full-frame terms) covers almost every scenario you’d encounter—from sweeping wide angle stadium shots to close-up sports action. Despite the lens' practical appeal, Polin emphasizes that such extensive zoom range inevitably introduces optical compromises like chromatic aberration and image softness at extreme focal lengths. He makes it clear this lens isn't built for professional-quality image-making, but rather for casual users who want better results than a smartphone without juggling multiple lenses.

Polin further demonstrates real-world use by photographing golfers at a Pro-Am event in Florida and a Philadelphia Union soccer match. In these scenarios, the Sigma lens performs adequately, handling autofocus tasks effectively, particularly with moving subjects. He specifically points out the decent sharpness at moderate zoom lengths but notes considerable background detail when zoomed in fully, due to the smaller aperture at maximum zoom (f/6.7). This means the lens won't create dramatic background blur unless the subject is very close, limiting creative possibilities for portrait or sports photography. Yet, Polin argues this is acceptable considering the lens's primary target users—those simply wanting convenient shooting without specialized equipment.

Key Specs

  • Focal Length: 16-300mm (25.6-480mm full frame equivalent)

  • Aperture Range: f/3.5-6.7 maximum; f/22-45 minimum

  • Lens Mount Options: Canon RF, Sony E, Fujifilm X, Leica L

  • Minimum Focus Distance: 6.7" (wide) to 41.3" (telephoto)

  • Macro Capability: 1:2 reproduction ratio, 0.5x magnification

  • Image Stabilization: Yes

  • Optical Design: 20 elements in 14 groups

  • Filter Size: 67 mm

  • Dimensions: 2.9" x 4.8" (73.8 x 121.4 mm)

  • Weight: 22 oz (625 g)

Polin also discusses build quality, mentioning the lens' compact size and weight, making it practical for everyday carry. However, he critiques the tight zoom ring that requires considerable effort to twist, making smooth zooming challenging during fast-paced action. Additionally, the lens exhibits zoom creep, leading Sigma to incorporate a locking mechanism to prevent unwanted extension when carrying.

For photographers seeking a single, versatile lens for casual use, this Sigma might fit the bill. However, Polin cautions those who prioritize top-tier image quality or specialize in challenging photography conditions, advising them to manage their expectations carefully. Check out the video above for the full rundown from Polin.

Alex Cooke's picture

Alex Cooke is a Cleveland-based photographer and meteorologist. He teaches music and enjoys time with horses and his rescue dogs.

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4 Comments

I have a Tamron version of the same focal range coverage. It's made for DSLRs and now discontinued. Almost everything said here applies to the Tamron.

Exactly the same headline was used for the Tamron 18-400mm lens, and by Mr Polin i might add!. 18-400mm is a deal longer than 16-300mm and has less CA and issues than his comment on the new Sigma. In fact i think he mentions all the same issues with the Sigma that he found on the Tamron. So nothing new here then.

Full Framers have a 10x lens and that the Sony FE 24-240mm F3.5-6.3 OSS Full-frame Telephoto Zoom Lens with Optical SteadyShot and in a reverse is 36-360mm in APS-C. Is a great lens for your everyday walk about.
Remember the Canon lenses 50-500mm and 60-600mm advertised in Magazines back in a decade ago is for the travel person with one lens great images of close and far.
This is for the person without a camera bag full of lenses.
First 3 images with the FE 24-240mm F3.5-6.3 OSS but the last is with the FE 200-600mm with a 2xTeleconverter in APS-C to get that 1800mm crop in camera to fill the sensor with the moon.
Also kinda like the the 2013 APS-C E 10-18mm f/4 OSS (15-27mm) but in full frame 12-18mm (18mm if you remove the rear light shield and yes no fisheye software needed back in 2015 two years before a12mm lens but the first and current 12-24mm f/4 and F/2.8 are huge and heavy needing external filter holders a big glass filters kinda like the EF 14mm f/1.8 also. But the 10-18mm has threads up front and is soooo small will fit in a pocket so great for those panorama MW capture on a panorama rig for so light and perfect pinpoint stars.
Look at the blur and DOF on the donkey.

The "only lens"? I want an 10-1000mm f1.2 with 5 stop VR that's small, light, and compact. THAT'S the "only lens" I'll ever need.