The Neewer Flat Panel Reflector is a great tool designed for those looking for the benefit of something such as a V-flat or large reflector frame without the bulk of having to haul them around. The Neewer Flat Panel Reflector is basically a 3 foot by 6 foot wind sail that you can use as reflector or flag during virtually any shoot. At $69.99 the Flat Panel Reflector offers fantastic value for an innovative new light modifier to add to your arsenal.
A camera bag can really make or break your work. I'm one of those people who is terrible at packing light, so when it comes to carrying 50 pounds of gear, I want a bag to be well organized, comfortable, ergonomic, and durable, because I pretty much place my studio on my back. Enter the Mountainsmith Borealis.
I am going to be completely up front with you: this is an expensive camera bag. It is, in fact, the most expensive camera bag I have ever owned, and I have owned many. Instead of buying this bag, you could easily purchase a very solid prime lens. But you know the old saying "you get what you pay for"? Well sometimes that turns out to be 100 percent true.
When I sat down to read the copy of Picture Perfect Lighting by Roberto Valenzuela my first expectation was a book that parroted much of the same content that many other photography books had already laid out many times in the past. Basic lighting tips, the exposure triangle; the usual sorts of stuff that you'd expect from a typical book on photography. To my surprise, however, Picture Perfect Lighting offers a delightfully unique glimpse into lighting that can help beginners and veterans alike.
Underwater photography is becoming more popular as technology progresses. The use of an underwater housing dates back to the mid-1800s when William Thompson was utilizing a watertight box over his camera to photograph seaweed near Weymouth, England. Since then, underwater photographs have become an incredible way to explore and understand the life under the surface.
Much to the excitement of the Fujifilm community, Fuji released their XF 90mm f/2 WR in the middle of 2015. Many a voice hailed it Fuji's best yet, and pixel-peepers rejoiced. Some claimed it had the nicest bokeh from a Fuji lens yet, and others the fastest autofocus. Just how good is this latest prime offering from Fuji?
Petzval-type lenses have enjoyed a resurgence in popularity in recent years. Lomography's wildly successful Kickstarter campaign was a springboard for their Petzval 85 and later, their Petzval 58 lenses. Now, Lensbaby, well-known for their unique optical products, has thrown their hat into the ring. It's a fun and interesting lens.
It’s easy to be astounded by statistics such as 14 fps and ISO 3,000,000. But when you put everything that Nikon’s latest flagship body offers together, you get a machine that is the first of its kind, and that's really thanks to the combination of two features Nikon obviously pushed to new heights: autofocus, and — yes — ISO sensitivity (which has itself been a point of controversy for the Nikon D5).
If you follow big name photographers or pages like FamousBTSMag on Instagram or elsewhere, you’ve likely seen a parabolic reflector. Even more likely is the prestigious names that are Broncolor or Briese plastered on the side. The results that these modifiers produce are absolutely gorgeous, there’s no doubt there. They offer the most even light spread of any modifier, a large range of sizes, and incredible versatility. If you’ve done some research, however, you’ll throw the idea of shooting with one out the door because of their incredibly steep price. A few months ago, I stumbled on a company by the name of Parabolix. What I found seemed entirely too good to be true.
This is a bag for the females, the girls, the chicks, the ladies. This is a bag made for women. Women photographers. It’s chic and practical, light but resistant, and most of all, adapts to your needs. It’s a great offer for the urban shooter. The very fact that it exists shows how much the photography sector has evolved in the last years.
The Sigma 150mm f/2.8 EX DG OS HSM APO Macro is somewhat of a red herring that doesn’t get talked about very often. Most macro shooters are content with a 100mm macro lens, and most portrait shooters tend to go with a 70-200mm for their telephoto needs. 150mm just isn’t a focal length that is commonly seen these days. Does that make this Sigma lens a sleeper gem or just another lens to overlook in favor of other options?