The Fujifilm X-A5 is remarkably cheap, coming in at just $499 including a widely respected kit lens, making for inexpensive entry into the popular X Series. But can it hold its own against its more powerful siblings and will it stand up to the demands of a professional photographer? This great review will answer just that question for you.
I think I'm right in saying that blogging, from choosing the images, to sorting, and uploading them, is the least fun part of running a photography business. So, is there a way to make this task less challenging, time consuming, but also make it work for our SEO? Take a look at our review of Narrative.
The Samyang AF 45mm f/1.8 FE lens for Sony E is quite the intriguing lens, providing an autofocus prime with a wide maximum aperture in an impressively small and cheap package for Sony shooters. Does it give you a lot of bang for your buck? This great first look video aims to answer just that question.
Venus Optics (Laowa), a small Chinese lens manufacturer founded in 2013, has risen to prominence with their sometimes off-beat, always different, and always high quality lineup of lenses for all the major lens mounts. They have launched niche lenses like the 24mm f/14 probe macro and a series of their flagship close-to-zero-distortion Zero-D lenses. Today’s topic is the latest in that line and the widest lens available for the Fujifilm GFX system, the Laowa 17mm f/4 Zero-D.
This is a look at how this affordable home security cam can be used for increasing security of your gear while traveling on assignment. Even though it was never designed for this purpose, unlike a lot of other options on the market the Wyze Cam has just the right features to make it possible.
We dragged Nikon’s new 500mm f/5.6 PF out to the Galapagos islands, up over the Andes, and down into the Amazon jungle to put it through its paces — as well as through numerous rain showers, muddy trails, and squadrons of mosquitos. None of it fazed the lens a bit, though the mosquitos at times drove me a little mad.
Many photographers and videographers were not particularly pleased with the Canon EOS R when it was released, with seemingly middling specs and some seemingly arbitrary exclusions. Now that it has been on the market for a while, there has been time to form so more long-term opinions of the camera while taking into account things that can't be quantified by a specs sheet. This great video takes a long-term look at the EOS R for video shooters.
Forget about Sony, Canon, Nikon, or any other mirrorless camera. Panasonic has the Lumix S1 and Lumix S1R, and those cameras are amazing. I have invested a lot in Canon, and I am really happy about the system. But if I had to do it all over again today, I definitely would choose the Lumix S1.
Ergonomics may not be something that is directly discussed in the workshops and classes you’ve attended on landscape photography but as one progresses further into the craft, one will realize that equipment that allow you to adjust and adapt promptly to sudden changes in the scene are crucial in getting the shot that you want.
Tamron's 28-75mm f/2.8 Di III RXD lens for Sony mirrorless cameras has been an absolute runaway success, with its combination of portability, image quality, and affordable cost winning over many photographers and videographers. The 17-28mm f/2.8 Di III RXD follows a similar design philosophy, and many people are already excited about the lens. This great video takes a first look at the lens to help you decide if you should add it to your arsenal.