More and more companies are incorporating Wi-Fi into their cameras in an effort to make it easy to download and share images without the need to upload to a computer. The apps from camera manufacturers also allow you to remotely trigger the camera from your phone and see what you are taking a picture of before you trip the shutter. The problem here is that if you want to change any camera settings, you need to physically make these changes on the camera. Enter the Case Remote Plus. This device promises to give full access to camera settings, live view, shutter release and a host of other added functionalities that may not even be available on your camera.
Photographer Tony Northrup got his hands on the new Osmo from DJI, which records a 4K image on a gimbal stabilizer through its built-in camera. The whole thing fits into an incredibly small, handheld package and sells for around $625. Is it up to par with competing products, and is it as awesome as the hype has led us to believe? Northrup answers those questions and more.
As I use my Fujifilm X-Series cameras more and more for event work, I've needed fill flash here and there to enhance some of the portraits I'm asked to take on the fly. With there being very few good options for the Fuji system at the moment, I picked up a Nissin i40 back in April. Initially, I just wanted it as a fill flash, but more and more, I have been using it as a backup for outdoor flash work. Below, I'd like to share my experiences with the flash.
Lumopro has had several flashes on the market, like the LP160 and the wildly popular LP180 of Strobist fame. This fall, however, Lumopro announced a brilliant new unit, the LP180R. As far as specifications, the LP180R is almost identical to the LP180, but there is one key difference that makes it an excellent tool for photographers both experienced and inexperienced.
I recently had the pleasure of picking up one of the first final production models of the Inspire Pro and X5 Micro 4/3 Camera, and immediately took it to one of the most beautiful photography destinations in the world to test it out: Meteora Greece. I spent the better part of a week there getting the hang of flying and capturing both photos and videos and I was able to come away with some stunning results. This review is meant to showcase what I was able to capture and give you an idea about the capability of the new X5 Camera and the key differences between the Inspire and...
Sigma's Art Series has been a runaway hit. Until now, we haven't seen anything that could be considered a direct response from Canon. With the release of the new 35mm f/1.4L II USM, however, Canon appears to be taking direct aim at Sigma. Find out if they can reclaim the throne!
I have been following and reporting on Vincent Laforet's "AIR" series since its first round was released. I came across an early printing of the book itself in the waiting area of San Francisco's Storehouse startup while I was about to take on another interview. I knew Storehouse and Laforet had a good working relationship, and I knew the images so well. But I didn't have time to look inside -- not that I felt I had to, however, since I knew the work inside and out. So when Laforet offered me a copy of the book to review, I simply had to say, "Of course," even if it was with mixed feelings. What could I, objectively speaking, really get out of it? Hadn't I seen it all?
Not long ago, I released a review of Sigma's newest Art-series lens, the 20mm f/1.4 Art. Unfortunately, Northern California skies have had bit of a tough time clearing up despite numerous requests from astrophotographers below, patiently waiting for news of this lens' nighttime, Milky Way performance. Last night, although far from perfect, areas of the sky did clear up enough to get a small consensus on how this lens fares when pointed toward the stars.
We know, it's another bag review, but we all need to face the reality that camera bags are like Pokemon for photographers; gotta' catch 'em all. There's really no such thing as a perfect bag, as no one bag can really apply to every situation the working photographer can throw at it, but I think I've found the closest thing to being universally useful in the Incase DSLR Pro Pack.
If you don't know Sigma's Art series lenses yet, you're missing out. Their well established 24mm, 35mm, 50mm, and zoom options in the Art lineup shine, but it's hard to believe it took this long for a wide-angle 20mm f/1.4 Art to make it out into the real world. But the moment I began shooting with this beauty is the moment of the past didn't matter anymore. We're in a new world: there's a 20mm to die for; and this is it.
FotoClient is a new cloud based platform which aims to be a total business management solution for photographers and studios. From lead management to invoicing FotoClient wants to tackle it all. I put it to the test at my studio to see how it performs in the real world. Starting at just $10/month, could this be the solution you are looking for?
Until recently, HSS and HyperSync were considered gimmicky features available on either expensive PocketWizard or cheap Chinese triggers. With Profoto, Elinchrom, Priolite, RiME LITE, and other brands catching up on these techniques, it is slowly becoming more popular. However, are these sync modes as reliable and useful as the brands try to make us believe they are? Moreover, is one better than the other?
Hear me out on this one. As a concert and event photographer (and music lover), I will argue until my dying breath that the most important piece of equipment we have after our camera is ear protection. In fact, this made my recently published list of 10 concert photography tips for everyone. I've gone through nearly a dozen different kinds of earplugs over the past five years, but the Music•PRO high-fidelity earplugs from Etymotic are something absolutely unique, and I'm thrilled to be able to review them. They're electronic. And they're alive.