Today, Adobe brings its popular Firefly Generative AI technology to Lightroom in the form of Generative Remove and Lens Blur. These features will be available in all Lightroom incarnations, including the mobile app, desktop app, and web browser versions.
Fujifilm recently held an event in NYC for photographers to gain hands-on time with their two most recent camera releases. Fstoppers was there, and we are pleased to provide you with three downloadable raw image files from each camera.
While I prefer to use a dedicated camera to capture images and a laptop to edit them, I know that many social media creators prefer using their smartphones for every step of creation and sharing. Smartphone-based platforms like Instagram and TikTok understand this and have allowed users to add animations and text to postings without exiting the app.
Today, it is common for a small company of 1-3 employees to design, create, and market a product without outsourcing any part of the process. Hiring someone from outside to market or sell the product is not an option for a small organization that must be conscious of how every penny is spent.
Adobe has unveiled a new feature inside its Adobe Firefly portal that gives users more control over the final look of images and art created using Generative AI. The feature is called Structure Reference and offers users control over an aspect of their output that has been unavailable previously.
As photographers, we choose where we take photographs. While it is undoubtedly a joy to take pictures in a climate-controlled photo studio, tethered to a laptop while your favorite tunes play through speakers, many romanticize taking photographs under challenging conditions. We dream of being assigned to document a war or cover the aftermath of an earthquake.
I have a love/hate relationship with family vacations. I enjoy going away for a few days with my wife and daughter, but it is not something I am super excited about and looking forward to each day in the months before the trip, the way most people do. Truth be told, I’m happier putting my money into buying a new lens rather than using it to book a plane ticket.
Adobe Max is a three-day conference in Los Angeles, CA attended by designers, illustrators, photographers, and social media content creators. Attendees can watch presentations by Adobe representatives and attend educational sessions given by independent creators. This year, Generative AI was mentioned in many presentations.
At this year’s Adobe Max conference for creative and design professionals in Los Angeles, CA, the focus was on using AI technology to enhance creativity. As Shantanu Narayen, CEO of Adobe Systems, stated, people are creating more than ever before, and it is Adobe’s intention to use AI to allow creators to become both more creative and more productive.
Photoshop's Generative Fill is possibly the single most talked about addition in the history of the program. This AI-powered feature allows users to add elements to a photograph not present in the original capture. Many creators love the feature. But that may be about to change due to a recently announced change in Adobe's pricing structure.
Back in my college days, when I first started taking photographs, I pursued magazine photography because I loved seeing my name printed in the magazine. Often, I wasn’t being paid for my services and the photo credit was payment enough for me. When I incorporated my business some 20+ years ago, I named my company "photo: John Ricard, LLC" because it resembled a photo credit.
There are some who believe creativity is a gift given to only a handful of people. Those of us who regularly engage in the practice of making art understand that we all have the ability to create something that has never existed before. It is common for us to struggle in our search for inspiration, and self-doubt can be a powerful enemy.
Each week it seems, a new camera is released. And with every new release is the lure of new features promising to make the already easy image-making process even easier. This raises the question, do the benefits of easily creating images outweigh the potential benefits we might gain from taking a more challenging approach?
As photographers, we often find ourselves at exciting places such as concerts, parties, and sporting events. Many photographers spend hours of their day working with other people. It is common to see photographers interacting with people and asking the people they are photographing to move a bit to the left or to position their hands differently.
Tutorials on using a 1-light setup for portrait photography are commonplace, and rightly so. There are several ways that a single light source can be positioned to create flattering lighting on a subject. You might think that switching to a 2-light setup would be twice as complicated. This isn’t the case. There are several 2-light arrangements that are easy to understand and quick to set up.
It takes years of practice to become good at sports photography. Basketball, for example, is fast-paced, with frequent turnovers. When covering a game, you need to be attentive to all of the action happening on the court. But even if you photograph all of the crucial plays, something may be missing from your coverage.
The term "boudoir photography" brings to mind scenes along the lines of a woman dressed in lingerie, standing near a window, adjusting her attire. Perhaps we imagine a woman who is partially nude lying on a bed. However, this interpretation of boudoir photography does not have to be the only way this genre is defined.
It is the dream of many amateur photographers to be hired for celebrity photo shoots and high-status advertising gigs. What could be more exciting than photographing a famous singer in a large photo studio with stylists, digital techs, and assistants at your beck and call? Imagine how great it would be to see your photographs published on a magazine or album cover.
A new year brings thoughts of new beginnings and new opportunities. Resolutions are common this time of year. You undoubtedly have plans to join a gym this year, but why not also make a goal of working on a new photo project?
There are several timeless photography debates that are fun to engage in but will probably never be resolved to everyone’s satisfaction. There’s film versus digital, zoom lenses versus primes, small compact minimalistic camera versus fully featured monster-sized pro camera, and of course, continuous lighting versus strobe lighting.
For decades, color slide film was the industry standard for commercial and editorial work, and the speed of the film was typically 64 or 100. It was standard practice for a portrait photographer to use a high-powered strobe to illuminate the subject.
Each week, we are assaulted with an endless barrage of new photography-related products promising to make us better photographers. For a beginning shooter, this must be overwhelming. If someone asked you for a short list of essential items necessary for the specific genre of photography that you partake in, what would those items be?
Depending on your perspective, street photography is either one of the easiest or most difficult types of photography one might pursue. The barrier to entry is low, with a small camera and fixed lens being all you need to get started shooting. Just step outside your door and capture what is happening on the street in your town ,and you are a street photographer.
Starting a YouTube channel is something you might consider whether you take photographs for profit or fun. A successful channel can offer benefits in the form of payments for viewership and sponsorship opportunities. A less successful channel can help a photographer build an audience and create a community in which to share their passion for photography.
The issue of whether or not photographers should work for free is a polarizing one. Some of us feel we should not haul thousands of dollars worth of lighting and camera gear to a location and spend a full day shooting just to gain a reward that comes in the form of intangible exposure.
Photography scams are something that we all need to be on guard against. These scams often come our way in the form of poorly worded emails that we instantly delete. Atlanta wedding photographers Jaimie Dee and her husband Kyle were recently targeted by a rather elaborate variation of a classic photography scam. Fortunately, they didn’t fall for the con.
Leica cameras are expensive. So are the lenses.
Queen Elizabeth’s passing has received quite a bit of coverage here in the United States. Millions of people turned out not only in London but all over the UK and the globe for various services held in her honor.
As a portrait photographer, I often struggle to create new work. To add a new image to my portfolio, I must involve at least one other person who will be photographed by me. Contrast this to a landscape photographer, who can get into her vehicle, drive to a cool shooting location any day she desires, and create new images with relative ease.
Like most photographers, I own more than one camera bag. There is my main bag, my video gear bag, my small kit bag, my rolling bag for airplane travel, and that one, never-been-used, just sitting in the back of the closet, camera bag of unknown origin.
I’ve been fortunate present photography workshops over the past 15 years. My focus is usually on lighting for beauty, but I’ve presented on other topics as well including how to pose a subject so they look natural on camera. I’ve also attended many workshops from both well-known photographers and lesser-known names as well.
For years, photographers have understood that creating the best photograph possible means shooting in the best possible light. For natural light shooters, the best light often comes at a time known as the golden hour. This occurs when the sun is setting and the angle of the sun to the earth causes the light to travel through clouds and air pollution creating soft, diffused light.
It might seem to be an easy transition for a photographer to become a filmmaker. At the core of each of these disciplines is storytelling. A photographer tells a story in a single instant captured at the decisive moment, while a filmmaker tells a story over a period of time, often incorporating elements such as editing and sound to help tell that story.
There are as many approaches to street photography as there are streets in any major city. Some photographers use autofocus cameras and long lenses to capture candid scenes from a distance. Some shooters point their manual focus film cameras at funny street signs. Others look for shafts of lighting falling between tall buildings.
It is common today to find professional photographers eager to embrace new equipment offerings from manufacturers. I recall a time when things were different and professionals were content to stick with gear that was adequate for their current needs.
