The last few years have not been kind to the photography industry. With smartphone manufacturers flooding the market with easily accessible and relatively good quality cameras, the camera industry has struggled. Now, with COVID-19 hitting the mix, the tough times have become far worse.
As the narrator describes in the video, what's amazing is that prior to this, no human eyes have ever seen this piece of the ocean floor. I was immediately hooked by the immense beauty as soon as I saw the first creature.
Before anyone gets the wrong idea, I should clarify that the title of this article is a suggestion and not a claim.
Over the last decade, we've had lots of new wide aperture lenses hit the market. Lenses like the Nikon 58mm f/0.95 make producing images with super shallow depth of field relatively easy. Even significantly less expensive lenses like an 85mm f/1.8 can produce beautiful, shallow depth in an image, but what if you want more depth?
This is probably one of the more frequent questions that I hear. For the most part, I get asked this question by beginner photographers, which is fine of course. Unfortunately, it's not always easy for me to give a straight answer, because there are a lot of factors to consider. Despite this, I think this video may help provide some answers.
Current digital medium format cameras offer some of the best in image quality. One of the big advantages that these large sensor cameras have is dynamic range. Most currently medium format cameras offer around 15 stops worth of dynamic range when shooting raw. How does medium format film compare to that?
When the Peak Design Travel Tripod was first announced and released, I did scoff at it. I thought it was nothing more than just an overpriced tripod. As someone who currently owns the Manfrotto Befree tripod, I thought this release from Peak Design was silly, to say the least.
As the lockdown continues here in the UK, Anete and I are finally getting the time to finish some of the videos we filmed a little while ago. We are currently missing the ability to go out and shoot portraits again, and very much looking forward to end of this lockdown.
It's not very often that I watch a video online and react by literally gasping and audibly saying "wow." Watching Captain America stare down Thanos and his whole army, in an IMAX cinema, on a huge screen, was the last time I reacted in such a way. This time, even without the huge screen, resolution, and quality, this video is simply incredible.
In general, the images that I find the most engaging are ones that have motion in them. In some images, the motion can just be implied and that still adds a whole new dimension. Motion can also add an element of storytelling to the image which how engaging it can be. This is why I believe, food images with motion get so much attention.
This is not a negative piece on Canon, nor am I complaining about what Canon is or isn't doing. Now that I have that out of the way, let's get realistic about Canon cameras for a moment.
Shooting while tethered is probably the best way for many photographers. It's obviously not ideal for certain kinds of photography, like events and weddings; however, for those that shoot on a tripod, being tethered to a larger screen can make all the difference.
As the lockdown continues, many of us may be struggling to find ways to keep ourselves entertained. Worse than that is the fact that many of us may be feeling a little under utilized. It's probably not that easy to flex our creative muscles during this time, especially if your kind of work specifically requires you to be out and about.
When it comes to flagship cameras, most photographers tend to buy into one brand and stick with them. It's not very often that people who shoot with these cameras switch from one camera brand to another. A big reason for this is because familiarity is valuable and especially useful when shoots are critical.
When Pentax released its 24-70mm f/2.8 lens back in 2016, people quickly realized that it was little more than a rehoused Tamron lens without the VC feature. More recently, Pentax has announced that it's developing a new FA* 85mm f/1.4. Although there are certain physical similarities to a Sigma lens, I doubt that it's the same lens.
In a previous article I discussed how supermodel, Bella Hadid, was being sued for posting pictures of herself on Instagram. I also talked about how this is seemingly becoming quite a frequent occurrence. I believe this is mostly due to the fact that most people don't seem to understand how copyright laws work.
As far as I know, most photographers and videographers tend to edit their own content. This generally means that most of them spend a great deal of their time in front of a screen. Is all of that screen time causing damage to our eyes?
As social media platforms go, Instagram is one of the most popular apps in the world. To see how this app went from humble beginnings to what is it today really puts into perspective how much of an impact it has had on the industry and the world at large.
Previously, we compared a 4x5 film camera to the Canon 5DS R, and the film camera was able to produce incredible results. We mostly focused on the differences in depth of field for that comparison. With 4x5, you're able to produce beautiful bokeh and extremely shallow depth of field. In this latest video, we decided to look at the differences in resolution.
This year, Fujifilm has released two exceptionally good APS-C cameras. In my view, these are the best crop sensor cameras currently on the market. As more and more people get their hands on these cameras, problems relating to overheating seem to be surfacing with the Fujifilm X100V.
Another day, another celebrity getting sued for posting pictures of themselves.
The Canon EOS R is a camera that may have split the crowd a little. In my view, it's not the best release from Canon for a number of reasons. The lenses for this system, however, are a very different case. In typical Canon form, the latest RF lenses are fantastic, and if you're having difficulty picking between them all, then this video might be of help.
It was all the way back in 2018 when Leica first announced the development of the S3. I had a brief chance to take a look at the camera during my visit to Photokina, and I was quite impressed. And now, it's finally here.
Remember when Pentax released the K-1 Mark II? In hindsight, that wasn't too bad.
Fujifilm has officially announced the X-T4 and to me it looks like a brilliant camera. Fuji has implemented most of the major requests made by many within the community. My initial reaction in London was extremely positive towards the camera. Unfortunately, there are still a few reasons that hold me back from upgrading.
A few years ago, I reviewed the Hasselblad H6D 100c, and one of my biggest complaints was the lenses. This is not the case with Hasselblad's X1D system. Every XCD lens I've tested has far outperformed my expectations, and now, I've found the best portrait lens I've ever shot with.
Over the last few years, many Sony shooters have been requesting certain features that still haven't been delivered. One of the main features that a lot of people seem to want is better video features. Unfortunately, Sony has, for the most part, stuck with the same video features they initially offered back in 2015.
Well, let’s open this huge can of worms and see what happens.
The X100 series of cameras have been my favorite for quite some time now. I first fell in love with this series when I bought the X100T. This camera was with me at all times, and I took so many personally, meaningful images with it. The only reason why I sold it was so that I could buy the X100F. Now, Fujifilm has recently announced its successor, the X100V.
It seems to me that releasing a good lens these days isn't enough. There has to be some edge that the marketing department can use. Hasselblad recently released a tiny medium format lens for the X1D series of cameras, and I had a chance to test it out.
For many of us, a Sony mirrorless camera was the default option if you wanted to shoot high quality full frame video. Sony first offered this feature in the a7R II and I bought into that system too. More recently however, it seems Nikon are taking a shot at offering high quality video features; but is anyone taking notice?
When the X-H1 was first announced, I wrote an article talking about how it was a disappointing release from Fujifilm. My thoughts about that camera haven't really changed; however, since rumors of the X-T4 started to circulate, I've had a think about the H series and where it sits in the line-up.
When I first started out in photography I didn't have any specific process to manage any of my images and files. This is one of the primary reasons I don't have many of my early images anymore. It's a shame because I was quite proud of some of the images I had produced.
As a company, Facebook has quite a prudish mentality when it comes to art and creative works in general. This is why we have campaigns like "Free The Nipple," because Instagram doesn't really seem to appreciate art. What's worse is Instagram is now targeting images they consider "fake," which includes composites and works of a surreal nature.
When it comes to data recovery software, there are plenty of options currently on the market. In my experience it's been super useful to have a recovery software on hand because I have had SD cards fail on me. The issue is that many available options tend not to do a great job at recovering video. Wondershare might have the answer with its latest update.
